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Review: 'Lotus Beauty' cleverly captures cross-generational female experiences

Review: 'Lotus Beauty' cleverly captures cross-generational female experiences

THE latest play from acclaimed writer Satinder Chohan was supposed to run in May-June 2020 but was postponed due to the Covid pandemic, and finally premiered at Hampstead Theatre in London, where it’s currently being staged.

Salon owner Reita has worked hard all her life and dreams of moving away to something better. Meanwhile, her illegal salon beautician is looking for a husband to get permanent residency, her dutiful cleaner is stuck in a deeply abusive marriage and her rebellious young daughter is heading down the wrong path. Her elderly mother-in-law is battling past demons and reluctant to give up the family home Reita wants to sell. All the women dreaming of a new life have their little worlds collide in the simple salon.


The accomplished play, powered by a female cast and creative team, is driven by a free-flowing feminine energy. Humour and deep emotion blend seamlessly in a comedy-drama that is wonderfully staged in an intimate setting. The various sub-plots come together nicely to show different sides of the British Asian female experience across three generations, through unique characters. There are some hilarious one-liners, but also moments that take the audiences by surprise and raw emotions that bubble to the surface.

Director Pooja Ghai draws strong performances from her cast and has some clever little touches like a musical interlude featuring classic Bollywood song Lag Jaa Gale.

Kiran Landa has a commanding presence on stage as Reita and Anshula Bain adds electric energy with her performance as a troubled teenager. The other cast members perform their roles well, although it does take a little time to get used to Zainab Hasan’s accent as Tanwant. The ending may divide audiences, but that won’t stop this from being one of the year’s finest theatre plays.

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'Are you even Indian?' turns diaspora identity into a courtroom drama at Brighton Fringe

The story follows a British-born Indian woman and an Indian-born man who fall in love

Mohit Mathur

'Are you even Indian?' turns diaspora identity into a courtroom drama at Brighton Fringe

Highlights

  • Writer-performer Mohit Mathur brings his new dance-theatre production Are You Even Indian? to Brighton Fringe
  • The show explores identity, migration, marriage and belonging through a cross-cultural love story
  • It will run on 12 and 13 May at Brighton Fringe
  • The production previously won Best Show at the Bitesize Festival at Riverside Studios

For many children of migration, home can feel like a moving target and Are You Even Indian? places that tension centre stage.

Written by and starring Mohit Mathur, the new dance-theatre production will be staged at Brighton Fringe on 12 and 13 May. Directed by Leigh Toney, the show explores identity, cultural expectations and belonging through a relationship caught between two versions of home.

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