BRITISH-BORN Al-Qaeda terrorist Ahmed Omar Saeed Sheikh has been shifted to Lahore's Kot Lakhpat jail from Karachi, officials said on Friday (9).
He was on death row for 18 years before his acquittal last year in the kidnapping and beheading of US journalist Daniel Pearl.
Pearl, the 38-year-old South Asia bureau chief for The Wall Street Journal, was abducted and beheaded while he was in Pakistan investigating a story in 2002 on the links between the country's powerful spy agency ISI and Al-Qaeda.
An official of the Punjab government told PTI that the 48-year-old Sheikh was brought from Karachi by air on Thursday (8) evening and was shifted to the 'rest house' part of Kot Lakhpat jail amid high security.
Reports suggest that the Mumbai attack mastermind Hafiz Saeed is also kept at the same ‘rest house'.
Sheikh has been shifted to Lahore following a Supreme Court's directive, which last month had ordered shifting of Sheikh to Lahore on his petition against his continued detention despite being freed by the Sindh High Court in 2020 in the brutal murder of the US journalist.
Sheikh had submitted the application seeking his transfer from his death cell at the Karachi Central Prison to Lahore, where his family resides.
The Supreme Court had suggested that Sheikh could be moved to a GOR (Government Officers Residences) colony, which was a high-security area, directing the Punjab government to facilitate him (Sheikh) in accordance with court orders.
“The detainee Ahmed Omar Saeed Sheikh shall be accommodated in a government rest house with the provision of facilities for a normal life, albeit without access to the outside world through telephone, internet, etc,” the court order said.
On January 28, the Supreme Court — by a majority of two to one — had upheld the Sindh High Court's acquittal of Sheikh and ordered his release if he was not wanted in any other case. The court had also directed that all the other accused — Fahad Nasim Ahmed, Syed Salman Saqib and Adil — be released forthwith unless they were wanted in any other case.
The Sindh government and parents of the slain journalist had appealed against the high court's decision, but the Supreme Court upheld the acquittal order.
The US government has asked the Pakistan government to ensure that those involved in the murder of Pearl should be punished. The White House, voicing outrage over the acquittal of Sheikh and his aides, asked Pakistan to expeditiously review its legal options, including allowing the US to prosecute them to secure justice for Pearl's family.
The pressure mounted on Pakistan as the US secretary of state Antony Blinken called foreign minister Shah Mahmood Qureshi to demand justice for Pearl. Last week, Blinken spoke with Pearl's family and assured them that the US government remains committed to pursuing justice and accountability for those involved in his kidnapping and murder in Pakistan.
Pearl was doing research on religious extremism in Karachi when he was abducted in January 2002. A graphic video showing his decapitation was delivered to the US consulate a month later. Subsequently, Sheikh was arrested in 2002 and sentenced to death by a trial court for his alleged involvement in the murder.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.