Fresh from the success of his recent release Raazi (2018), extremely talented Vicky Kaushal is now busy promoting his next offering Sanju, which arrives in cinemas on 29th June, 2018. The film, which is a biopic on Bollywood star Sanjay Dutt, sees Kaushal in the role of Paresh. His character is basically a fictional amalgamation of different people in Sanjay Dutt’s life. As Sanju gears up for its theatrical bow, Eastern Eye correspondent, Mohnish Singh, catches up with Vicky to find out more about his role in the movie, how was the experience of working with Rajkumar Hirani and Ranbir Kapoor, and his upcoming projects. Excerpts...
Was the character that you play in Sanju built keeping you in mind?
No, actually what happened was that Rajkumar Hirani saw me in Masaan (2015) and then he called me to his house. This happened a year before the shooting (for Sanju) started. He said that he was making a film and there’s this beautiful role for which he had me in mind but still the journey was too far off. He wanted to know what I have been up to? What’s happening? What kind of films I have been taking up? He said that he had me in mind but you never know what the end result could be as the casting would happen much later. This was the meeting that happened. It wasn’t that he had me in my mind when he was writing. Hirani sir thought of me meant the world to me, though.
So how did you get the role?
For a year after that meeting, I went about my life and Hirani sir was writing the script and then, a year later, I got a call again to audition for this part. I gave the test, then he called me for a narration and that’s how I got the film.
Exactly which friend from Sanjay Dutt’s life are you playing in the film?
So primarily, I am playing this friend called Paresh, who is from the States and they have been friends for a long time, since Rocky (1981) till today. He is almost like a family. They are like brothers more than friends. There are also other anecdotes and incidents that happened with other people too, and my character is a fictional amalgamation of different people in Sanju’s life, but people who know Sanju knows I am playing Paresh.
How was it to learn Gujarati for your character?
It was nice, something new for me. It’s the first time I explored this language, and Gujarati is such a sweet language. It’s got the tendency that if you indulge only a bit, it will go overboard. So, I have to keep the right note. The film is spanning over three decades and the character’s speech is quite rustic in the beginning, then he starts living in the States for over 20 years and the speech changes accordingly, and all that was incorporated in this. So, everything was meticulously thought out in the script. Then I went to Surat. I thought I should see the place, the behaviour and body language of the people there. I observed them and tried to incorporate their mannerism in my role.
How was it to play such a colourful character as compared to dark roles you have been playing since your debut?
It’s amazing when we were having a costume trial for me. In my previous roles, there were references by many, like such colour is not needed but this is the first role I am doing where they say subtle is not wanted. There is no grey or black or white, the costumes require green, yellow, orange, you know, happy colours and I loved it. It was so fun.
Is your look in the movie inspired by Paresh?
No, that we have taken the liberty to play with the character. The character’s look was defined by what suited the storytelling. I didn’t have the pressure to inspire my character just as a real person because, according to the story, the character was a bit fabricated but all the incidents you see between Sanju and him are all real.
While shooting with Ranbir Kapoor, did you ever wish that you could have had his role?
No, I never felt like that because, firstly, you are already overwhelmed that you are a part of Rajkumar Hirani’s film. Secondly, when you are playing a certain character, your entire focus is on that because every character is a life in itself. If you lose that focus and concentrate on other’s work, then your own work is neglected.
If you had the chance to play Sanju would you have?
Now after seeing Ranbir Kapoor play it, never.
The film is just a few days away from its release. Any pre-release jitters?
Every film, after its release on a Friday, is out of our control. If it will be a hit or a flop, will it reach or not, that is its own destiny. Every film has its own journey and that you can’t predict so you can’t put much energy into thinking that because it is not in your control. You pray for the best but at the end, it’s on the film and the audience.
Will the success of Raazi and Sanju affect your choices of projects in future?
I don’t think so. You always want to be a part of good stories, you want to work with good filmmakers and you want to do roles that scare you, roles that push you. Your constant quest is to do what you have not done before. These criteria will always be there, but other than that, I don’t think I would like to be so calculative. I am an artist, not a surgeon. I just want to follow my gut. If I read or hear some projects that my heart agrees with, then I just want to dive into it.
Could you tell us something about your future project Manmarziyaan?
Manmarziyaan is again an opportunity where I got to work with Anurag Kashyap, first time with Taapsee Pannu and Abhishek Bachchan. It is a Punjab based love triangle, romantic drama film. I can’t say anything more than that but in my small filmography this will be the craziest character I would be playing, so I am really looking forward to it. I found out my alter ego in that film.
After Sanju and Manmarziyan, what’s next? What kind of roles would you like to pick up?
I want to do everything. I am very greedy as an actor. You see, whenever you start, always aim for the stars, you aim for the moon. What’s the use of working when you are not aiming for the best in life? Whatever happens, you put in your best because then you work for the best and when you work with the best, you learn the most.
How was it work with Rajkumar Hirani?
When you work with Rajkumar Hirani, you grow as a human being as well as an actor. He is such a gem of a person, he is so humble, so modest. When you work with him it doesn’t seem like that he is the same man who made 3 Idiots (2009) or PK (2014) or Munnabhai series, it feels like you are working with a director who is making his first and last film. So, he has got the vulnerability of a debutant director but also the passion of someone who is making his last film together.
If you get a chance to choose between a big-budget production and an indie film, which one would you pick up?
I look at the story and that’s the reason I did films like Masaan. Because I did Masaan and saw what response it got, my belief that stories click strengthens. These days, especially because such a beautiful phase is going on where the audience chooses to trash big budget film and heighten small budget films, they look at the story and if stories click, the audience responds.
Jared Leto, the 53-year-old actor, is under fire after nine women accused him of sexual misconduct, with some alleging inappropriate behaviour when they were underage. The accusations, detailed in a report by Air Mail, span over two decades and include claims of predatory behaviour, unwanted advances, and sexual impropriety. Leto’s representatives have denied all allegations, calling them "demonstrably false."
Jared Leto pictured at a public event Getty Images
Underage accusations and disturbing claims
Among the accusers is a woman who says Leto approached her outside a Los Angeles café in 2006 when she was just 16. She claims he later called her late at night with sexually explicit questions. Another woman, model Laura La Rue, alleges Leto flirted with her when she was 16 and later exposed himself to her at his home when she was 17. Leto’s team countered, stating their communications were never inappropriate and that La Rue later sought employment with him, a claim she denies.
One of the most graphic allegations comes from a woman who says Leto began texting her when she was underage. She claims that at 18, he exposed himself, forced her hand on him, and demanded she spit on him. Multiple women also described his parties in the 2000s as environments where underage girls were pressured to skinny-dip.
Reports describe alleged misconduct spanning over two decades against Jared Leto Getty Images
Resurfaced allegations and public reaction
The claims gained traction after DJ Allie Teilz reposted a 2012 Facebook post alleging Leto assaulted her when she was 17. Her post triggered an outpouring of similar stories, with some women claiming they were as young as 14 during their encounters with Leto.
Leto’s legal team calls the accusations demonstrably falseGetty Images
Leto, known for roles in Dallas Buyers Club and House of Gucci, has yet to personally address the allegations. His team maintains his innocence, but the growing number of accusers has reignited discussions about accountability in Hollywood.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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The Pyramid Stage awaits Sir Rod Stewart’s return after more than two decades
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.