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Avantika on her ‘liberating’ role in ‘Mean Girls’ reboot

The actress said that she was “empowered� by the role and hoped it would inspire other Indian women to pursue roles outside of the stereotype.

Avantika on her ‘liberating’ role in ‘Mean Girls’ reboot

Actress Avantika Vandanapu, who is best known for starring in the Disney Channel Original Movie Spin and the comedy film Senior Year, now headlines the reboot of the beloved classic Mean Girls. The musical teen comedy film directed by Samantha Jayne and Arturo Perez Jr. in their feature film directorial debut features the 18-year-old in the role of Karen Shetty.

Talking to a publication recently, Avantika shared how “liberating” her Mean Girls role was, and how it allowed her to defy the stereotypes that South Asians are often associated with.


“It really is kind of very antithetical to what I feel like we’ve seen South Asians play in Hollywood,” she said. “It just felt really liberating to be able to embrace a character that was so unlike what we’ve stereotyped Indian people — Indian women especially.”

The actress continued and said that she was “empowered” by the role and hoped it would inspire other Indian women to pursue roles outside of the stereotype.

“I think it really helps showcase that this facet of our community exists. I feel really empowered to be able to take on that. I hope that it will inspire a new generation of Indian girls to aspire they can truly play out a wide variety of characters if they want to be actors rather than feeling like they have to play the doctor or the nurse of the taxi driver.”

In addition to Avantika, Mean Girls also stars Christopher Briney, Bebe Wood, Jaquel Spivey, Angourie Rice, Reneé Rapp, and Auliʻi Cravalho, among others.

The film released in cinemas today January 12.

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Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice

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Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Highlights

  • Sudha Kongara on the turbulence around Parasakthi, from certification demands to online attacks
  • Why the film frames the 1965 anti-Hindi agitation through one man’s choices
  • Balancing politics, melodrama and cinema
  • How music, casting and tone were shaped by craft, not compromise

A film surrounded by noise

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice. With Parasakthi, that voice has had to compete with chaos. Long before release, the film was caught in disputes over its title, shifting cast announcements, ED searches, plagiarism claims and, finally, a list of changes demanded by the Central Board of Film Certification.

In all that, the film itself risked becoming secondary. Parasakthi, starring Sivakarthikeyan, Ravi Mohan, Atharvaa and Sreeleela in her Tamil debut, retells the 1965 anti-Hindi imposition agitation in Tamil Nadu. The core of the film unfolds over just 19 days , from January 24–25 to February 12, 1965.

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