China urges joint security plan with Pakistan amid growing threats to its citizens
Last month’s airport bombing in the southern port city that killed two Chinese engineers was the latest in a string of attacks on Beijing’s interests in Pakistan.
Officials inspect the
wreckage of a vehicle carrying Chinese nationals
after a suicide attack near Besham city in Shangla
district of Khyber Pakhtunkhwa in March
By Eastern EyeNov 16, 2024
BEIJING is pushing Pakistan to allow its own security staff to provide protection to thousands of Chinese citizens working in the south Asian nation, during talks after a car bombing in Karachi that was seen as a major security breach, sources said.
Last month’s airport bombing in the southern port city that killed two Chinese engineers returning to work on a project after a holiday in Thailand was the latest in a string of attacks on Beijing’s interests in Pakistan. The attacks, and Islamabad’s failure to deter them, have angered China, which has pushed Pakistan to begin formal negotiations for a joint security management system.
Five Pakistani security and government sources with direct knowledge of the previously unreported negotiations and demands spoke to Reuters on condition of anonymity, as the talks are sensitive.
“They (Chinese) want to bring in their own security,” said one official, who sat in on a recent meeting, adding that Pakistan had not so far agreed to such a step.
It was not clear whether Beijing wants to bring in state or private security personnel for the task.
Neither Beijing nor Islamabad confirmed the talks officially.
The source, and two other officials, said there was a consensus on setting up a joint security management system, and that Pakistan was amenable to Chinese officials sitting in on security meetings and co-ordination. But there was no agreement on their participating in security arrangements on the ground.
The first official said Pakistan had asked China for help in improving its intelligence and surveillance capabilities instead of direct involvement.
A spokesman for China’s foreign ministry told Reuters it was not familiar with talks on a joint security scheme, but added, “China will continue to strengthen co-operation with Pakistan and make joint efforts to do its utmost to maintain the security of Chinese personnel, projects and institutions.”
Officials inspect the wreckage of a vehicle carrying Chinese nationals after a suicide attack near Besham city in Shangladistrict of Khyber Pakhtunkhwa in March
Inter-Services Public Relations, the information wing of the Pakistan army, declined to comment. The interior and planning ministries did not respond to repeated requests for comment.
In a statement last week, Pakistan’s interior ministry said both sides agreed to develop a joint strategy to prevent similar incidents in the future.
The nature of the Karachi bombing has angered Beijing, which is now pushing harder to achieve a long standing demand to control security arrangements for its citizens.
A pick-up truck rigged with nearly 100 kg (220 lbs) of explosives waited unchecked for about 40 minutes near the outermost security cordon of the heavily guarded airport before its driver rammed it into a vehicle carrying Chinese engineers, officials said.
“It was a grave security breach,” admitted one of the officials investigating the bombing, which came just a week before Chinese prime minister Li Qiang’s visit to Islamabad, the first such trip in a decade.
The official said investigators believe the attackers had “inside help” in securing details of the itinerary and route of the engineers, who had returned from a month off in Thailand. They were to be escorted back to a power plant set up as part of plans for the China-Pakistan Economic Corridor (CPEC).
Longtime Pakistan ally China has thousands of nationals working on projects grouped under the CPEC, a $65-billion (£50.8bn) investment in President Xi Jinping’s Belt and Road Initiative, which seeks to expand China’s global reach by road, rail and sea. Publicly China has mostly backed Pakistan’s arrangements, even as it calls for enhanced security.
Privately, Beijing has expressed frustration. At one recent meeting, the Chinese side provided evidence that Pakistan had failed to follow security protocols agreed on twice in recent months, three officials said. Such protocols usually feature high standards for deployment and movement of Chinese officials.
Chinese nationals have been in the crosshairs of separatist militants who see Beijing as helping Pakistan exploit minerals in the underdeveloped southwestern province of Balochistan, where China has a strategic port and mining interests.
Thousands of Pakistani security officers from the army, police and a dedicated force called the Special Protection Unit are posted to guard Chinese nationals.
Only China’s embassy in Islamabad and its consulates are allowed Chinese official security personnel, the Pakistani officials said. (Reuters)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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