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Bollywood actress apologises for #MeToo comments

Bollywood actress Preity Zinta apologised on Tuesday (20) over comments she made about India's #MeToo movement that sparked a furore on social media.

Zinta was accused of belittling victims after saying she wished she had faced sexual harassment.


"My reason for saying 'I wish something like this would have happened to me' in the film industry with a smile was because I would have reacted and slapped the person," she said.

Zinta said she was a "huge supporter of the movement" and claimed that her comments, given in an interview with entertainment site Bollywood Hungama, were taken out of context.

The 43-year-old star of the 2003 hit "Koi Mil Gaya" (Found Someone) added that she herself had been the victim of abuse.

"To all the women out there. I'm sorry if I have unintentionally hurt your sentiments on the #MeToo movement," she said.

India's belated #MeToo movement has seen women share accounts of alleged harassment by several powerful men in the worlds of Bollywood, business, journalism, politics, comedy and even cricket since gaining traction in late September.

The trigger appears to have been actress Tanushree Dutta, who accused well-known Bollywood actor Nana Patekar of inappropriate behaviour on a film set 10 years ago.

Since then, a slew of popular Bollywood figures have been accused of sexual misconduct, including Vikas Bahl, Sajid Khan and Alok Nath. All have denied the claims.

Last month, MJ Akbar resigned as India's junior foreign minister after at least 20 women accused him of sexual harassment during his time as a newspaper editor.

Akbar - who denies the allegations - is suing one of the complainants, Priya Ramani, for defamation.

(AFP)

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  • Compares Bollywood’s entourage culture with simple Malayalam sets
  • Says perception drives behaviour on larger Hindi productions
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Dulquer Salmaan has spoken plainly about how different his early days in Hindi cinema felt. The actor, now seen as a pan-India name, said the size and pace of the industry forced him to project a sense of stardom he did not believe in. It became a matter of survival on set. The comments came during a roundtable with THR India, where he revisited those first months after Karwaan and The Zoya Factor. He kept using one simple point to explain it: perception. A word that keeps coming up when artists talk about hierarchy on Mumbai sets.

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