Fast Bowler Jasprit Bumrah took his maiden five-wicket haul, enabling India to restrict a struggling Sri Lanka to 217 for nine in the third ODI of the five-match series today (27).
Bumrah was brilliant both upfront and in the death overs to end with figures of five for 27, surpassing his previous best of four for 22.
Sri Lanka, trailing 0-2 in the series, once again put up an ordinary show with the bat, barring a gritty 80 off 105 balls from Lahiru Thirimanne.
His 72-run stand for the third wicket alongside Dinesh Chandimal (36) was the lone bright spot in the innings after stand-in-captain Chamara Kapugedera opted to bat.
The hosts made two changes with Thirimanne and Chandimal coming in place of the injured Danushka Gunathilaka and suspended Upul Tharanga. India, expectedly, didn t make any changes.
After winning the toss for the first time in the series, Sri Lanka surprisingly sent Chandimal to open with Niroshan Dickwella (13).
The former had only opened twice in his ODI career before, back in 2012 against New Zealand, and he watchfully added 18 runs for the opening wicket.
Dickwella survived an LBW via DRS in the fourth over, but four balls later Bumrah got his man in the same manner, LBW via DRS again.
Due to Dickwella s dismissal, Sri Lanka didn't make a flying start and were reduced to 28 for two in the eighth over, with Kusal Mendis (1) caught at second slip. Rohit Sharma took a great diving catch to his right, plucking his 100th catch in international cricket.
Chandimal and Thirimanne then calmed things down and put on a solid partnership in the middle overs for a change. They didn't score quickly though, as Sri Lanka only reached 37 for two in the first ten overs.
Later they brought up their 50 partnership off 72 balls as Sri Lanka crossed the 100 mark in the 26th over. Chandimal was hit on his right thumb fending a short delivery off Hardik Pandya (1/42) in the 17th over, and that incident partly hampered his ability to shift gears.
Looking for some attacking shots, Chandimal then holed out in the deep off Pandya in the 26th over itself.
India had a poor day in the field with a lot of missed chances and barring Rohit s attempt, they looked far from a great fielding unit.
Thirimanne used this to his advantage and reached his 17th ODI half-century off 69 balls, inclusive of four fours.
In total, he collected five fours and a six.
He put on 38 runs for the fourth wicket with Angelo Mathews (11), as they looked to up the scoring rate against the spinners with Axar Patel (1/35) bowling a tight spell.
Kedar Jadhav (1/12) then got the breakthrough, tapping Mathews LBW in the 35th over. The big blow came when five overs later Thirimanne was caught at midwicket off Bumrah off a slower ball.
Sri Lanka were reduced to 181 for six in the 44th over with Patel bowling Kapugedara (14) as the lower order failed to kick on once again.
It was a familiar story with Akila Dananjay (2) and Milinda Siriwardana (29) following him to the pavilion shortly thereafter, both bowled by Bumrah on either side of a short rain break.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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