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Ajay Devgn opens up about rumours of a cold-war with Shah Rukh Khan

Ajay Devgn opens up about rumours of a cold-war with Shah Rukh Khan

Bollywood superstar Ajay Devgn opened up about rumours of a “cold war” with Shah Rukh Khan. Confirming that everything is well between the two, the actor said that they both trust each other and believe in each other.

“The six-seven of us, who were from the 90’s generation who started practically together or maybe one or two years here and there, we share a great rapport. We all support each other. I mean whatever the media can write about some issues with me or Shah Rukh Khan or something else, they are not there. We speak over the phone; we are all fine. Whenever one has a problem, the other is standing by. We trust each other, we believe in each other, that if somebody says ‘we are there with you’ it means they are going to be there. So we have never had a problem ever,” Devgn said during an interview.


He went on to add, “Sometimes what happens is they are (news of celebrity feuds) also created. Not just by the media, but sometimes by fanatic fans, who we don’t have control on. So, when they start fighting with each other, people think two actors are fighting and so that is a perception that goes out. Then we actually speak together about controlling them. But I would like to tell all the fans that we are all as one and, so, the next time they are fighting over us, please don’t fight.”

Meanwhile, Ajay Devgn can be currently seen in his home production Runway 34, which he directed also. The aviation thriller also stars Rakul Preet Singh and Amitabh Bachchan in lead roles.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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