Congresswoman Tulsi Gabbard has hit back at critics who accuse the Democratic presidential hopeful of being a "Hindu nationalist", saying questioning her commitment to America while not probing non-Hindu leaders creates a "double standard" that can only be rooted in "religious bigotry".
Gabbard, the four-term Congresswoman from Hawaii, wrote an op-ed for the Religious News Services on Sunday, describing the campaign against her, supporters and donors as "profiling and targeting of Hindu Americans and ascribing to them motives without any basis".
The 37-year-old on January 11 announced that she would be running for the White House in 2020.
In the hard-hitting piece, Gabbard, the first Hindu elected to the US Congress, noted that she has been accused of being a Hindu nationalist. "Tomorrow will it be Muslim or Jewish Americans? Japanese, Hispanic or African Americans?" she asked.
"To question my commitment to my country, while not questioning non-Hindu leaders, creates a double standard that can only be rooted in one thing: 'religious bigotry'. I am Hindu and they are not," Gabbard said.
"My meetings with prime minister Narendra Modi, India's democratically elected leader, have been highlighted as 'proof' of this and portrayed as somehow being out of the ordinary or somehow suspect, even though President (Barack) Obama, Secretary (Hillary) Clinton, President (Donald) Trump and many of my colleagues in Congress have met with and worked with him," Gabbard said.
"I am proud to be the first Hindu-American to have been elected to Congress, and now, the first Hindu-American to run for president," she said.
Gabbard said while the headlines covering her presidential bid could be celebrated as historic first, maybe even informed Americans at large about the world's third-largest religion, but "some have instead fomented suspicion, fear and religious bigotry about not only me but also my supporters".
She referred to the attack against her in the past by political opponents.
"Religious bigotry and attempt to foment fear of Hindus and other minority religions persist. During my 2012 and 2014 elections, my Republican opponent stated publicly that a Hindu should not be allowed to serve in the US Congress and that Hinduism is incompatible with the US Constitution," she said.
In the 2016 race for Congress, her Republican opponent said repeatedly that a vote for her was a vote for the devil because of her religion, Gabbard wrote.
"Republicans like Ben Carson said in 2016 that a Muslim-American would be unqualified to serve as president. Democratic Senators have recently grilled and opposed Republican judicial nominees because of their connection to Catholicism," she alleged.
These actions and attitudes not only undermine the Constitution, but also incite fear and force people into the shadows because of their religion, Gabbard said.
Gabbard said after her 2012 election, she made a personal decision to take "my congressional oath of office on the supreme yoga/Hindu scripture, the Bhagavad Gita, where Krishna's teachings have provided wisdom and spiritual solace to me throughout my life, including when I was serving our country in the Middle East during the Iraq war."
"Those who are trying to foment anti-Hindu sentiment expose the dark underbelly of religious bigotry in politics and must be called out. To advocate voting for or against someone based on religion, race, or gender is simply un-American," she said.
Gabbard had last September refused to be the chairperson of the World Hindu Congress in Chicago, citing her differences with its organisers who were seen close to the Vishwa Hindu Parishad.
Gabbard said India was one of America's closest allies in Asia and is a country of growing importance in a critical region of the world.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.