AN ASIAN actor has urged young people to engage in the arts as he praised drama for changing his life.
Bally Gill, 25, stars as Romeo in the Royal Shakespeare Company’s (RSC) current production of Romeo And Juliet.
The Coventry-born actor did not have access to a drama department while at school, so he is keen to engage with young people, in order for them to get involved in the arts and reap the benefits.
A shy teenager at school, Gill revealed that drama provided him with the confidence he has carried into adult life. It was an outlet for him to be creative as a teenager and boosted his confidence.
At school, he recalled, he didn’t put his hand up as he was reluctant to draw attention to himself.
“Drama has changed me as a person – I was so shy at school,” the actor said. “If I was ever late for school, I would avoid going in as I didn’t want people to look at me when I came in late.”
Since he discovered his passion for acting at 16, he claimed performing in front of a variety of crowds has helped him to articulate himself as a person.
“[As drama wasn’t available at school,] I had to go and seek it out. I went to the Belgrade Theatre in Coventry and I’m so glad I did as it resulted in this,” he said.
Gill added that the “RAC has affiliated with my old secondary school, President Kennedy School, and we are getting young people to be in the [Romeo and Juliet] show and get involved”.
In total, 56 students from schools in the Midlands will get the chance to perform on stage alongside the professional cast. The pupils, aged between 12-18, broken up in teams of four, will perform each night in the Royal Shakespeare Theatre.
“Starting at the grassroots level was to say, this is for you. Whether it is acting, drama or Shakespeare…you can do it and it is possible,” Gill explained.
“I knew that if I had the chance…that was always something I wanted to do.”
Romeo and Juliet is one of the most famous plays in the world – it has been adapted numerous times for the screen and stage, including the 1995 Baz Luhrmann adaptation starring Leonardo DiCaprio.
In making the iconic character his own, Gill admitted it was a challenge as the role has been portrayed so many times in the past by several high-profile actors.
The idea of portraying the character in a modernised way occurred to Gill during the audition.
“I had a version in my head of what Romeo would be like in 2018,” he said. “In our production, he is a young Indian man with a west Midlands accent who is funny, confident, arrogant, hot-headed and madly in love with Juliet. He’s passionate about everything he does and that gets him in trouble sometimes.”
He added the play, which he cites as “one of the best love stories ever written”, remains popular as people can relate to the highly emotive themes which run throughout. It is relevant to every single age group.
“It doesn’t matter if you’re young or old – it is those emotions and passions and drives that everyone knows or has a feeling of. People know, or want to know, how it feels to be madly in love with someone and it is that which keeps it so timeless.”
A 19th-century painting in Wiesbaden sees a massive visitor surge.
Fans spotted a direct link to the opening shot of The Fate of Ophelia.
Museum staff were completely caught off guard by the 'Swiftie' invasion.
They are now planning special tours to capitalise on the unexpected fame.
The question on everyone's mind: did Taylor Swift visit this place herself?
It is not every day a quiet German museum gets caught in a pop culture hurricane. But that is exactly what has happened at Museum Wiesbaden, where a painting of Shakespeare’s Ophelia has become a pilgrimage site. The reason? Taylor Swift’s latest music video for The Fate of Ophelia kicks off with a scene that looks ripped straight from their gallery wall. Suddenly, they have queues of fans where usually there is just quiet contemplation.
The Ophelia painting that Swifties say inspired The Fate of Ophelia becomes an overnight sensation Instagram/taylorswift
How did this Ophelia painting become so popular?
To be honest, it was simply hanging there. Friedrich Heyser’s work from about 1900. It is lovely, sure, but it was not a headline act. Then the video drops. And you see it immediately in the pose, the white dress, and the water lilies. It is practically a direct copy or, let us say, an homage. Fans on social media connected the dots in hours. Now the museum cannot believe its luck. Visitor numbers went from a few dozen admirers to hundreds, just over one weekend, like a whole new crowd for a century-old painting.
What has the museum said about the surprise attention?
They are thrilled, but a bit stunned. A spokesperson said it was a "shock" and they are having an "absolute Ophelia run." Can you blame them? One minute you are managing a classical collection, the next you are at the centre of a global fan phenomenon. They tried to reach Swift’s team, but they had no luck there. But they have leaned into it completely. Now they are organising a special "Ophelia reception" with guided tours. Smart move, right? It is a perfect storm of high art and pop star power, and they are riding the wave.
The big question: did Taylor Swift actually visit?
This is the real mystery, is not it? How did this specific painting, in this specific German museum, end up as the template for a mega-budget video? The staff are wondering the same thing. She was in Germany for the Eras tour last July. Did she slip in, incognito? Did a location scout send a photo? The museum thinks they would have noticed if Taylor Swift was wandering their halls. Who knows? It is the sort of stuff that feeds fan speculation for years. Whatever the facts, the painting's life has been irreversibly altered.
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