Hollywood screenwriter Jon Kasdan says he was initially unsure about casting Amar Chadha-Patel in his action-adventure series "Willow" but was blown away by the British-Asian actor's dedication to the role of Boorman, a character very much in the same vein as pop culture favourites Han Solo and Jack Sparrow.
But when Chadha-Patel, a relatively unknown face, promised the writer that he will bring something new to his part, Kasdan decided to give the actor a chance.
Calling him an "interesting element" in the story, Kasdan said through Boorman the team's aim was to build a character that becomes the voice of the audience.
"A voice that is a funny, irreverent, slightly meta character that you need in these adventures to sort of have some fun, to let the audience know that they are having fun right alongside the artists.
"There have been many types who have filled their roles throughout history. Harrison Ford's Han Solo is a classic example. Johnny Depp as Jack Sparrow is another," the Los Angeles-born writer told PTI in a virtual interview.
Kasdan, known for "Dawson's Creek" and "Solo: A Star Wars Story", said it was "Willow" casting director Lauren Evans who strongly recommended Chadha-Patel for the eight-episode series. The actor's show credits include "The Wheel of Time", "Beecham House" and "Sex Education".
"I had never seen Amar in anything. Our casting director Lauren Evans had worked with him on a couple of projects. She was passionate about him. She said, 'You have got to look at this guy seriously'. I brought him in, but I was dubious at first.
"The reason why I was dubious is because the man was rail thin. He was skinnier than I am. He was a twig but he was so committed and funny that I couldn't let it go. By the end of our casting process, he said to me 'Listen Jon, I am going to bring to this part something you haven't seen before'," he recalled.
Chadha-Patel honoured his promise when he visited Kasdan after three months having gained "60 pounds of muscle" to look like Boorman, described as a roguish warrior with an imposing presence.
"He physically transformed himself into this Conan-style barbarian who then had all the humour, physicality and brought something totally new to the type. And it was honestly as thrilling a casting decision as I've ever made. He did it exactly as he promised. He made it fresh and original in a way that only he could," he added.
The series "Willow" serves as a sequel to "Star Wars" creator George Lucas' 1988 fantasy-adventure film of the same name.
The story began when an aspiring sorcerer named Willow, played by Warwick Davis, is whisked away on a journey to protect an infant empress Elora Danan and vanquish the evil Queen Bavmorda from their world of Andowyne.
Their world is threatened once again as evil forces descend on Queen Sorsha's (reprised by Joanne Whaley) Kingdom of Tir Asleen, and kidnap her son Prince Airk (Dempsey Bryk).
Her daughter Princess Kit (Ruby Cruz) embarks on a perilous quest with Willow to save her brother with an unlikely fellowship of heroes -- played by Ellie Bamber, Erin Kellyman, Tony Revolori, and Chadha-Patel.
Kasdan, 43, said when they decided to take the story of Willow forward, legendary actor Davis told him he wanted his character to have a complete evolution.
"It's funny because a part of you would think that Warwick would show up and the facets would be defined and he would step back into the way and I think a lot of movie stars have recently stepped back into the roles they played.
"But one thing that's interesting is that Warwick really wanted Willow to have evolved since the movie. He wanted a more complex hero, he wanted him to feel some pain, guilt and regret over what had happened in the intervening years," he added.
Davis, also known for his roles in popular film franchises like "Leprechaun", "Star Wars" and "Harry Potter" series, tended to the character of Willow with the "same kind of delicacy, care and real thought" as Kasdan.
"In moments of it, the old humour and spirit of the character would burst through in ways we thought was natural and exactly right for our show. And true to life, I think the old exuberance in me sometimes spills through underneath the jaded, cynical weirdo I've become," the writer quipped.
Kasdan, who previously co-wrote "Solo" with his father and "Star Wars" veteran writer Lawrence Kasdan, said there were times he felt he was underqualified to further explore a classic story like "Willow".
But a "spirit of swashbuckling swagger" propelled him to take the leap of faith, he added.
"When my dad and I were writing 'Solo' together, he would often say 'The great thing about Han Solo is that he is incredibly brave and stupid.' And, I thought that was wonderful. It was almost the best way to live your life.
"You keep trying to do the best you can and try to throw your hat over the wall. With these projects, I've tried to have that sort of courage to say that I'm going to try to honour the spirit of what came before. I am going to try to push it forward in a new way. Am I qualified to do that? Absolutely not. But I'm going to do that anyway," the writer said.
Indian viewers can watch a new episode of "Willow" on Disney+ Hotstar every Wednesday. Three episodes of the series are already streaming on the platform.
SS Rajamouli isn’t holding back with SSMB29, his latest big-screen spectacle starring Mahesh Babu, Priyanka Chopra Jonas, and Prithviraj Sukumaran. The filmmaker, known for his visual scale and attention to detail, has recreated the holy city of Varanasi in Hyderabad’s Ramoji Film City instead of shooting on location. The reason? The chaotic logistics of filming in the spiritual capital of India.
The set, rumoured to cost £4.8 million (₹50 crore), is a massive replica built specifically for a key sequence in the film. Leaked photos from the set have already gone viral online, giving fans a glimpse of the scale Rajamouli is aiming for. Mahesh Babu will be filming an action sequence here, with VFX work enhancing the visuals. In true Rajamouli style, international graphics studios, some of the best from Hollywood, have been roped in to bring the visuals to life.
SS Rajamouli builds Varanasi set in Hyderabad for SSMB29 shootGetty Images
Kenya schedule to kick off in July with action-packed jungle scenes
After wrapping up earlier schedules in Odisha and Andhra Pradesh, the SSMB29 team is now gearing up for its first international leg in Kenya. Originally planned for March, the schedule was delayed due to extreme heat in the region. Now rescheduled for July, the shoot will take place in some of East Africa’s most scenic locations, including Kenya’s Masai Mara, Tsavo, and Amboseli national parks.
This phase will see Mahesh Babu and Priyanka Chopra Jonas dive into adrenaline-heavy sequences set deep in the African wilderness. The story reportedly involves Mahesh’s character searching for a rare herbal remedy, adding a mythical twist to the film.
Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran joins SSMB29Getty Images
For Priyanka, this film will mark her major comeback to Indian cinema after a six-year gap since The Sky Is Pink (2019). Her return in a Rajamouli project has fans across continents eager to see her back on the big screen.
A global vision with roots in mythology
While the team hasn’t confirmed the plot officially, reports suggest that the film is inspired by Ramayana-esque themes, with Mahesh Babu’s character on a spiritual and physical quest. The combination of Indian mythology, jungle survival, and stunning visual effects makes SSMB29 one of the most awaited Indian films currently in production.
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Jason Isaacs confirms equal pay for all actors in The White Lotus
Jason Isaacs has revealed that every cast member of The White Lotus Season 3, regardless of experience or fame, earned the same salary: £32,000 (₹33,60,000) per episode. That totals around £256,000 (₹2,68,80,000) for the full eight-episode run. While that figure might seem significant, Isaacs called it “a very low price” for a hit HBO show, but said he had no complaints.
“We would’ve paid to be in it,” Isaacs said in an interview, adding, “We probably would’ve given a body part.”
Jason Isaacs opens up about financial regrets and career lowsGetty Images
Equal pay, no ego
The show’s ensemble approach meant that veterans like Isaacs and Parker Posey received the same as newer faces such as Patrick Schwarzenegger and Sam Nivola. Asked if it bothered him to be paid the same as his younger co-stars, Isaacs shrugged it off: “I never work for money. I’ve done alright. People assume I have piles of cash, but I’ve basically matched my spending to my income and spent everything over the years.”
The pay structure, introduced from Season 1, was meant to ensure fairness and avoid ego clashes. “Everyone is treated the same,” said producer David Bernad in an earlier interview, explaining how the alphabetical billing and equal salaries were key to creating a drama-free, committed cast.
The White Lotus cast shares the screen and the paycheck equallyGetty Images
Isaacs admitted that while the rate was lower than typical network or streaming pay outs, the prestige of working on The White Lotus and with creator Mike White made it worthwhile.
Cautionary tales and career lows
Isaacs also took the opportunity to share hard-earned lessons with his younger co-stars, urging them not to get emotionally attached to the final product. “You don’t control how it’s received. That’s Mike’s job,” he said. Reflecting on his own past, he pointed to Peter Pan (2003), where he played Captain Hook, a big-budget project that tanked commercially and nearly derailed his career.
“It was the lowest I’ve ever felt professionally. I thought I’d never work again,” he confessed. Isaacs said it was his partner Emma Hewitt who helped him through that dark phase, crediting her support over their decades-long relationship.
Jason Isaacs says Emma Hewitt helped him through his dark phase in lifeGetty Images
The White Lotus Season 3 is now streaming on Max, and while the actors may not have earned big bucks, the series continues to score big on screen, with critics and fans alike.
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Scarlett Johansson kisses Jonathan Bailey and dazzles in couture at Jurassic World Rebirth premiere
Scarlett Johansson returned to the spotlight in a dazzling pink gown at the world premiere of Jurassic World Rebirth, held at the Odeon Luxe Leicester Square in London. The event wasn’t just a celebration of the film’s release but also a major red carpet moment for the 39-year-old actress, who has been out of the public eye in recent months.
Wearing a custom Vivienne Westwood corset gown with sequins, Johansson lit up the green carpet with elegance and glamour. Her blush-toned dress featured a sculpted silhouette and soft draping that recalled golden-age Hollywood style, minus the fuss. The styling, handled by her long-time collaborator Kate Young, kept things minimal yet classy, letting the dress do all the talking.
Scarlett Johansson stuns in Vivienne Westwood gown at Jurassic World Rebirth London premiereGetty Images
All eyes on Scarlett, not the dinosaurs
Johansson’s outfit was a standout, softly shimmering, vintage-inspired, and unmistakably hers. The gown’s romantic structure paired beautifully with her classic Hollywood waves, styled by Renato Campora, and glowy makeup by Hung Vanngo, featuring soft pink tones and bold brows.
The green carpet itself mirrored the film’s jungle setting, with faux foliage and warning signs nodding to the franchise’s roots. Yet despite the dramatic décor and loud dinosaur displays, all attention shifted to Johansson’s presence and her surprise red carpet moment with co-star Jonathan Bailey.
Scarlett and Jonathan Bailey share a friendly kiss that gets fans buzzing on social mediaGetty Images
Fans went into a frenzy after the actress greeted Bailey with a quick, friendly kiss on the lips, sparking a flood of reactions online. The moment, caught on video, added a spark to an already buzzworthy evening. Bailey, dressed in a relaxed 1990s-inspired look with a cap and sunglasses, looked just as thrilled to reunite with his co-star.
A major comeback with a mega-franchise
Jurassic World Rebirth is Johansson’s first big-budget outing since stepping away from Marvel. She plays Zora Bennett, a covert operative sent on a high-stakes mission involving dinosaur DNA. She stars alongside Jonathan Bailey, Mahershala Ali, and Rupert Friend in this next chapter of the billion-pound (₹10,000 crore) franchise, directed by Gareth Edwards.
With the film expected to open strong, tracking at around £95 million (₹1,000 crore) globally, it’s a big summer bet for Universal. And for Scarlett Johansson, star power has never been in question, no theme costume required. Just a killer dress, a bold kiss, and a dash of old-school charm.
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James Cameron’s The Abyss pulled from Disney Plus UK after decades-old controversy resurfaces
Nearly four decades after its release, James Cameron’s 1989 sci-fi thriller The Abyss has sparked controversy again, this time on streaming. Disney+ quietly pulled the newly uploaded 4K remaster of the film from its UK platform after complaints resurfaced about a banned scene involving live animal testing.
The specific scene, showing a rat being submerged in oxygenated liquid, has long been a point of contention in the UK. Though the rat reportedly survived the experiment during filming, the British Board of Film Classification (BBFC) had previously ruled it in breach of the Cinematograph Films (Animals) Act 1937. As a result, the sequence was cut from all UK theatrical, television, DVD, and Blu-ray releases. Yet, when Disney+ added the remastered version in April, the uncut version slipped through, triggering backlash from animal welfare groups.
RSPCA flags “loophole” as Disney+ removes unedited version
The Royal Society for the Prevention of Cruelty to Animals (RSPCA), which had campaigned for the scene’s removal since the 1980s, raised fresh concerns when the unedited version began streaming. David Bowles, Head of Public Affairs at the charity, stressed this wasn’t about censorship but consistency.
“We're not calling for the film to be banned,” Bowles clarified. “We’d fully support Disney+ reinstating it, just without the disturbing rat scene. This is about closing a loophole that lets animal abuse scenes bypass the same restrictions applied to TV, DVD, and cinema.”
While UK content is regulated under BBFC guidelines, streaming platforms often fall outside traditional classifications. This regulatory gap allowed the uncut version of The Abyss to appear online, unnoticed until viewers flagged it. The scene reportedly used five rats, all of whom survived, but their visible distress on-screen led to public discomfort and long-standing restrictions.
Future availability unclear, but alternative platforms exist
Disney+ has yet to confirm whether an edited version of The Abyss will return to its UK library. For now, viewers can still find the film on digital platforms such as Amazon Prime Video and Apple TV, albeit without the controversial scene. The cinematic version was also available briefly on ITVX but has since been taken down.
The Abyss pulled from UK streaming after animal welfare complaints reach DisneyIMDB
Starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Biehn, The Abyss remains a cult favourite for its iconic underwater visuals and suspense-driven plot. But its legacy now includes a sharp reminder that even classics must face new scrutiny in the age of streaming.
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Mo Chara is being represented by a prominent legal team
Irish rapper Mo Chara, a member of Belfast-based hip hop group Kneecap, appeared at Westminster Magistrates’ Court on Tuesday, 17 June 2025, after being charged under the UK’s Terrorism Act 2000. The charge stems from an incident in November 2023, when Mo Chara, whose real name is Liam Óg Ó hAnnaidh, allegedly displayed a flag associated with Hezbollah during a performance at the O2 Forum in Kentish Town, London.
Hezbollah is a proscribed organisation under UK law. Under Section 13 of the Terrorism Act, it is an offence to wear, carry or display any article in such a way or in circumstances that may arouse reasonable suspicion of support for a banned group. The offence is punishable by up to six months in prison, a fine, or both.
The case is being heard by a district judge without a jury. As a strict liability offence, prosecutors do not need to prove intent — only that a “reasonable person” could interpret the action as supportive of a proscribed group.
Kneecap launches billboard campaign in London
Ahead of the court date, Kneecap launched a high-visibility protest campaign in London. The band erected large billboards denouncing the charge as a “witch-hunt” and accused the UK authorities of targeting them for their political views.
Kneecap has become internationally known for its outspoken positions on issues such as Irish identity, the Irish language, and most recently, the ongoing conflict in Gaza. The band has framed the prosecution as part of a wider effort to suppress political expression.
Protests outside court draw support from advocacy groups
Supporters of Kneecap and Mo Chara gathered outside Westminster Magistrates’ Court on the morning of 17 June, in a protest promoted by the band and organised by several UK- and Ireland-based advocacy groups.
The Stop the War Coalition, one of the organisers, stated: “The ‘carnival of distraction’ around Kneecap keeps on travelling while Israel pursues its starvation policy in Gaza and the UK government continues to sell it arms.”
This is not Kneecap’s first legal encounter in the UKAlamy
Another group, Irish in London for Palestine, said: “The UK government is calling Liam Óg Ó hAnnaidh from Kneecap a terrorist for daring to speak truth to power, for standing with Palestine and refusing to be silenced. This isn’t just about one artist or one group — it’s about our right to protest, our right to speak, and our duty to stand against injustice.”
High-profile legal team mounts defence
Mo Chara is being represented by a prominent legal team with a track record in major human rights and protest-related cases. The defence includes Darragh Mackin of Phoenix Law, Brenda Campbell KC, Gareth Peirce (noted for representing Julian Assange and the Guildford Four), Rosalind Comyn (who has defended climate activists), and Blinne Ní Ghrálaigh KC, who represented South Africa in its genocide case against Israel.
Speaking before the hearing, Mackin said: “It is difficult to comprehend a case of greater international importance in recent years. It is a great privilege to be instructed alongside my colleagues to defend the important principle of freedom of expression, in the pending battle before the London court.”
Previous court win for Kneecap
This is not Kneecap’s first legal encounter in the UK. In November 2023, the band successfully challenged a decision by then-business secretary Kemi Badenoch to deny them a £14,250 funding grant. The UK government later conceded the refusal was unlawful and discriminatory on the basis of nationality and political opinion.