Veteran actor Supriya Pathak Kapur is famously known for her performance as Hansa from the TV show Khichdi. But well, she has been in the Indian film industry for four decades and has been a part of many amazing movies like Kalyug, Bazaar, Mirch Masala, Wake Up Sid, Goliyon Ki Raasleela Ram-Leela, and others.
Her recent release is Toofaan which started streaming on Amazon Prime Video on 16th July 2021.
While talking to PTI, the veteran actress opened up about how she is offered more interesting work now than she used to do when she was young.
Kapur said, "It's a lovely time and a great opportunity to work with interesting young directors. I'm doing more interesting work than when I was a young girl. Honestly, growing up has been a boon for me.”
"Even the younger characters these days are pretty interesting. In our times, there used to be just a few of them and we all used to hope to get a chance to play them. Today the scope is much more, the girls of today have a lot more opportunities to play different characters," she added.
Supriya Pathak Kapur credits globalisation for bringing significant changes in the Indian society and feels that it enabled writers to create a "modern, independent" woman with a voice of her own.
She said, "No one would want a sacrificing, sad kind of mother anymore. Mothers in the real world have changed. The attitude I have towards my daughter today is much more modern than my mother (veteran actor Dina Pathak) had towards me, even though she was a very modern and emancipated lady herself. In society, the role of the mother has changed, so it has changed in films too. It's an important move forward."
However, the veteran actress feels that Indian filmmakers still lack in creating original content and unique characters. Kapur said, "We are being viewed on a larger canvas. The canvas is not anymore our society or our country or north India-south India. It's now about the world... I believe we are still running behind what has worked. We need to give the audience a lot more variety."
Toofaan is Supriya Pathak Kapur’s second film with director Rakeysh Omprakash Mehra. She had earlier collaborated with the filmmaker in the 2009 release Delhi 6.
She said yes to Toofaan because she wanted to work with Mehra again. "When I worked with him on Delhi 6 I really enjoyed it. We had a great rapport and did a great film. And I really love his work and enjoy watching it. When he offered me Toofaan, I didn't ask any questions,” the actress said.
Talking about her character of Sister D'Souza, a nurse, Kapur said, "She is a link between emotions, she is a kind of a glue. She is an independent woman, who has looked after herself all her life. It's a very positive character."
The veteran actress will next be seen in Mimi which is slated to release on Jio Cinema and Netflix on 30th July 2021.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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