Virat Kohli and Cheteshwar Pujara hit half-centuries for India but South Africa's fast bowlers dominated the first day of the third and final Test at the Wanderers Stadium on Wednesday.
India were bowled out for 187 despite contrasting innings of 54 by Kohli and 50 by Pujara.
South Africa were six for one at the close.
Kohli and Pujara put on 84 for the third wicket but there were no other major partnerships. Bhuvneshwar Kumar, who made 30 batting at number eight, was the only other Indian to reach double figures.
South Africa picked a five-pronged pace attack and the Indian batsmen were under pressure all day on a pitch which offered pace and sideways movement.
All five bowlers took wickets. Kagiso Rabada took three for 39, while Morne Morkel, Vernon Philander and Andile Phehlukwayo took two apiece. Lungi Ngidi only took one wicket but it was the key one of Kohli, who was caught at third slip by AB de Villiers.
Kohli won the toss and decided to bat on a hard, well-grassed pitch in cool, overcast conditions.
As in the first two Tests, Kohli was batting early in the innings after both openers were dismissed inside the first nine overs.
While Pujara played a dogged, defensive innings, Kohli attacked when the bowlers strayed in line or length.
Pujara took 54 balls to score his first runs and battled for 261 minutes and 179 balls, hitting eight boundaries, before he was caught behind off the medium-paced Andile Phehlukwayo.
Two dropped catches and a wicket overturned because of a no-ball hampered South Africa on a day when the bowlers were able to extract considerable sideways movement off the pitch.
Kohli, who made his runs off 106 balls with nine fours, was the beneficiary of both dropped catches. He was put down when he had 11 by Philander off Rabada and on 32 by De Villiers at third slip off Morkel.
De Villiers made amends when he held a sharp chance off Lungi Ngidi to end Kohli?s innings ? but South Africa?s star batsman did not field after tea while receiving ice treatment on a bruised right middle finger suffered when he held the catch.
Philander took the first wicket when he had Lokesh Rahul caught behind and bowled a remarkable first spell of one for one in eight overs. He was later denied a second wicket when Ajinkya Rahane, on three, edged him to wicketkeeper Quinton de Kock, only to get a reprieve when replFast bowlers dominate first dayys showed he had over-stepped the bowling crease.
Rahane made only six more runs before he was leg before wicket to Morkel shortly before tea.
Pujara faced 31 balls without scoring a run in Philander's first spell and was beaten several times as well as surviving an unsuccessful review for a leg before wicket decision which showed the ball hitting the bails in the ?umpire?s call? zone.
South Africa suffered an early blow when Aiden Markram edged an outswinger from Kumar to wicketkeeper Parthiv Patel in the third over.
Both teams selected all-seam attacks, with no spinner in either team.
"There is good grass cover but the surface is nice and hard. If we bat first and bat well it?s an advantage," Kohli said at the toss.
"We played some really good cricket at this ground last time and we are looking to correct the mistakes we made in the first two games."
A group of migrants board an inflatable dinghy before leaving the coast of northern France in an attempt to cross the Channel to reach UK on August 25, 2025. (Photo: Reuters)
THREE people, including two children, died while attempting to cross the English Channel overnight off the coast of Calais, French authorities said.
French media reported that the children were on a boat carrying 38 people. The Prefect of Pas-de-Calais, Laurent Touvet, said another three people were missing from a separate boat trying to cross at Neufchâtel-Hardelot, BBC reported.
Mr Touvet indicated that those who died may have been crushed to the bottom of the boat. He blamed smuggling gangs for the deaths and said action would be taken against them.
France’s assistance and rescue tug, Abeille Normandie, rescued passengers from the vessel at around 05:00 local time (04:00 BST) on Wednesday, off the coast of Sangatte near Calais.
A third boat carrying 115 people was rescued by the French navy’s patrol boat. Mr Touvet said no injuries were reported, but described it as “probably the highest number we’ve ever seen”.
More than 20 people have died in the Channel this year. On Tuesday, a woman died while attempting the crossing off the coast of Dover.
Over 30,000 people have reached the UK in small boats so far in 2025. Last year, 50 people died making the attempt, according to French coastguard records.
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Abbey Road Music Photography Awards 2025 reveals nominees with stunning shots of Charli XCX and Doja Cat
More than 20,000 photographs from 30 countries considered for this year’s shortlist
Nominees feature stars including Chappell Roan, Lana Del Rey, Charli XCX, Doja Cat and Burna Boy
Fans can vote for Music Moment of the Year until 23 September on the MPA website
Exhibition of all 40 nominated works runs at London’s Outernet from 19–23 September
The Abbey Road Music Photography Awards 2025 has unveiled its nominees, showcasing striking images of international stars including Chappell Roan, Charli XCX and Doja Cat. After reviewing over 20,000 submissions across 30 countries, the competition aims to bring to light the growing prestige of music photography, with new categories introduced this year and a London exhibition bringing the work to the public.
Abbey Road Music Photography Awards 2025 reveals nominees with stunning shots of Charli XCX and Doja Cat Greg Noire/Instagram/abbeyroadmpa
What are the Abbey Road Music Photography Awards?
The Abbey Road Music Photography Awards, launched in 2022, are the world’s only global competition dedicated to music photography. Hosted by the iconic Abbey Road Studios in London, the awards recognise the creativity and cultural impact of photographers capturing artists on stage, behind the scenes, and within club culture.
For 2025, two new categories, Portrait and Festivals, have been added, alongside a special guest category focused on Club Culture. The judging panel includes renowned names such as Rankin, Nile Rodgers and actor Joe Keery.
The nominated works will be displayed at Outernet London’s Now Pop One venue from 19 to 23 September, giving fans the chance to view all 40 shortlisted images. The free exhibition offers an immersive experience in the capital’s entertainment district, located near Charing Cross Road.
Visitors can also vote for their favourite picture in the Music Moment of the Year category through interactive screens at the venue or online via the awards’ official website. Public voting closes on 23 September.
The winners of the Abbey Road Music Photography Awards 2025 will be revealed at a ceremony on 2 October at Abbey Road Studios in London. Dutch filmmaker and photographer Anton Corbijn, known for his decades-long collaborations with U2 and Depeche Mode, will be honoured with the prestigious Icon Award at this year’s event.
Mark Robertson, Abbey Road’s Director of Marketing and Creative, praised the “incredibly gifted community of photographers” whose work, he said, proves that music photography is not just documentation but an art form that helps shape popular culture.
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Donald Trump and Narendra Modi shake hands as they attend a joint press conference at the White House on February 13, 2025.
Trump says he will speak to Modi in the coming weeks amid trade talks
Modi calls US and India "close friends and natural partners"
Trade officials from both countries may restart meetings in September
US-India trade reached $129 billion in 2024 with a $45.8 billion US deficit
US PRESIDENT Donald Trump said on Tuesday his administration is continuing negotiations to address trade barriers with India and that he would speak to prime minister Narendra Modi, indicating a possible reset after recent friction.
Trump said he looked forward to speaking to Modi in the "upcoming weeks" and expressed confidence that the two sides could reach an agreement.
"I feel certain that there will be no difficulty in coming to a successful conclusion for both of our Great Countries," he said in a post on social media.
Modi responds with optimism
On Wednesday, Modi said Washington and New Delhi "are close friends and natural partners." He added that teams from both sides were working to conclude the trade discussions soon.
"I am also looking forward to speaking with President Trump. We will work together to secure a brighter, more prosperous future for both our people," Modi said in a social media post.
India's shares rose over 0.5 per cent after the remarks from both leaders.
Trade deal uncertainty
Trump had said for months that a trade deal was close, but later doubled tariffs on Indian imports to 50%, raising doubts about the future of the U.S.-India relationship.
In recent weeks, Trump and top US officials criticised India for buying oil from Russia, saying New Delhi was funding the war in Ukraine, a charge India denies.
At the same time, Modi has engaged with China and Russia. He visited China last month for a summit hosted by Chinese President Xi Jinping and was also seen with Russian president Vladimir Putin.
Analysts cautious
"While the social media statements by Trump and Modi signal a potential rapprochement between the U.S. and India, it is still premature to assume that a resolution will arrive swiftly," Madhavi Arora, economist at Emkay Global, said.
"With Trump, we will need to wait for more concrete signals that a deal is in the offing."
Meetings to restart in September
Trade officials from India and the US may meet in September to restart in-person discussions, CNBC-TV18 reported, citing sources. A US trade negotiators’ visit to New Delhi scheduled for August 25-29 was cancelled after talks stalled.
India's trade ministry declined to comment on reports of new meetings.
According to US Census Bureau data, two-way goods trade between the US and India reached $129 billion in 2024, with a $45.8 billion US trade deficit.
Tariffs and EU pressure
Trump recently said India had offered to reduce tariffs on US goods to zero but described the offer as late, saying the country should have acted earlier.
Reuters reported that Trump urged the European Union to impose 100% tariffs on China and India as part of pressure tactics against Russian president Vladimir Putin.
Indian officials in New Delhi said they do not expect the EU to take measures against India and that assurances had been given that EU trade talks would not be disrupted.
Nikon ZR is the company’s first dedicated cinema mirrorless camera.
Built with RED technology and offering internal .R3D RAW recording.
Compact, minimal design with a 4-inch, 1,000-nit LCD display.
Priced at £2,196 / €2,349, targeting entry-level filmmakers and RED users seeking a B-cam.
Nikon enters the cinema arena with RED partnership
Nikon has officially launched the ZR, its first cinema-focused mirrorless camera and the debut model in the new Z Cinema line. It marks a significant step for the company following its acquisition of RED, bringing REDCODE RAW technology into a compact, sub-£3,000 body.
Seventeen years after Nikon’s D90 became the first DSLR to shoot video, the ZR is a chance for the brand to reassert itself in a field now dominated by Sony and Canon.
Compact body with some compromises
The Nikon ZR adopts a cinema-style design distinct from the existing Z mirrorless range. The body is minimal, stripped of features such as an EVF, mode dial, and top display. Its shallow grip and reliance on rigging accessories reflect its intended use as a cinema tool.
Notable design points:
Connectivity: Micro HDMI port instead of full HDMI.
Storage: Dual card slots – CFexpress Type B and microSD – located inside the battery compartment.
Mounting: Only a bottom 1/4"-20 thread, requiring cages for expanded use.
4-inch, 1,000-nit LCD display
One of the standout features is the large, bright, vari-angle 4-inch touchscreen, which can replace the need for an external monitor in many scenarios. For solo shooters and creators, it simplifies setups and offsets the fragility of the micro HDMI port.
Refined menus and new UI tools
Nikon’s familiar menu system is retained, but the ZR adds:
A new quick-access shortcut for zebras, waveforms, peaking, and brightness controls.
Vertical shooting UI rotation.
In-camera LUT support, with a built-in Rec.709 profile and the ability to load custom .cube LUTs.
Missing features include anamorphic de-squeeze and false colour, though these could arrive in future firmware updates.
Sensor, stabilisation and Dual ISO
At its core, the ZR uses a 24.5MP partially-stacked full-frame CMOS sensor – the same as the Z6III. It records:
6K RAW up to 60fps (full-frame).
4K at 120fps (cropped).
The camera also features:
IBIS (in-body stabilisation) for handheld flexibility, even with adapted lenses.
Dual ISO at ISO 800 and ISO 6400 when recording in RED Log3G10.
Internal .R3D RAW recording
For the first time in a mirrorless body, Nikon offers REDCODE RAW recording, in a new variant called .R3D NE (Nikon Edition). This enables REDWideGamutRGB colour space and Log3G10 gamma metadata.
At launch, editing support is limited – .R3D NE files require REDCINE-X PRO, though wider NLE compatibility is expected. For broader workflows, the ZR also supports Apple ProRes 422 HQ, ProRes RAW, H.265, and H.264.
32-bit audio recording
The ZR includes 32-bit float internal audio, compatible with its built-in mic, 3.5mm input, or via the new hot-shoe with digital audio interface – a rare feature at this price point.
Lens mount versatility
The ZR uses the Nikon Z mount, which is highly adaptable thanks to its wide diameter and short flange distance. It supports:
Native Nikon Z lenses with advanced autofocus and customisable controls.
Adapted cinema, vintage or third-party lenses, including PL and Sony E.
Who is it for?
The ZR is aimed at two main groups:
Aspiring cinematographers: Affordable, compact and versatile for events, social media, and indie filmmaking. Offers room to grow with RED workflows.
Existing RED users: As a B-camera, it complements RED’s V-RAPTOR X or KOMODO-X by sharing .R3D workflows, Z mount lenses, and CFexpress media.
Price and availability
The Nikon ZR will begin shipping next month at £2,196 / €2,349 (excluding VAT).
INDIA must take an investor-centric approach to attract global funding for its growing sustainable infrastructure needs, the UK-India Infrastructure Financing Bridge (UKIIFB) said in a report released in London on Monday.
The UKIIFB, co-chaired by NITI Aayog and the City of London Corporation, completed one year this week. The group was launched in September last year to help bridge the gap between global investor interest and infrastructure projects in India.
Over the past year, the steering board of the group has consulted on projects such as national highways and regional rapid transport in India. The result is a report with proposals and recommendations to improve investor confidence and financing.
“The transformative UK-India Infrastructure Bridge, jointly steered by India's visionary policy think-tank NITI Aayog and the historic City of London Corporation, is unlocking vast international capital for India's infrastructure revolution,” said BVR Subrahmanyam, CEO of NITI Aayog and Co-Chair of the UKIIFB.
“This landmark partnership draws on India's unmatched capacity for high-growth, sustainable ventures and aligns it with the UK's proven skills in project finance and strategic execution,” he said.
“Together, we are crafting a robust framework to accelerate India's ambitious goals in smart cities, renewable energy, and connectivity,” he added.
Subrahmanyam said the collaboration under the UKIIFB strengthens India’s progress towards becoming a global economic power by combining domestic leadership with international cooperation.
The UKIIFB aims to build bilateral collaboration in project finance to meet India’s demand for sustainable infrastructure growth. Chris Hayward, Policy Chairman of the City of London Corporation and Co-Chair of the UKIIFB, said the initiative plays a “vital role” in mobilising capital for India’s critical infrastructure.
“This report makes a powerful case for action, outlining practical steps to make Indian infrastructure projects more attractive to global investors,” said Hayward, as he released the one-year report with Subrahmanyam.
“At its heart, the findings highlight a clear truth: international investors need clarity, confidence, and consistency – and India's growth ambitions deserve a financing model that matches their scale,” he said.
The report notes that India’s infrastructure demand is being driven by rapid urbanisation and a growing middle class. It adds that the target of USD 4.5 trillion investment in infrastructure by 2030 cannot be achieved through domestic investment alone.
For its second year, the UKIIFB has set out key proposals, including adopting an investor-centric approach to align with global investor priorities on risk, value and returns. It also calls for measures to address outdated perceptions of India’s infrastructure sector.
Other recommendations include aligning with global standards, enhancing transparency and risk management to build investor confidence, and creating a supportive environment for infrastructure development by fostering partnerships with local industry.
The City of London Corporation, the governing body of London’s financial district, leads the UK side of the partnership. The UKIIFB was launched as part of the UK Economic and Financial Dialogue (EFD) and is supported by a steering committee with members from the UK Treasury, construction, engineering and legal firms from both countries.
In its first year, the committee was tasked with advising policymakers on removing barriers to international private sector investment in Indian infrastructure and helping projects reach the stage where they are ready to attract investment.