Skip to content
Search

Latest Stories

Bollywood actress apologises for #MeToo comments

Bollywood actress Preity Zinta apologised on Tuesday (20) over comments she made about India's #MeToo movement that sparked a furore on social media.

Zinta was accused of belittling victims after saying she wished she had faced sexual harassment.


"My reason for saying 'I wish something like this would have happened to me' in the film industry with a smile was because I would have reacted and slapped the person," she said.

Zinta said she was a "huge supporter of the movement" and claimed that her comments, given in an interview with entertainment site Bollywood Hungama, were taken out of context.

The 43-year-old star of the 2003 hit "Koi Mil Gaya" (Found Someone) added that she herself had been the victim of abuse.

"To all the women out there. I'm sorry if I have unintentionally hurt your sentiments on the #MeToo movement," she said.

India's belated #MeToo movement has seen women share accounts of alleged harassment by several powerful men in the worlds of Bollywood, business, journalism, politics, comedy and even cricket since gaining traction in late September.

The trigger appears to have been actress Tanushree Dutta, who accused well-known Bollywood actor Nana Patekar of inappropriate behaviour on a film set 10 years ago.

Since then, a slew of popular Bollywood figures have been accused of sexual misconduct, including Vikas Bahl, Sajid Khan and Alok Nath. All have denied the claims.

Last month, MJ Akbar resigned as India's junior foreign minister after at least 20 women accused him of sexual harassment during his time as a newspaper editor.

Akbar - who denies the allegations - is suing one of the complainants, Priya Ramani, for defamation.

(AFP)

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less