Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
SCIENTISTS have warned that Britain will have to face the prospect of thousands of annual Covid deaths in the coming years, The Guardian reported.
The disease will circulate alongside flu and other seasonal viruses and become part of accepted winter illness, they added.
According to them, Covid is likely to sweep the country every winter affecting elderly and infirm people. When cold weather forces people indoors, virus transmission will increase, case numbers will rise, and some of these will result in deaths, the report added.
Researchers said that Covid infections could rise in autumn as vaccination rates falter and schools return. This could lead to a fourth wave this winter – one that could become an annual occurrence for years to come, The Guardian report said.
“We are going to see problems with Covid for a long time. The virus has shown itself to be genetically more nimble than we expected, though not as much as the influenza virus. So I would envisage Covid being a continuing problem for some time, with annual death tolls reaching thousands and possibly tens of thousands," Prof Adam Finn of Bristol University, told the newspaper.
Prof James Naismith, director of the Rosalind Franklin Institute in Oxford, said: “We won’t see Covid-19 spread like wildfire again. There will be enough herd immunity in the population to ensure it will never kick off like that again. But everything will not be hunky-dory. We will have waves of illness similar to flu, I think. And they will kill. The issue is: how many? That is difficult to assess but if you look at current Covid deaths, these are occurring at about 100 a day."
According to Prof Jonathan Ball of Nottingham University, numbers of Covid deaths will decrease over time as population immunity to the disease not only increases but also broadens.
“Covid is not going to be something that brings society to a halt. And we can minimise the problems it poses – through careful use of vaccines, for example," said Prof Finn.
Prof Martin Hibberd of the London School of Hygiene and Tropical Medicine, told The Guardian: “I think we may be at a turning point in Covid-19 in the UK, with the proportion of people with antibodies now rising above 90 per cent. That means that soon we will be in as good a place as possible with vaccine protection – and yet, we are still seeing the disease.
“This is what we will have to live with: a new nasty disease that will continue to cause problems. I think we can use influenza as an example here. We have vaccines for influenza and yet we still have perhaps an average of 20,000 deaths a year in the UK.”
Scientists are now pressing for the introduction of booster vaccines for people over 50 and for 16- and 17-year-olds to be considered for vaccination.
According to the report, previous lockdowns in the UK may have weakened the British population’s immunity to other respiratory illnesses such as flu.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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