Basil Joseph says he may ‘forget to call himself a filmmaker’ if his directorial comeback delays further
Basil Joseph says two directorial projects were shelved despite years of development, prompting him to pause his acting career and start over from scratch.
Basil Joseph says delay in new film is frustrating: ‘I’ll forget to call myself a filmmaker’
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Minnal Murali director Basil Joseph opens up about his four-year break from filmmaking
Reveals in The Hollywood Reporter interview that two projects were shelved after long development
Says he stopped acting in October 2024 to focus on ambitious directorial comeback
“It’s frustrating. If it takes longer, I’ll forget to introduce myself as a filmmaker,” he says
Basil Joseph, who directed Minnal Murali, one of Malayalam cinema’s biggest genre hits in recent years, has revealed he is growing increasingly frustrated over the delay in returning to the director’s chair. In an emotional new interview with The Hollywood Reporter, Joseph said that the four-year gap since his last film has been filled with near-misses and creative roadblocks.
“If it takes any longer, I’ll forget to introduce myself as a filmmaker,” he admitted, reflecting on how his identity as a director has felt distant amid his busy acting career. Though he has delivered multiple successful acting performances since 2021, including the acclaimed Ponman, Basil says he’s now pressing pause on acting to make room for what he calls “an ambitious film” that demands his full creative attention.
Basil Joseph says back-to-back film delays left him questioning his identity as a filmmakerInstagram/ibasiljoseph
Why hasn’t Basil Joseph directed a film since Minnal Murali ?
Though Minnal Murali, Malayalam cinema’s first superhero film, was a Netflix hit and critical success in 2021, Joseph has not directed another feature since. According to his THR interview, he came close to making two more films, but both were shelved after long periods of script development and pre-production.
“It’s not that I was slacking or distracted. These films took up so much time and effort with rewrites,” he explained. “But when it does not materialise after getting close, it sort of gets to you. Films and ideas have a shelf life, and you need to make it within a certain timeframe.”
Joseph was also briefly linked to the long-rumoured Shaktimaan reboot, a major superhero project in Hindi, but that too has since been shelved.
Four years after Minnal Murali, Basil Joseph is still waiting to direct againInstagram/ibasiljoseph
He stopped signing films to prioritise his directorial return
In the interview, Joseph confirmed that he hasn’t signed any new acting projects since October 2024. Despite being in demand for lead and supporting roles, he says he deliberately stepped back to finally realise the next film he wants to direct.
“If the film I wanted to make was small, I could have done it alongside acting. But this one is big. It needs a star’s dates, a large budget, and time. I need to give it everything,” he said.
Joseph is known for directing with a unique mix of humour, emotion, and technical flair. His earlier films, Kunjiramayanam and Godha, developed a cult following, while Minnal Murali opened the door for genre filmmaking in Malayalam cinema.
Basil Joseph opens up on long wait for directorial comebackInstagram/ibasiljoseph
Acting gave him success but not the same creative fulfilment
While his transition into serious acting has been widely praised, especially in Joji, Palthu Janwar, and Ponman, Joseph says direction still gives him a different kind of high.
“I think it could be the magic of seeing a single idea get bigger at each stage… You obsess over it. You forget where you are or what time it is. You’re fully engrossed. I haven’t felt that with acting,” he said.
Even though he acknowledges the growth he’s experienced as a performer, he described acting as instinctive, while direction feels more intellectual and immersive. “Maybe the frustration I feel today comes from acting in too many films in a short span. I want to get back to directing as soon as I can.”
Joseph didn’t reveal plot or casting details about the upcoming film but hinted at its scale. He’s also juggling this development phase while being a full-time parent to his young daughter, Hope, often balancing writing sessions and interviews alongside childcare.
For now, the director-turned-actor is determined to make a comeback behind the camera and reclaim the identity he feels slipping away. As he said: “If it takes longer, I’ll forget to introduce myself as a filmmaker.”
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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