Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
NEW Kick it Out chief executive Tony Burnett has urged the incoming Football Association chair and players' union chief to value inclusion as it is 'massively important'.
"I'd absolutely love to see a black person or a person from an ethnic minority background in one of those roles because they came through a process which is open, fair and transparent and are the best person for the job," he told BBC Sport.
"But irrespective of the person's background, have they got the right values and experience to drive inclusion forward in the way that we need to as a game.
"In 2021, leaders of organisations, especially organisations in important positions such as (the FA and PFA), should not be appointed if they haven't got a pedigree in that field."
Former FA chairman Greg Clarke resigned in November after 'unacceptable comments' about black players.
Professional Footballers' Association chief executive Gordon Taylor will leave his role after 40 years, with both jobs set to be filled this spring.
Burnett, who joined the anti-racism charity last month, believes that the appointments are 'less about representation'.
The FA chair and PFA chief executive roles have only ever been held by white men.
In October, the FA launched a football diversity code where clubs and organisations would have to meet a recruitment diversity target of 15 per cent in new executive jobs.
One of those who helped develop the code was former Chelsea defender Paul Elliott, who is also the head of the FA's inclusion advisory board and has been tipped to replace Clarke.
"There are more people called Dave than there are female chairs of our top 100 organisations," he said. "There's no way that's meritocratic."
He also wants to challenge the notion that a black person in a senior role is 'representing the whole of the black community'.
"This applies to black players, black managers and black leaders across the world of football. When they're appointed it's because they are the best person for the job, and they happen to be black," Burnett told BBC Sport.
"They're not representing the whole of the black community."
Burnett, who helped launch Kick It Out's new three-year strategy last week, said that players would continue to be a key voice in the fight against discrimination, and the organisation would be appointing a players' advisory board to help in its mission.
It comes as AC Milan forward Zlatan Ibrahimovic told NBA basketball star LeBron James to stay out of politics and stick to sport after speaking about racial injustice.
Burnett said: "I think footballers now are in a really difficult situation because they are cultural icons in a lot of cases now. If we're asking people to be in the public eye and be representative and be role models for young people then absolutely they've got a right to have a voice about issues they care about. And we should respect that voice."
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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