Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE leader of Brent Council recounted his “horrendous” experience of suffering from Covid-19, as he urged people to take the virus seriously.
In a public message, Cllr Muhammed Butt explained how he fell ill over the festive period and subsequently tested positive for Covid.
He noted symptoms including migraines, a constant cough, breathing issues, shivering, and an inability to get out of bed.
“Anyone can catch this virus; I know this all too well as I was ill with Covid-19 over Christmas, which knocked me for six,” he said.
“Thanks to all the great help and advice from the NHS, I am now on my way to getting over the virus but not everyone is this fortunate.”
Cllr Butt has been keen to stress that Covid-19 is not “just the flu”, a hoax, or something to shrug off as nothing more than an irritation.
He implored residents to not treat the situation lightly, particularly as they live in an area which has seen health services under increasing pressure.
Across the country there are around three times as many people in hospital with Covid issues when compared to November.
In Brent, the number of Covid-19 cases is around five times higher than in November, with around one Covid-related death each day.
To combat the spread of the virus, Cllr Butt asked people to follow the government’s advice and stay at home unless absolutely necessary over the coming weeks.
“There is light at the end of this very long tunnel. There are now two vaccines being delivered and the NHS is doing an amazing job treating those who need it the most," he added.
“There is hope this year, but we all need to pull together and support one another. If we all do our bit, we can look forward to better times ahead.”
October marks Menopause Awareness Month, with World Menopause Day on 18 October.
South Asian women often face earlier menopause, more severe symptoms, and higher health risks.
Cultural stigma and silence leave many women isolated and unsupported.
The Sattva Collective CIC is the UK’s first organisation focused on South Asian women and menopause.
Founded by coach Kiran Singh, it provides safe spaces, resources, and monthly Midlife Circles.
Plans underway for a Midlife & Menopause Summit in October 2026.
Awareness is key: “Silence leads to shame. Awareness leads to empowerment.”
This October, the world observes Menopause Awareness Month, with World Menopause Day on 18th October. For many South Asian women, this is more than a health milestone, it is an opportunity to finally challenge silence, stigma, and cultural barriers that have silenced generations before us.
Menopause is universal. But its impact is not. Research shows that South Asian women often enter menopause earlier, with more severe symptoms and higher risks of diabetes and heart disease. Yet in many South Asian communities, menopause remains an unspoken subject, whispered about in kitchens, dismissed as “just part of ageing,” or hidden entirely.
The result? Women endure not only the physical changes of menopause but also isolation and shame.
The Sattva Collective CIC: A first of its kind
The Sattva Collective CIC (.www.thesattvacollective.org) is the UK’s first Community Interest Company dedicated specifically to South Asian women, midlife, and menopause. Founded by Kiran Singh (https://kiransinghuk.com/), herself a certified Midlife Lifestyle Coach and Menopause Wellness Coach, the organisation exists to create safe, culturally sensitive spaces where women can access education, share experiences, and reclaim dignity in midlife.
Through monthly Midlife Circle meet-ups, an online resource hub, and regular awareness campaigns, The Sattva Collective is making sure South Asian women know: you are not alone.
Looking forward, the organisation will host the Midlife & Menopause Summit in October 2026, timed with the Menopause Awareness Month, to bring together practitioners, experts, and women’s voices in a landmark event.
The stigma within
In South Asian families, women who express dissatisfaction in midlife are often told: “But your husband is a good man. Why complain?” Or: “It’s just ageing, everyone goes through it.”
But these dismissals hide a deeper truth: that emotional unavailability, loneliness, and invisibility are just as real as physical symptoms.
By naming these realities, The Sattva Collective empowers women to stop apologising for their needs and start demanding recognition, respect, and resources.
Awareness as empowerment
This Menopause Awareness Month, South Asian women deserve to be seen not as a cultural afterthought, but as central voices in the global conversation.
As Singh notes: “Silence leads to shame. Awareness leads to empowerment. When we speak, we break the cycle for the next generation.”
Moving forward
Eastern Eye readers are invited to support this movement by:
- Talking to mothers, sisters, and daughters about menopause.
- Sharing resources within families and community groups.
-Supporting organisations like The Sattva Collective CIC that are leading change.
This October, let us break the generational silence around menopausebecause every South Asian woman deserves to navigate midlife with dignity, confidence, and compassion.
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Traditional sarees in blue and white marked the occasion
Charity walk at Clumber Park united 38 participants across generations
Traditional sarees in blue and white marked the occasion
Over £2,000 raised for Parkinson’s UK
Sarees and solidarity at Clumber Park
Members of the Bangladeshi community in Yorkshire gathered this summer for a colourful charity walk that raised more than £2,000 for Parkinson’s UK.
The event, held on 26 July at Clumber Park in Worksop, was organised by the Dhaka Medical College Alumni Association UK (DMCAA UK). Thirty-eight participants, from children to grandparents in their 60s, walked in coordinated blue and white sarees – colours reflecting Parkinson’s UK – turning the park into a vibrant celebration of culture, unity, and purpose.
Families walking for a cause
The day was about more than fundraising. It brought together families across generations, with children not only joining the walk but also being recognised with certificates for their involvement. After the walk, the community enjoyed a picnic, where younger participants shared their reflections on the importance of giving back.
Dr Mahjabin Islam, Consultant Neurologist and NIHR Sheffield BRC Doctoral research fellow at the University of Sheffield, described the event as a milestone:
“This was our first large-scale fundraising effort, and it was such a rewarding experience. Seeing families, from the youngest to the eldest, come together in our cultural attire for such an important cause was very special. We are proud that our community could unite in this way to support Parkinson’s UK.”
It was organised by the Dhaka Medical College Alumni Association UKParkinson’s UK
A growing need for awareness
Parkinson’s is the fastest-growing neurological condition in the world, affecting 166,000 people across the UK. With over 40 symptoms, ranging from tremor and pain to anxiety, the condition has no cure.
Ailsa Dragan, Community Fundraiser for Yorkshire at Parkinson’s UK, praised the effort:
“We’re so grateful to Dr Islam, the DMC Alumni Association UK, and everyone who both organised and took part in the walk to make it such a great success.”
For the organisers, the walk was both a cultural celebration and a commitment to supporting those living with Parkinson’s – and a reminder that small community-led efforts can make a meaningful difference.
The International Siddhashram Shakti Centre has brought devotion and colour to Harrow with its 19th annual Navratri Garba celebrations, launched on 22 September at the Harrow Leisure Centre under the guidance of HH Rajrajeshwar Guruji. The fortnight-long festival, running until 2 October, will end with a Sharad Poonam finale on 5 October. This year, the event also honoured 60 years of Harrow Council, reinforcing the connection between culture, faith and civic pride.
Aniruddhacharya Ji’s Message
Visiting saint Pujya Shri Aniruddhacharya Ji Maharaj, in London for a Shrimad Bhagwat Katha organised by Siddhashram, addressed the gathering with a call to balance modern education with spiritual roots.
“Chant the Hanuman Chalisa, study the Gita and Ramayan, and never forget your Dharma even as you achieve in the modern world,” he said. “Guruji’s efforts are extraordinary in uniting communities and strengthening Sanatan values globally.”
Spiritual Blessings
Guruji reminded devotees that Navratri is more than dance. “It is about awakening the soul, staying united, and living with devotion. This year, as we celebrate Harrow Council’s 60th anniversary, may Mataji bless everyone with wisdom, strength and joy,” he said.
Civic Leaders Speak
The event drew praise from local MPs and civic leaders. Gareth Thomas MP described it as “a celebration that enriches Harrow’s diversity”. Bob Blackman MP called it “a proud moment reflecting unity across generations.”
Harrow Council’s Managing Director, Alex Dewsnap, said the combined celebration of Navratri and the Council’s 60th year showed how “faith, culture and civic duty are intertwined in Harrow.” Mayor Cllr Anjana Patel praised Siddhashram for “preserving traditions while uniting people of all backgrounds.” Council Leader Cllr Paul Osborn said the Garba “captures the joy and togetherness that define Harrow.”
Several councillors including Cllr Hitesh Karia, Cllr Vipin Mithani, Cllr Kanti Rabadia, Cllr Krishna Suresh, Cllr Sasi Suresh, Cllr Chetna Halai, Cllr Graham Henson, Cllr Stephen Greek, Cllr Thaya Idaikkadar, Cllr Kuha Kumaran, Cllr Ramji Chauhan, Cllr Mina Parmar, and former Mayors Bhagwanji Chauhan, Ajay Maru and Cllr Pankit Shah, Labour Party leaders Mike Williams and James Watkins also joined the celebrations. Notable guests included Manoj Ladwa and philanthropist Samjibhai Patel, who honoured civic leaders on Siddhashram’s behalf.
Saints Abhiramacharya Ji Maharaj of Prayagraj and Pujya Shri Jentibapa from Gujarat also graced the celebrations.
Representatives from the Metropolitan Police, Fire Brigade, British Army, Royal Navy, St John’s Ambulance and Harrow Interfaith groups joined on different days, demonstrating strong community support.
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Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal
Selena Gomez married Benny Blanco in Santa Barbara on September 27.
The pop star wowed in a Ralph Lauren halter gown and a second sheer lace dress.
Her Old Hollywood Marcel wave bob was the highlight of the bridal look.
Guests included Taylor Swift, Paul Rudd, Martin Short, Steve Martin, and Paris Hilton.
Celebrity weddings increasingly use multiple outfits as branding and PR moments.
Selena Gomez wedding photos are finally here, and yes, she looked absolutely stunning. The pop star tied the knot with Benny Blanco in Santa Barbara, California, rocking not one but two Ralph Lauren dresses, each perfectly timed for different parts of the day. Her old Hollywood bob hairstyle completed the look, giving classic glamour vibes while also showing how stars stage multiple wardrobe moments for maximum impact.
Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal Instagram/selenagomez/itsbennyblanco
Old Hollywood bob steals the spotlight
Gomez’s hairstylist, Renato Compora, went all out, crafting a Marcel wave bob that looked straight out of a 1950s Hollywood set. He layered treatments, deep conditioning, and thermal protection before curling every inch, creating those soft, polished waves. Fans have seen Gomez experiment with her bob before, but this wedding-ready style was absolute perfection.
First, there was the custom satin halter gown with a flowing full skirt: classic, romantic, and timeless. Then, Blanco shared photos showing Gomez in a sheer lace skirt with intricate floral detailing, strappy heels, and a dramatic veil. But it is not just a fashion flex. Celebrities are increasingly using multiple looks to craft a narrative, create media buzz, and showcase personal branding across different wedding moments.
The wedding was not just about the couple; it was a Hollywood mini-festival. Taylor Swift arrived solo. Ed Sheeran, Paris Hilton, and Gomez’s co-stars from Only Murders in the Building, Paul Rudd, Steve Martin, and Martin Short, were all there. The ceremony at Sea Crest Nursery had 170 family and friends, complete with private security, exquisite floral touches, and Ralph Lauren suits for the groom and his groomsmen.
— (@)
Celebrity wedding trends and branding
Gomez’s multiple looks hint at a bigger trend: weddings as brand statements. Celebrities are increasingly viewing their weddings as an extension of their public persona, right down to the meticulously chosen dresses and hairstyles. Every ensemble, photo carousel, and accessory presents an opportunity to establish the narrative, attract media attention, and convey a tale without using words.
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Visitors view gowns and displays at the Marie Antoinette Style exhibition at the V&A
For Eastern Eye visitors to the sumptuous new Marie Antoinette Style exhibition at the V&A, the whole show has to be seen in the context of India’s relations with France and especially that between Tipu Sultan, ruler of Mysore, and the young fashion queen.
Marie Antoinette, the Princess Diana of her day, loved to wear the muslin and printed cotton gowns sent from India.
In return, she sent Tipu delicate Sèvres porcelain, plus busts of herself and her husband, King Louis XVI.
Tipu’s plan was to form an alliance with the French in his fight against the British. The alliance never materialised, although Tipu did send ambassadors to France.
A portrait of Tipu Sultan
Tipu and Marie Antoinette’s exchange of gifts was immortalised in paintings and sketches.
The exhibition’s curator, Sarah Grant, told Eastern Eye of Marie Antoinette’s connection with Tipu: “Tipu Sultan sent his ambassadors to the court of France on an official visit. They presented gifts to Marie Antoinette – Indian muslins and beautiful gowns. And she presented gifts which they took back. But one of the busts (of herself) was looted by British soldiers in the 19th century and brought to England. So it had this extraordinary history. There was this interesting exchange of style and fashion between India and France.
A painting of Marie Antoinette and Louis XVI receiving Tipu Sultan’s ambassadors in 1788
“All this is well documented. There are paintings of the ambassadors arriving at court in Versailles. There was an exhibition, Visitors to Versailles, which looked at diplomatic visits from India and China. But it seems Tipu Sultan and Marie Antoinette had a particular connection.
“India had developed the technology for printed and dyed cotton, something in which they were leaders in the world. France tried to steal that knowledge and technology, and sent spies to observe the processes. There was a ban on importing Indian printed cottons into France. So many people were wearing them that officials feared importing would damage France’s native industries. But cotton cloth was still being imported from India. They were printing it in France and selling it.”
She agreed “100 per cent” with the V&A’s director, Tristram Hunt, who described Marie Antoinette as “the most fashionable queen in history across 230 years of design, dress and film”.
Hunt added: “The exhibition combines her infamy with her influence. Balancing the sumptuous 18th century gowns on show are contemporary fashion pieces in the final room, including couture works by designers such as Moschino, Dior, Chanel and Vivienne Westwood, and, of course, the wonderful costumes designed for Sofia Coppola’s brilliant Oscar winning Marie Antoinette.”
Grant said: “Part of it is she was very fashionable. She loved fashion. Obviously, most monarchs, most queens, most emperors, most empresses, dress in finery. But she was particularly interested in new fashions, new styles. The pace of fashion accelerated under her.
The Sutherland Diamonds
“She’s not just stylish. She’s not just wearing what everyone else is wearing. She is creating new fashions and inspiring other people. Certainly, people in the Anglo-Saxon world, in North America and in Britain, were following very closely what Marie Antoinette was wearing in France. She dies young, and we never see her age.”
Tipu, who was born on December 1, 1751, was the Sultan of Mysore from 1782 until he was killed in battle defending his stronghold of Srirangapatnam on May 4, 1799. He was defeated in the Fourth Anglo-Mysore War by a combined force of the British East India Company troops supported by the Marathas and the Nizam of Hyderabad.
Marie Antoinette born Maria Antonia Josepha Johanna von Habsburg-Lothringen, archduchess of Austria, in Vienna on November 2, 1755, the daughter of Empress Maria Theresa and Emperor Francis I. She married Louis Auguste, Dauphin of France, in May 1770 at the age of 14, becoming the Dauphine of France.
On May 10, 1774, her husband ascended the throne as King Louis XVI, and she became queen. She was the last queen of France before the French Revolution and the establishment of the First Republic. Her husband was sent to the guillotine on January 21, 1793, in Paris, during the French Revolution. She was similarly executed on October 16, 1793.
A portrait of Marie Antoinette by François Hubert Drouais (1773)
Marie Antoinette was accused of saying, “Let them eat cake”, when informed the poor couldn’t afford bread. She said no such thing. But the quote has stuck and her alleged heartlessness used to justify her execution.
The exhibition has a sketch of the executioner waving her head. There is also the chemise she wore in her death cell. It very much resembles an Indian kurta. There is also a plaster cast of her severed head.
The exhibition displays a muslin dress from 1785-90, similar to the one Marie Antoinette had worn.
Antoinette had worn. “This is one of only two muslin chemise dresses from Marie Antoinette’s time that survives, a style that the queen helped to popularise,” says a note. “In her memoirs, Madame Campan described the queen and her friends in the summer of 1778 dressed in ‘muslin gowns, with large straw hats and muslin veils, a costume universally adopted by women at that time’. The queen also wore a muslin gown given to her by Tipu Sultan in 1788.”
There is another “Robe à la francaise”, from 1775-80: “In the late 1770s, Marie Antoinette and her circle embraced gowns made of cotton and linen as lighter and fresher alternatives to silk. This gown’s pink silk lining, visible through the fine white muslin, creates a blush effect, which was a specific contemporary trend. France’s East India Company imported many cotton fabrics from India, such as this figured and embroidered muslin.”
The exhibition has a reference to diamonds, probably sourced from India.
The “Diamond Necklace Affair” is explained: “In 1784 and 1785, a necklace became the centre of a theft that captivated the French public. With diamonds totalling 2,842 carats, it was the most expensive necklace ever made in France. Louis XV commissioned it for his mistress, Madame du Barry, but died before it was completed. The necklace was offered to Marie Antoinette who refused it, but a con artist, Jeanne de la Motte, tricked a courtier, the Cardinal de Rohan, into paying for part of it, supposedly on behalf of the queen. La Motte then absconded with the diamonds. Although Marie Antoinette was entirely innocent, the fallout dealt a fatal blow to her already ailing reputation.”
A muslin gown worn by the French queen
There is a display of the “Sutherland Diamonds”, with the setting from 1780-90: “The stolen necklace from the ‘Diamond Necklace Affair’ was broken up and brought to England. These diamonds almost certainly come from that sale. Probably mined in Golconda, India, the stones are of the finest clarity and brilliance. The central diamond alone weighs about 15 carats. They were worn by successive Duchesses of Sutherland to the coronations of Queen Victoria and George VI.”
The steel tycoon Lakshmi Mittal could consider dropping in to see the exhibition, since some of the 250 objects on display come from Chateau de Versailles, the main royal residence (although Marie Antoinette also had a private residence, Petit Trianon, in the palace grounds). When Mittal’s daughter, Vanisha Mittal, married Amit Bhatia in 2004 in a £30m wedding, there was a glittering feast for 1,000 guests at the Palace in Versailles hired for the occasion.
Marie Antoinette Style is at the V&A until March 22, 2026.