Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Tina Knowles, the mother of global music stars Beyoncé and Solange, has publicly shared her recent experience with breast cancer, revealing how a missed mammogram may have delayed its detection.
In an interview with Gayle King on CBS Mornings, the 71-year-old businesswoman and philanthropist said she was diagnosed with Stage 1 breast cancer in her left breast. The diagnosis came after doctors discovered two tumours during a mammogram appointment she had postponed during the COVID-19 pandemic.
Knowles, who has long prioritised her health, expressed her shock at the diagnosis. "I've always tried to take care of myself. I just … was in disbelief," she told King.
According to the American Cancer Society, women aged 55 and older are advised to have a mammogram every one to two years. Knowles said that after delaying her routine screening, she finally attended an appointment last year. During that examination, doctors identified two tumours. One was benign, while the other was confirmed as cancerous and at Stage 1.
Doctors later informed her that had she kept up with her regular screenings, the cancer may have been detected at Stage 0, when the disease remains confined to the breast tissue and is generally easier to treat.
Fortunately, the cancer had not spread and was considered slow-growing. In August, Knowles underwent a lumpectomy – a surgical procedure to remove the tumour – and is now cancer-free.
Knowles described the support she received from her family, including Beyoncé, Solange, and other close friends, who accompanied her to the hospital ahead of her operation. She recalled feeling anxious before surgery, but said her daughters helped ease her nerves.
"They started joking with me," she said, recalling a moment when Solange played a humorous viral video about the word "demure" to lift her spirits. The atmosphere helped her to relax and focus on the positive.
In a particularly emotional moment before the operation, Solange and niece Angie Beyincé sang the gospel song Walk With Me to her. Knowles described the experience as deeply reassuring. "It’s about God walking with you into something and protecting you," she said. "And I went in there feeling just like God has got me."
Months after the surgery, Knowles developed a serious post-surgical infection, which nearly prevented her from attending the Glamour 2024 Women of the Year Awards in October. She revealed that Beyoncé urged her to prioritise her health instead of attending the event.
“Mama, you’re not yourself,” Knowles recalled Beyoncé saying. “Your health is more important. Don’t go.”
Despite her daughter’s concerns, Knowles felt compelled to attend the ceremony, viewing the honour as a milestone in her personal journey. She said the award held particular meaning after her battle with cancer.
“For a lot of my life, I just refused to be recognised,” she admitted. “I would never take an award. I would never want the attention to me… and this was my saying, ‘I deserve this.’”
At the event, Knowles gave a speech that reflected on the unwavering support she received from her daughters. “That’s why when I said, you know, with them, I could get through anything, nobody knew what I was talking about,” she said.
Now in recovery, Knowles is sharing her story to encourage other women to stay on top of their health and not delay vital screenings. Her experience is a timely reminder of the importance of early detection, and how family support and resilience can play a powerful role in overcoming illness.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
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