Ever since coming into being, Hindi cinema has witnessed the launch of many star-kids and kith and kin, but the kind of buzz that has been created around the debut of megastar Salman Khan’s brother-in-law Aayush Sharma is beyond compare. Sharma, who belongs to a well-known political family of Himachal Pradesh, plays protagonist Sushrut in the romcom titled LoveYatri, produced by Salman Khan under his production house, SKF. Just before the release of the much-hyped movie, our Eastern Eye correspondent, Mohnish Singh, catches up with the newcomer at Mehboob Studios in Mumbai and tries to find out more about how he bagged his debut role, Salman Khan’s role in his personal and professional life, and much more.
Are you excited for your debut film LoveYatri?
Oh yeah! It’s been a long cherished dream. I have been training for it for the past four years.
Did you always want to become an actor or acting happened by chance?
I was in Bombay finishing graduation, passing time and finding what I can do. I never thought I could be an actor. I never took myself seriously or the acting profession seriously because I didn’t have any roots into acting and I don’t know any actor or producer.
How were you introduced to the line of acting then?
I remember I was training at Gold’s Gym and that’s when Sohail Bhai met me and told me, ‘I have a film for you and I want you to be the hero of the film’. It was about five years back and that was the first time it clicked me that Sohail Khan is saying that I can be an actor. I must be having something in me. Obviously, that was a very naïve thought. Then, the conversation didn't really go forward. I changed my gym and I didn't get to meet him again. When I met Salman Bhai and he told me that you should be an actor, that's when I started seriously pursuing it as a career. I always had a love for movies, so I started training. The turning point was Bajrangi Bhaijaan (2015) where I experienced filmmaking for the first time. That was my first introduction to the magic of movies and I wanted to be a part of this world and that is what gave me the seed to train.
What else were you planning to do if not acting?
Well, I was planning to open a restaurant in Mumbai. I am from Himachal Pradesh and for the longest time I was thinking that if I want to stay in Mumbai, the city I love, I thought I could open a restaurant.
Now that you are set to make your debut, how serious are you about this profession?
See, I don't really consider myself an actor yet. I call myself a student of acting. I have a long way to go, and hopefully, in 20 years, I have a successful career. Then, one day, I would like to talk about acting but for me right now my job is to entertain, my job is to make people smile, laugh and cry with me. That's my goal.
How did your family take the news of your new profession?
So my father was very apprehensive about it initially. He said, ‘We don't know anything about an actor's life’. Even growing up, as a child in school, I was never into extracurricular activities. I was never into the theatre. I was not a part of any dancing group. I was never a part of all these things. So, when he got to know I have chosen acting as a profession, he said, ‘Listen, we come from a political background, my audition happens after 5 years, your audition happens every Friday’. I told him to let me try. Let me give a shot in this. And now that they have seen my stuff in the camera, they are very happy and now they are very supportive.
You are being launched by your superstar brother-in-law Salman Khan, something which might spark the debate on nepotism once again. What do you have to say about it?
There are two different directions to it. First of all, there are a number of hardworking actors, there are people who really deserve the opportunity to go out there and get a platform, they, unfortunately, don't. They are struggling. I am lucky to get a platform, I am lucky to be where I am. There is obviously a sense of support that comes from somebody as mammoth as Salman Khan that I can't deny. So, all I can say is that I am lucky and thankful. Having said that, he could give me a platform, he can put me in front of the camera but once I am in front of the camera, the relationship is between me and the audience. The audience accepts me purely on the basis of my talent then accept m, if I am not talented and if they don't like what I am doing on the screen irrespective of whomsoever’s relative I am, they are not going to put me back on the screen, which is something the film industry has seen for ages.
Did not your family persuade you into joining politics?
I feel that politics is something that needs to come to me with time and age. Right now, I am too young and I am too inexperienced as well. Just because my family is from a political background doesn't necessarily makes me a good leader. It doesn't necessarily make me into a potential person people would like to vote. In politics, when people ask you do you want to bring about a change? Everybody will say yes. How? I don't have the answer to it. The day I do get an answer to it, I’ll join politics.
Did you get any other offers before LoveYatri?
There were a couple of offers from different production houses, but I wasn’t sure. When it comes to scripting, I was very particular about the fact that I wanted a script that I was very confident about, because good, bad or ugly, nobody can decide the fate of a film. Be the biggest producer, the biggest director, the biggest actor, nobody can. Though, if you are proud of the script that you started out with and your heart was happy being a part of this film, irrespective of whatever happens, you can always be proud. So, LoveYatri was a film that when I heard the narration I found it was a beautiful film, it’s a beautiful plot, a beautiful script. I wanted to be a part of it.
Are you satisfied with what you selected? No regrets?
I couldn’t have asked for a better launch. There are 8 songs in the film, Manish Malhotra’s costume, Vaibhavi Merchant’s choreography, Abhiraj Minawala’s direction, a great plot to work with. Music is working the way it’s working. I have got the best platform to actually come up with. I can’t ask for anything bigger.
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
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The tense deliberations in Harvey Weinstein’s New York sex crimes retrial have descended into open conflict. Jurors are reportedly attacking each other, pressuring hold-outs, and improperly considering the disgraced movie mogul’s notorious past, information explicitly banned from their discussions. This internal strife forced the jury foreperson to urgently alert the judge on Monday morning about a “situation which isn’t very good”, casting serious doubt on their ability to reach a fair verdict.
Infighting and forbidden arguments taint deliberations
According to a court transcript, the foreperson painted a grim picture for Judge Curtis Farber. Jurors are “not on the same page”, with some actively “attacking” others in a bid to change minds. Crucially, they are “pushing people” by bringing up Weinstein’s public history, details not presented as evidence during this specific trial.
As per reports, Jurors are in a heated debate during Weinstein retrial deliberationsGetty Images
This is similar to the earlier “playground stuff” reported last week, where one young juror felt unfairly “shunned” and questioned the fairness of the process, though the judge kept him on the panel. The jury itself signalled deep divisions, requesting a reread of “reasonable doubt” rules and guidance on “avoiding a hung jury”.
Mistrial denied, but jury reminded “Stick to the evidence”
Weinstein’s lawyers, citing a “tainted” and “runaway jury”, immediately seized on the turmoil to demand a mistrial. Defence attorney Arthur Aidala argued jurors were “ganging up” and considering “things that were not brought into this trial”. Prosecutors countered that some past context was legally permissible. Judge Farber denied the mistrial but took swift action. He hauled the entire jury back in, sternly instructing them that deliberations must focus only on evidence presented during the retrial concerning the three specific charges, including rape and criminal sex acts involving three women. He reiterated they must disregard anything else they knew about Weinstein.
Weinstein jury divided by heated disputes over forbidden pastGetty Images
The jury ended Monday claiming they were “making progress”, even asking for coffee to fuel further talks and requesting to revisit some testimony. However, the damage from the infighting and forbidden discussions lingers.
Weinstein, 73, already serving a long sentence for a separate California rape conviction, awaits this jury’s verdict on charges stemming from allegations by a former production assistant, an aspiring actress, and a model. This retrial, ordered after his landmark 2020 New York conviction was overturned, remains a critical, though now deeply troubled, chapter in the #MeToo saga he set to fire.
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Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.
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Glastonbury 2025 welcomes smaller crowds for improved safety
Glastonbury has taken the unprecedented step of selling thousands fewer tickets for its 2025 event following dangerous overcrowding last year. Festival chief Emily Eavis confirmed the capacity reduction just weeks before Olivia Rodrigo, The 1975 and Neil Young headline the iconic event. The move addresses 2024’s critical incidents, where crowd crushes forced performances to halt and areas to close. “We’ve sold a few thousand fewer tickets to see how that affects site dynamics,” Eavis stated on the Sidetracked podcast.
In its most dramatic transformation, the festival’s legendary nightlife zone Shangri-La will become a tree filled sanctuary, abandoning its industrial aesthetic entirely. “It’s completely the opposite of anything we’ve done,” Eavis revealed. Simultaneously, newly acquired land has created Dragon’s Tail, a public hilltop area overlooking the southeast corner. The dual strategy is to disperse crowds after last year’s chaos, when fans missed sets like Sugababes and Charli XCX due to unsafe congestion.
A secret Pyramid Stage booking named “Patchwork”, which required a year of complex logistics, fuels intense speculation alongside major acts. The line-up also features Rod Stewart’s coveted legends slot, Irish rap trio Kneecap and breakout star Raye. Demand remains high despite reduced capacity: November’s first ticket batch sold out in 30 minutes, with coach packages disappearing even faster. “There were years we couldn’t give tickets away,” Eavis reflected, contrasting the current frenzy with past struggles.
Organisers now leverage crowd data from the festival app’s schedule planner, which accurately predicted 2024 pinch points. Post-pandemic movement patterns show attendees move more in a herd, prompting new traffic management including 10 alternative routes across the sprawling site.
The festival runs from 25 to 30 June with additional measures like expanded space at the Other Stage, where Charli XCX’s Saturday headline set is expected to test the new systems. While operating below its capacity of 210,000, Glastonbury maintains its non-corporate ethos despite £10 million (₹1,025,000,000) pandemic losses. “The whole thing is based on goodwill,” Eavis emphasised, rejecting commercial takeovers. Final preparations include £1 million (₹102,500,000) wet weather contingencies, ensuring the show proceeds rain or shine.
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Shah Rukh Khan and Salman Khan’s Tiger vs Pathaan is on hold as YRF rethinks its spy universe strategy
Fans hoping to see Bollywood's biggest stars, Shah Rukh Khan and Salman Khan, face off in Tiger vs Pathaan will need to wait a little longer. Despite rumours of the project being shelved, sources confirm the film is still happening, just not anytime soon. Yash Raj Films (YRF) has decided to take a step back and rethink its approach to the spy universe before moving forward with this blockbuster clash.
A creative refresh for the spy universe
Aditya Chopra, YRF's chief architect, isn’t satisfied with sticking to the same old formula. Insiders reveal that the studio wants to avoid predictability and is working on a fresh narrative direction for Tiger vs Pathaan. "The team wants this film to be a game-changer, not just another spy flick," a source said. "They’re reworking the script to make sure it delivers something truly special."
YRF delays Tiger vs Pathaan to focus on War 2 and Alpha before revisiting the Khan vs Khan showdownPinterest
Earlier this year, Salman Khan hinted at the delay, stating that the film "isn’t happening right now." However, this doesn’t mean the project is dead, just that YRF is taking its time to perfect the vision. The studio is currently prioritising other big releases, including War 2 starring Hrithik Roshan and Jr NTR and Alpha featuring Alia Bhatt and Sharvari Wagh, before revisiting the Khan vs Khan spectacle.
What’s next for fans?
While Tiger vs Pathaan remains on hold, YRF’s spy universe is far from dormant. War 2 is set to hit cinemas in 2025, followed by Alpha later that year. Meanwhile, Dhoom 4, starring Ranbir Kapoor, is also in development, signalling that YRF is expanding its action-packed universe beyond just spy thrillers.
After Pathaan shattered box office records and Tiger 3 underperformed, the stakes for this crossover are higher than ever. The studio wants to ensure that when the two superstars finally collide on screen, it’s nothing short of legendary.
For now, the dream remains alive; just postponed. And if YRF’s track record is any indication, the wait will likely be worth it.