Muay Thai: I do muay thai and boxing. Muay thai and boxing clear my mind of any debris that weighs heavy and allow my energy to express itself, while learning an art form that improves my physical and mental health. Martial arts encourage me to be present, demanding focus and enhancing my creativity.
Fresh coconut water: There is nothing that brings me back to life and lifts my spirit than drinking from a fresh coconut when my energy’s been low or my vibe is upset. Anything that comes straight from the earth in its natural form is full of nutrients, to revitalise you. I love papaya too.
Scents: Cinnamon and spice-scented aromas and fragrances are my obsession. Incense sticks and essential oils with their carefully-selected fragrance filling the room provides a form of aromatherapy. Nostalgia arises in my chest when catching a waft of a scent that takes me back to vivid memories of 1994.
Travelling alone: I enjoy travelling with others, but I always require time for myself to check inwards and experience the world alone too. As extroverted as I am on stage, I appreciate solitude and enjoy my own company in new places, with time to capture my thoughts without interruptions.
Dancing: I love to dance. After the genocide in Rwanda, people wanted to heal holistically and dance their trauma away rather than talking about their troubles. This resonates with me. I love bachata and dancing to afrobeats and soca. It’s important to allow your spirit to express itself.
Nature: Her beauty blows my mind when life becomes overwhelming. I love to take a notebook or a novel to the park or woods, read and write and appreciate being alive. I love camping, hiking and road trips. Being off-grid energises me, from camping in Cornwall to the Amazon rainforest.
Sunshine: The sun never fails to lift my spirit. The way she feels on my skin and inspires me to jump out of bed in the morning. Being able to move to a hot country away from grey England and continue with poetry and facilitating workshops is a dream.
Seeing people grow: I love facilitating workshops with children, young people and adults. Seeing people grow and learn to express themselves in a healthy manner and be surprised when writing great poetry warms my spirit. Opening others to acknowledge and be impressed by their own way with words is so fulfilling.
Comedy: I’m so inspired by comedians writing for versatile mediums and audiences. There’s a skill in being able to make people laugh. As serious as my content can be, I like to interrupt my performance with humour to lighten the load. Laughing at the end of a long day is important to me.
Writing and performing: Last but not least, writing and performing poetry allow me to release whatever sits on my chest or I need to express and make sense of. The stage supports me to not have to tone down or police my expression and preserve it in its raw form.
Shareefa Energy is an award-winning spoken word poet, writer and workshop facilitator. Visit Twitter & Instagram: @ShareefaEnergy and www.shareefaenergy.com
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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