Keir Starmer had pledged to allocate parliamentary time for this issue as part of his party’s campaign promises in July.
Euthanasia is currently illegal in Britain, though several European countries have legalised it to varying degrees. (Representational image: iStock)
By EasternEyeOct 04, 2024
LAWMAKERS will soon consider a proposal to legalise assisted dying, following increasing calls for changes to the existing law. MP Kim Leadbeater from the Labour Party will introduce a bill on 16 October, aimed at giving terminally ill individuals the option of "choice" at the end of life.
Leadbeater, whose sister Jo Cox was murdered by a far-right extremist during the 2016 EU referendum campaign, is spearheading this effort. The proposed legislation would only apply to England and Wales if it progresses.
Keir Starmer had pledged to allocate parliamentary time for this issue as part of his party’s campaign promises in July. On Thursday, cabinet secretary Simon Case confirmed that it would be a free vote in parliament, meaning ministers could vote according to their personal beliefs. "The government will remain neutral on the passage of the bill and on the matter of assisted dying," Case wrote in a letter.
Euthanasia is currently illegal in Britain, though several European countries have legalised it to varying degrees. Previous attempts to pass similar legislation have been unsuccessful, but public opinion is shifting. In Scotland, which has separate legal authority over health policies, efforts to introduce a similar law are also underway.
Leadbeater said, "parliament should now be able to consider a change in the law that would offer reassurance and relief – and most importantly, dignity and choice – to people in the last months of their lives."
The last time an assisted dying bill was debated in the House of Commons was in 2015, but it was defeated. Since then, support for the right to die has grown, bolstered by campaigns such as one led by broadcaster Esther Rantzen, who has terminal cancer.
Private members' bills, like the one proposed by Leadbeater, are introduced by individual lawmakers after a ballot. These bills are not part of the government's formal legislative programme, but they still go through debate and scrutiny before a vote is held.
In Scotland, a bill to legalise assisted dying was introduced in the Scottish Parliament earlier this year. The Isle of Man and Jersey, which are self-governing Crown Dependencies, are also considering their own legislation to grant terminally ill people the right to die.
Belgium and the Netherlands were the first EU countries to legalise euthanasia in 2002. Spain followed in 2021, and Portugal passed its own assisted dying law in 2023.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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