Mrs Kapoor's Daughter's Wedding 2: Mauritius is a great British Asian success story masterminded by the show's writer, producer and director Archana Kumar.
By Asjad NazirMay 31, 2024
HIT comedy play Mrs Kapoor’s Daughter’s Wedding 2: Mauritius has been playing to packed houses during another successful UK tour.
The current tour will conclude with a historymaking performance in London’s West End with a show at Adelphi Theatre on July 16. With nearly 100,000 tickets sold, it’s a great British Asian success story masterminded by the show’s writer, producer and director Archana Kumar. She also stars in the show and is rightly proud of all it has achieved.
Eastern Eye caught up with the cool creative to find out more about the remarkable show, its journey and future.
How do you reflect on your journey with the Mrs Kapoor plays?
Mrs Kapoor has just taken over. I feel so proud that it’s become a household name and managed to bring so much happiness and laughter to many. The fact that we will reach over 100,000 audience members on this tour is just the icing on the cake or as Mrs Kapoor would say, the chutney on the samosa.
Did you expect the shows to become huge hits?
From the minute I finished the script I knew this was going to be something spectacular, because there’s nothing like this out there.
It’s super relatable and so unique. With the blend of comedy, dance, music and a cultural experience, it was definitely going to be loved by the audience.
Why do you think the show has connected so strongly with audiences?
Every household goes through similar dramas and that’s why the audience can really relate to it.
It’s a show that brings in three generations, from kids, parents to grandparents and all can feel a connection. We include local references and trending topics to make it feel current and connective.
How does Mrs Kapoor’s Daughter’s Wedding 2: Mauritius (MKDW 2) compare to the first one?
We have really scaled up with MKDW 2 from the amazing sets that you see changing in each act, to the award winning star cast and the immersive experience. Just when we thought the first part was absolutely phenomenal, MKDW2 just brings on a whole new entertainment package and an unforgettable theatre experience.
How much of the show is inspired by real life experiences?
It’s definitely inspired from weddings I’ve attended and auntyjis we all know. That’s what makes it so much more fun and relatable. How do you balance writing, producing and directing the show with acting in it? It’s definitely a challenge, but I absolutely love it. I treat it like a big puzzle.
I focus on all the different pieces separately; the dancing, acting, script writing. Then when the time comes, I put the whole thing together to create the masterpiece.
How important was it for you to assemble such a talented cast?
So important, as the characters are key in bringing the script and my vision to life. We have assembled some of the most talented south Asian artists.
I feel so proud they have an opportunity to showcase their talents at some of the most renowned theatres in the UK.
In her play Mrs Kapoor’s Daughter’s Wedding 2: Mauritius
What is your own favourite moment in the play?
Oh my god, I have so many. If I must pick just one moment, it has to be the wedding day scene. It’s full of drama, and so cleverly put together – definitely a highlight for me.
How much are looking forward to taking this show to London’s West End?
I’m feeling so proud and excited for south Asians. This will be the first British Asian Gujarati theatre show to hit the West End. So it’s definitely going to be history in the making.
What does the future hold for the Mrs Kapoor franchise?
So, this is an exclusive, I’ve not mentioned this to anyone yet. I’m currently writing Mrs Kapoor’s third daughter’s wedding, and I’m so excited for this. Again, it’s going to be something that’s never been done in south Asian theatre, and I can’t wait for you all to see this.
What inspires you creatively?
Hanging out at weddings. I also absolutely love theatre, immersive experiences, reading, and dancing brings me lots of creativeness.
Why should we all watch the show?
It’s an immersive experience. For the very first time the theatre will be split in two, you can book your tickets from the groom or bride’s side. It’s interactive, so you will feel part of the big fat desi wedding. It’s hilarious, relatable, and full on entertaining. I would love to see more people come and enjoy this big fat Asian wedding and celebrate as we make history with Mrs Kapoor’s Daughter’s Wedding.
Mrs Kapoor’s Daughter’s Wedding 2: Mauritius is being staged at RNCM Theatre, Manchester, on Sunday (2), New Theatre, Cardiff (June 15), The Alexandra, Birmingham (June 23) and Adelphi Theatre, London (July 16). www.mkdw.co.uk
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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