Former India opener Aakash Chopra has alleged that he was subjected to racist remarks during his stint in England's league cricket.
The former Indian batsman, who played for the Marylebone Cricket Club in 2007, said that he was called "Paki", a racial slur directed at people of South Asian origin, primarily in English-speaking countries.
"We (cricketers) at one point or the other, have been victims of racism. I remember when I used to play league cricket in England, there were two South Africans in one of the opposition teams and both of them really went on an abusive spree," Chopra said on his YouTube channel.
"Even when I was at the non-striker's end, they were after my life. They were constantly calling me Paki. Now many believe Paki is a short form of Pakistan but that is not true. If you are brown skinned. If you're anywhere from Asian subcontinent, this term is used to racially abuse," he added.
Chopra said his team backed him but that didn't change the fact that the two players racially abused him.
"You're called Paki, and nobody likes it. The moment you call anybody Paki in England, you know the intention behind it. That's what happened with me at that time. My team stood by me but the truth is the person in front of me was doing it," he recalled.
The 42-year-old, who featured in 10 Tests for India, spoke about how deep-rooted the problem is all around the globe.
"Even if you're white-skinned, it happens then as well. When they come to this part of the world, they also subjected to this kind of behaviour," Chopra said.
He recalled the infamous incident when Australian Andrew Symonds was subjected to monkey chants while fielding in India.
"In fact, when Andrew Symonds came to India, so many monkey chants started filling up the Wankhede Stadium. That is when people were told that your entry will be banned," Chopra said.
Chopra's comments have come after the West Indies duo of former World Cup-winning captain Darren Sammy and star batsman Chris Gayle, alleged racial abuse while denouncing the death of African-American George Floyd at the hands of a white police officer in the US.
In the wake of Floyd's death, which triggered violent protests in the US, international cricketers have opened up on their own experience in dealing with racism.
Sammy, while commenting on the protests, had spoken about being called 'Kalu'—a derogatory word to describe black people -- by his Sunrisers Hyderbad teammates, including senior India pacer Ishant Sharma, while playing in the Indian Premier League.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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