British government urges UN investigation into violence in Bangladesh
Sheikh Hasina reportedly seeks asylum in the UK as the government remains silent on her request.
By Eastern EyeAug 06, 2024
THE British government has urged the United Nations to lead an investigation into the recent violent incidents in Bangladesh, which culminated in the ousting of prime minister Sheikh Hasina, who has reportedly fled to India and may seek asylum in the UK.
Foreign secretary David Lammy issued a statement on Monday (5) condemning the "unprecedented levels of violence and tragic loss of life" over the past two weeks in Bangladesh, and emphasised the UK's desire to see progress towards a democratic future for the nation.
The UK government has not officially commented on reports of Hasina seeking political asylum in Britain, with Home Office sources indicating that the country's immigration rules do not specifically allow individuals to travel to the UK to seek asylum.
“The last two weeks in Bangladesh have seen unprecedented levels of violence and tragic loss of life. A transitional period has been announced by the Chief of the Army Staff,” Lammy's statement read.
He further stressed the need for all parties to collaborate to end the violence, restore calm, and prevent further casualties, advocating for a full and independent UN-led investigation into the recent events.
“The UK wants to see action taken to ensure Bangladesh a peaceful and democratic future. The UK and Bangladesh have deep people-to-people links and shared Commonwealth values,” he added.
Meanwhile, external affairs minister S Jaishankar updated parliament in New Delhi on Tuesday (6) to confirm that Hasina had arrived in the country after a forced resignation amid public agitation.
“At very short notice she requested approval to come for the moment to India. We simultaneously received a request for flight clearance from Bangladesh authorities. She arrived yesterday evening in Delhi,” he said in a statement in the Rajya Sabha.
According to UK government sources, while the country has a “proud record” of providing protection for people who need it, there is no provision within the Immigration Rules for someone to be “allowed to travel to the UK to seek asylum or temporary refuge”.
Those who need international protection should claim asylum in the first safe country they reach as the fastest route to safety, officials indicated with reference to the asylum procedures. London is believed to be the preferred final destination of Sheikh Hasina, whose niece – Tulip Siddiq, the daughter of UK passport holder Sheikh Rehana – is based in north London as a Labour party member of Parliament from Hampstead and Highgate and junior minister in the Treasury department.
Strategic experts believe the situation is a complicated one for the UK, which has previously offered Hasina's late father – Sheikh Mujibur Rahman – refuge on his release from a Pakistani jail in January 1972 following the country's freedom struggle.
“Sheikh Hasina's desire to relocate to the UK, where her sister and niece live, puts the UK government in a dilemma. UK Foreign Secretary David Lammy has called for a UN-led investigation into the violence of the past few days. If this is held, it will likely hold Sheikh Hasina accountable to some degree and would look bad for the British government if she were then in the UK with the grant of ‘political asylum',” said Rahul Roy-Chaudhury, Senior Fellow at the International Institute for Strategic Studies (IISS) in London.
“But, at the same time, the UK's long-standing links with Sheikh Hasina's family makes it difficult to ignore her request. A possible solution would be to give Sheikh Hasina leave to enter the UK where she could live in ‘self-exile'. But, with Sheikh Hasina's niece being a Labour MP and minister, the optics of this will be challenging,” he said.
The student-led protests in Bangladesh started last month against a controversial job quota scheme and turned into violent anti-government agitation. (PTI)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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