A BREAST-CANCER survivor has urged the Asian community to get involved with cancer-support beauty workshops, claiming that they have “changed her life”.
The Look Good Feel Better (LGFB) workshops help cancer patients with the visible side effects of their treatment. The cancer support charity provides professional advice on beauty and skincare regimes, which can help boost the confidence of those who have lost their hair or had skin changes due to their treatments.
The workshops, which are open to both men and women, are also a way to meet fellow patients. In light of the coronavirus outbreak, LGFB has extended its services online and has recently introduced virtual workshops.
Anita Patel, 42, attended her first LGFB workshop at the Leicester Royal Infirmary last September. The mother-of-two, who was diagnosed with breast cancer several months earlier, found out about the initiative from a friend.
“It is all about making you feel your best self in a nurturing, nonjudgmental and safe environment,” Patel explained to Eastern Eye. “Some women were on chemo, so they were shown how to give eyebrows more definition, for example.
“Even for those who hadn’t lost their hair, it was about helping us to face the challenges and just feel better about ourselves, whatever stage we were at in our cancer journey.”
Patel said the workshop had a “big impact” on her life. Juggling demands as a mother but also coping with her cancer treatment meant she was not prioritising her own beauty routine. However, she now takes care to use what she has learned from the workshops and makes an effort with her skincare routine when she can.
The side effects of Patel’s treatment meant her skin has become drier than usual. Therefore, during her session, volunteers talked her through a cleansing and moisturising routine to keep her skin healthy and hydrated.
“I would say (the workshops) have actually changed my life,” she said. “I’m a busy mum and I wasn’t really prioritising getting up and trying to feel my best self. But this has really made me do that whenever I can.”
Even during lockdown, Patel said she makes an effort to put on make-up and look after her skin if she has a Zoom call scheduled with her friends.
“I make sure I get myself a little dressed up, put on some lip gloss or eyeliner, make sure my skin is well hydrated,” she explained. “It does make you feel good.”
She added: “I’m still on my treatment, so you have good and bad days with the side effects… but on the not-so-good days, just doing a little of what the workshop has taught me does make a difference.”
However, Patel is one of the few Asian participants in the LGFB services. She believes this could be down to the cultural taboos associated with cancer in the community.
“There is almost a stigma associated with cancer especially breast cancer, as it involves talking about your body in more detail,” she said. “I personally have tried to become more open and vocal, especially recently now that I understand it more. The more we talk about it, the less scary it becomes.”
Thirteen years ago, Patel’s mother passed away from breast cancer. Due to her experience, Patel said the disease had “sadly become familiar territory for (her) family”. She hopes to encourage Asians who have undergone treatment for cancer to look into the workshops and consider getting involved. Attendees will make connections with others going through similar situations, she said, and feel empowered.
“Women and men are both welcome, reinforcing the message that it’s not just a make-up or feeling glamorous workshop – it goes way beyond that,” she said. “We deserve to feel our best selves.”
Visit www.lookgoodfeelbetter.co.uk/ for more information.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.