Helmed by Ayan Mukerji, Brahmastra is one of the most-awaited Bollywood films. It features an ensemble cast of Ranbir Kapoor, Alia Bhatt, Amitabh Bachchan, and Mouni Roy.
Produced by Karan Johar via Dharma Productions, Brahmastra is set to enter theatres on September 9, 2022.
The film sees Ranbir Kapoor as Shiva, a man with supernatural powers. The first part of the film billed as a trilogy will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam. Mukerji said the film is mounted on a humongous budget and the team worked hard to get its VFX, action set pieces right but would not call it a “superhero” project.
“I know the term superhero gets used with the film a lot because it is sort of in that genre. But in my mind, it is not a superhero film. It is a fantasy adventure epic. It is a modern mythology piece. Shiva is closer to a modern representation of a deva than a western superhero. He is a normal guy who is born with certain energy within him,” the director said.
The director said he was nurturing the idea of Brahmastra since 2011, after his 2009 debut with Wake Up Sid, when he visited the Himalayas. He later made the blockbuster Yeh Jawaani Hai Deewani in 2013 but deep-dived into fleshing out Brahmastra soon after.
Mukerji said what appealed to him the most was the possibility of mounting an epic film with roots in Indian mythology. “The feeling of spirituality that we have in India when we go to the Himalaya or visit some ancient sites... Indians are spiritual, we believe in a higher power. I felt a story like this had not been made in India. Then, the story came to me as something set in the modern world. That juxtaposition of modern and ancient was extremely appealing. I felt I could continue to write as a modern filmmaker but also draw from my roots and where we all come from. I felt that it was new and powerful.”
The film features Bhatt as Isha and Bachchan as Guruji. More details about their characters will be revealed in time, the director said. “The motion poster now will focus on Shiva. Then we will come to Isha, Guruji. We can't reveal everything at once,” he added.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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