Women are expected to be walking, talking TED Talks on feminism, unproblematic, unapologetic, yet somehow never too much. Every misstep, every contradiction, every guilty pleasure becomes proof that they’re “not feminist enough.” Like Beyoncé can’t call herself a feminist and still love a killer red lip? Like you can’t demand equal pay and secretly binge-watch reality TV? The expectation that women must embody a perfect, textbook feminism is not only exhausting, it’s also a trap.
But here’s the truth: feminism was never about perfection. It’s about progress. And that means making space for contradictions, for evolving perspectives, for the messy, complicated, real-life version of womanhood. If we don’t, we risk turning the movement into an exclusive club where nobody is good enough to join.
The double bind of female leaders
Women in leadership? Oh, they better be bossy but not too bossy. Confident but not too confident. Strong but, God forbid, not intimidating. Welcome to the double bind, where women in power are either “too much” or “not enough.”
Hold your fire until you’ve got a solid argument because this isn’t just opinion, science backs this up. Role Congruity Theory explains that women who display traditionally “masculine” leadership traits like assertiveness, decisiveness, and authority are often seen as unlikeable. But if they lean into warmth and empathy? Boom, suddenly they’re “not leadership material.” It’s a lose-lose game.
Jacinda Ardern at her desk on her final day as New Zealand’s Prime Minister, January 25, 2023.Getty Images
Just ask Jacinda Ardern. She led New Zealand through terrorist attacks, a pandemic, and an economic crisis with grace and strength. But when she stepped down, saying she had "nothing left in the tank," critics pounced. Would a male leader have been scrutinised the same way? Highly unlikely. The idea that women in power must be tireless, flawless superhumans is just another version of the “perfect feminist” myth.
The beauty myth: Still haunting us
Naomi Wolf’s The Beauty Myth wasn’t just a book, it was a prophecy. Decades later, women are still held to impossible beauty standards. The goalpost keeps shifting, but the message remains the same, right? Be successful, but don’t look like you’re trying too hard. Be sexy, but not too sexy. Age gracefully, but don’t look like you’re ageing.
Women still navigate ever-changing beauty standards, just as The Beauty Myth predictedGetty Images
Case in point: Hillary Clinton spent her entire 2016 presidential campaign being critiqued for her outfits, her hair, her face. Meanwhile, her opponent? Tan lines and ill-fitted suits for days, yet nobody batted an eye. Or look at Serena Williams, one of the greatest athletes of all time, who’s had to defend her body against critics who think she doesn’t fit their outdated version of femininity.
Women in power face scrutiny over their looks—men, not so muchGetty Images
Women are fighting for boardroom seats and political power while also making sure their makeup is “natural but polished.” Exhausting, right? The modern feminist movement must stop pretending that caring about beauty makes someone less serious or less committed to the cause. Because listen up, feminism should liberate, not judge.
The domestic double standard: Work, then work some more
We love a career woman, but also, who’s packing the kids’ lunch?
Despite all the progress we keep talking about, women are still expected to dominate at work and run the household like a 1950s housewife. In Australia, women do 50% more housework than men, leading to what researchers charmingly describe as "volcanic levels of resentment." Globally, women spend 2.6 times more hours on unpaid domestic labour than men. Surprising? I hope not.
Women juggle careers and housework, yet unpaid labour remains overwhelmingly theirsiStock
Even in parenting, sometimes the standards are ridiculous. If a father takes his kid to the park, he’s hailed as a green-flag dad hero. If a mother does it, well... isn’t that her job?
And don’t even get started on the pressure for women to “have it all.” The truth is, no one ever asks men if they “have it all.” They’re just expected to have supportive partners handling the behind-the-scenes labour, tasks, and chaos. But shouldn’t feminism be about fighting for balance and not expecting women to be superheroes who do it all with a smile, right?
From Beyoncé to Emma Watson: When feminism comes with a rulebook
In case you feel alone, even the most high-profile feminists can’t escape the backlash:
Beyoncé – Called a hypocrite for her Flawless anthem because she embraces hyper-feminine aesthetics. Traywick of Foreign Policy called it “an overly simplistic, inoffensive pro-girl anthem that does little to challenge trenchant gender ideals.” As if feminism means you have to wear baggy jeans and avoid red lipstick at all costs.
Emma Watson – Posed semi-topless for Vanity Fair and got dragged for it. Because apparently, owning your sexuality contradicts fighting for gender equality? Her response? “Feminism is not a stick with which to beat other women with. It’s about freedom, it’s about liberation, it’s about equality.” And yet, feminism is often treated as just that, a rigid set of rules rather than a movement for autonomy.
Deepika Padukone– She dropped My Choice in 2015, a sleek, high-production feminist short film. But instead of applause, she got an internet roast session. Some called it empowering, while others labelled it elitist and out of touch with everyday Indian women. The message? Autonomy. The reaction? Chaos. The debate over who gets to claim feminism foreshadowed today’s cancel culture, where feminist statements are either glorified or torn apart within hours.
Madonna– Queen of pop? Yes. Queen of feminist contradictions? Also yes. Madonna built a career on pushing boundaries, owning female sexuality long before it was cool. But while she saw empowerment, critics saw exploitation. From Like a Virgin to her Truth or Dare perfume, the debate rages on: Is she an icon, or is she playing the system? Either way, she walked so Gen Z feminists could debate it on TikTok.
But in today’s cultural climate, younger feminist artists like Billie Eilish and Olivia Rodrigo are thankfully reshaping the conversation. Eilish, in particular, has criticised the hyper-sexualisation of women in the music industry, once saying she intentionally wore baggy clothes to avoid being objectified. However, when she later embraced a more traditionally feminine style, she too faced backlash.
Feminism that doesn’t allow for evolution is just another cage. Women should be allowed to explore, contradict themselves, change their minds, and still be taken seriously.
#Metoo, social media, and the messy reality of feminism
The #MeToo movement did something radical, it made people listen. But it also revealed how feminism isn’t always black and white. Take the Amber Heard vs. Johnny Depp trial. It even divided feminists into those who believed Heard without question and those who saw it as proof that false accusations exist.
Then there’s TikTok feminism, where trends like bimbo feminism, tradwife culture, and hyper-femininity make waves. Some see these as reclaiming femininity, others as reinforcing gender stereotypes. Who’s right? Maybe both. Maybe neither. Maybe feminism is just complicated.
The rise of tradwife culture: Romanticizing the past or reinforcing outdated gender roles?iStock
The courage to be imperfect
So what if you don’t read every feminist theory book? So what if you still love cheesy rom-coms, wear makeup, or enjoy cooking for your partner? In case no one told you, being a feminist isn’t about meeting some rigid checklist of acceptable behaviours. It’s about demanding equality while embracing the beautiful, messy contradictions of being human.
Embracing imperfection is its own kind of strengthiStock
The expectation of a perfect feminist only alienates people from the movement. Instead, let’s create space for real women, ones who sometimes mess up, sometimes change their minds, sometimes prioritise self-care over activism. That doesn’t make them less feminist. It makes feminism stronger.
Let’s redefine the rules
Feminism was never meant to be an exclusive club. It’s a movement, a conversation, a revolution. And we know revolutions aren’t tidy.
So this Women’s Day, let’s celebrate the feminists who dare to be imperfect. Let’s shatter the illusion of the flawless feminist and champion a movement that is raw, real, and relentless. Because the future of feminism isn’t about meeting unrealistic expectations, it’s about rewriting them entirely.
Welcome to the era of bad feminism, the kind that actually gets things done.
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Many parents who come to Hillingdon start off with their premature baby
The Neonatal Unit at Hillingdon Hospital, West London, is a Level 2 unit, also known as a Local Neonatal Unit (LNU) or High Dependency Unit (HDU). It provides expert care for premature and seriously ill babies born from 27 weeks’ gestation onwards. While the clinical care delivered by the medical and nursing teams is widely praised, the physical environment in which parents spend weeks or even months with their babies is outdated, cramped, and in urgent need of improvement.
The unit currently has 18 cots and two rooming-in rooms for parents to stay overnight with their babies. It also includes a six-bed Transitional Care Unit on the postnatal ward. However, infrastructure issues are clear from the outset: families arriving from modern, centrally funded Level 3 neonatal units in central London – such as Chelsea and Westminster or University College Hospital – are met by a dim, cluttered corridor that has not been redecorated in 25 years. Equipment lines the walls, lighting is poor, and the flooring is patched with hazard tape.
Inside, privacy is limited. Parents caring for their newborns or expressing milk are forced to rely on old, portable screens with gaps that offer little dignity. Shared spaces, such as the parent lounge and nursery, are cramped and unwelcoming. One mother described the expressing room as “a cell”, while another recalled sleeping on a chair due to the lack of usable rest facilities. The rooming-in bedrooms resemble “prison cells” with only a camp bed and a chair – hardly suitable for families preparing to bring their baby home.
Despite these conditions, staff commitment remains exceptional. Parents consistently report feeling supported by nurses, doctors and health visitors who go above and beyond in stressful circumstances. But the environment often deepens the emotional trauma of neonatal care, leaving parents feeling isolated and overwhelmed during an already difficult time.
After consulting families, Hillingdon’s Neonatal Unit team has developed a refurbishment plan addressing key concerns: storage to clear corridors, better lighting, new flooring, private spaces for expressing and skin-to-skin contact, and an upgraded parent lounge with facilities for meals and rest. Modernised bedrooms with double sofa beds would allow both parents to stay overnight comfortably, supporting the bonding and transition home.
The estimated cost of this full refurbishment is £190,000. So far, the team has raised £60,000 through charitable donations. They are seeking additional support to move forward. Donations can be made via their JustGiving page, by bank transfer, or by cheque to the Hillingdon Hospitals Charity.
“This unit is a lifeline for families, but the environment doesn’t match the quality of clinical care,” said Lead Nurse Nilakshi Joshi. “We want to create a space that lifts spirits, promotes healing, and helps families through one of the most challenging times in their lives.”
To get involved, volunteer or support the fundraising effort, contact Shirley Clipp at shirley.clipp@nhs.net.
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Switzerland’s village of Blatten was buried in ice, mud and rock
Switzerland’s village of Blatten was buried in ice, mud and rock on the evening of Wednesday during a fatal landslide.
Once a lush, green hamlet nestled in the Alps — known for its old wooden houses, historic buildings, and wandering cows and sheep — the village is now almost entirely buried. The landslide, which swept through 90 per cent of Blatten, has left the local community shattered.
How did Blatten end up in this tragedy?
Blatten sits below the Birch Glacier, which geologist Christophe Lambiel described as unique — it is the only glacier in the region that has been advancing over the past decade, while others have been retreating. A massive section of the glacier recently broke away and slid downhill, triggering the catastrophic landslide that nearly wiped out the village.
Around 300 residents and their livestock were evacuated in time, averting further tragedy. No deaths have been reported, though a 64-year-old man remains missing. Rescue teams and search dogs have been deployed, but the search has been suspended due to worsening weather conditions.
Experts believe this may only be the beginning. Geologists have warned of further hazards, including flooding, as the landslide debris — stretching across 2 km — is now obstructing the River Lonza. If the blockage causes the lake to overflow, downstream villages could be at risk.
"I don't want to talk just now. I lost everything yesterday. I hope you understand," said one middle-aged woman from Blatten, recalling the harrowing experience.
The beautiful village of Blatten in the Swiss AlpsGetty Images
The once-beautiful roads winding through the valley are now buried in mud. While residents remain calm, the looming threat of further flooding is a growing concern.
"The water from the River Lonza cannot flow down the valley because there is an enormous plug," said geologist Raphael Mayoraz, suggesting the risk of flooding in nearby areas. The river is now backed up with as much as one million cubic metres of water, worsened by accumulated landslide material.
"We’re not in a state to think about future shocks just yet," added Jonas Jeitziner, a local official.
“The unimaginable has happened,” said Matthias Bellwald, Mayor of Blatten. The tragedy is a stark reminder of the effects of rising temperatures on Alpine permafrost, which once held gravel and boulders in place. The Birch Glacier had shown visible cracks earlier this month, raising concerns long before the slide.
In 2022, Switzerland lost 6 per cent of its glacier volume, followed by a further 4 per cent in 2023.
The landslide that buried almost half of Blatten villageReuters
Despite the destruction, the people of Blatten remain united. Locals, scientists and the army are working together to begin the long road to recovery.
Even in the face of such devastation, the spirit of Blatten remains strong. "We've lost the village, but not the heart,” said Mayor Bellwald. “The village is under the gravel, but we're going to get up. We are going to stand in solidarity and rebuild. Everything is possible."
Verstaile singer, composer and performer Aasa Singh has amassed over 100 million YouTube views and nearly as many streams on Spotify.
Trained in Hindustani classical vocals and western classical piano, he blends diverse musical influences to create a dynamic body of work and standout collaborations. His latest track, You Were My Song, marks his first release solely as a composer and sees him team up with Jaden Maskie and Ronnie Wadia.
Eastern Eye asked him to select 10 songs he loves.
Bohemian Rhapsody by Queen: It is genre-blending brilliance – rock, opera and ballad in one epic track. Its theatrical storytelling, emotional depth and Freddie Mercury’s powerful vocals create a one-of-a-kind musical journey. The song defies convention, making it timeless, unforgettable and deeply personal to me.
Hotel California by Eagles: This track has everything – a haunting melody, rich guitar solos and enigmatic lyrics that evoke themes of temptation, entrapment and lost innocence. Its mysterious storytelling and atmospheric vibe create a dreamlike experience that invites interpretation, making it both emotionally compelling and endlessly fascinating.
Billie Jean by Michael Jackson: I fell in love with this song for its infectious bassline, unique lyrics and MJ’s electrifying vocal delivery. It blends pop, funk and r’n’b seamlessly, creating a sound that is both danceable and emotionally charged. Its mysterious narrative and signature groove make it iconic across all generations.
Thriller by Michael Jackson: The infectious beat, groundbreaking production and iconic music video that blends pop with horror made this song the most iconic of its time. MJ’s charisma, Quincy Jones’ masterful arrangement and the unforgettable Vincent Price monologue create a thrilling, cinematic experience.
I Will Always Love You by Whitney Houston: Originally by Dolly Parton, this version is elevated by Whitney’s soaring vocals into a deeply moving experience. It resonates with anyone who has faced bittersweet goodbyes or enduring love beyond separation, filled with emotional power and heartfelt grace.
When I Was Your Man by Bruno Mars: The first time I heard this song, I was completely hooked by its raw vulnerability and heartfelt lyrics. It captures the pain of regret and lost love, with Mars’ soulful performance adding depth to a message of longing and self-reflection.
Chaiyya Chaiyya from Dil Se:This film song radiates infectious energy and rhythmic vitality. It features a vibrant fusion of traditional Indian music with contemporary sounds. The iconic choreography atop a moving train adds to its excitement, while Sukhwinder Singh’s powerful vocals and AR Rahman’s dynamic composition create a celebratory and unforgettable vibe.
Agar Tum Saath Ho from Tamasha: This song captures raw emotional depth through its poignant lyrics and tender composition. It expresses vulnerability, longing and the bittersweet nature of love, perfectly portraying a relationship caught between hope and heartache. Arijit Singh’s soulful vocals and AR Rahman’s gentle melody create a deeply touching and relatable experience.
You Were My Song by Aasa Singh: This one is special because it is my first release solely as a composer, and in English. It gave me the chance to let my creativity flow naturally. Everything I had been hearing and learning came together while making this track, which is why it will always have a place in my playlist.
Any musical piece by Frédéric Chopin: I have loved Chopin ever since I began learning western classical music at the age of seven. His ability to evoke deep emotion through delicate yet powerful melodies has always inspired me. His intricate piano techniques and lyrical phrasing create a sense of intimacy and introspection. Whether melancholic or passionate, his compositions resonate deeply, offering both technical brilliance and emotional depth in every note.
Travel writer, adventurer and podcast host Ash Bhardwaj has spent a lifetime exploring the world – and discovering that the reasons we travel go far beyond sightseeing and sunshine.
To mark the paperback release of his acclaimed book Why We Travel – an inspiring exploration of the deeper impulses that drive us to leave home – Bhardwaj shares 10 unusual motivations for travel.
From journeys of healing and hope to the pursuit of awe, empathy and curiosity, his list offers a refreshing perspective on how travel can transform both our lives and our understanding of the world. Like his timely book, it may help make travel more fulfilling.
His acclaimed book 'Why We Travel'Instagram/ ashbhardwaj
Curiosity: It is tempting to think that some people are more curious than others, but curiosity can be developed through practice. If you have ever wondered why they speak Spanish in Colombia, for example, you could plan a trip that explores colonial history and its enduring indigenous culture. Try replicating things you already enjoy at home – if you love football or cricket, go and watch a local match.
Inspiration: Stories are innately human, and they inspire us to follow the paths of others. ‘Set-jetting’ is when tourists visit filming locations from their favourite movies and shows – you could visit Interlaken in Switzerland, where many Bollywood films were shot, follow Lyra’s trail from His Dark Materials in Oxford, or take the Jacobite Steam Train in Scotland (also known as the ‘Hogwarts Express’).
Mentorship: From art classes in Florence to cooking courses in Thailand, learning a new skill has become a popular aspect of travel. It is not only a great way to immerse yourself in local culture, but also a chance to connect with residents. You will come home with more than just souvenirs – you will gain new knowledge and memories.
Hardship: Not something you would put at the top of a holiday wish list, but a physical challenge can enrich your trip. If you are a runner, you could plan a holiday around a city marathon. Or you might enjoy a countryside hike. It is a great way to avoid tourist traps – and offers the satisfaction of earning your adventure.
Service: ‘Voluntourism’ has faced criticism due to unethical practices by some companies, but there are valuable ways to give back. The best approach is to use your skills where they are needed. If you are an accountant, you could help a charity organise its finances; if you are a social media expert, perhaps support a family-run hotel. Giving back while travelling can be extraordinarily rewarding.
Empathy: An offshoot of curiosity, empathy places greater focus on people. In today’s world of commodified travel marketing, it is easy to forget that the places we visit are home to those who live there. By learning about the history, joining local activities or sports, and spending time with local guides, you can develop a deeper, more meaningful understanding of a culture.
Healing: Rest and relaxation are central to any holiday, but some journeys place them at the heart of the experience. Religious pilgrimage is perhaps the oldest form of elective travel, yet increasing numbers of nonreligious travellers are now embarking on routes like the Kumano Kodo Trail in Japan, Gangotri in the Himalayas and the Ridgeway in England. These journeys offer a chance to let go of schedules and obligations, trust your feet, and allow your mind to move at the same pace as your boots.
Wonder: Awe is the emotional experience of feeling small in the presence of something vast. It might arise from gazing at the Milky Way in Yorkshire’s Dark Sky Reserve, standing atop a rumbling volcano in Iceland, or dancing in sync with thousands of revellers at a music festival. Wonder is the mindset that opens us to awe, and travel often makes it easier to access. But we can also find it closer to home, in things we tend to overlook, such as Britain’s striking architecture or the shifting colours of autumn leaves.
Companionship: Travelling with others can sometimes be frustrating, as it often involves compromise. But whether it is food or activities, companions can introduce us to things we might otherwise overlook. If you are travelling with a partner, try taking turns to plan an entire day, from meals to sightseeing. Some moments may not thrill you, but you might discover something unexpected. And the next day, it will be your turn to do (and eat) exactly what you want.
Hope: Author Jamie Anderson described grief as “all the love you want to give, but cannot” – and it can feel overwhelming. But “commemorative travel”, undertaken in memory of someone we have lost, can help transform that pain into hope. It might mean visiting a place from their childhood, or completing a journey you had once planned together. These experiences can offer space for reflection, and through spontaneous moments and meaningful connection, keep their presence alive in both memory and life.
Ash Bhardwaj is the author of Why We Travel, published by Bedford Square. It is available now in paperback. Instagram: @ashbhardwaj