BRITISH home secretary Priti Patel has slammed the critics of her government’s controversial immigration deal with Rwanda and the BBC’s “xenophobic” overtones in reporting the matter.
She was "taken aback" by the tone of BBC journalists' references to Rwanda after the agreement with the African country was announced, she told The Telegraph.
She said the corporation’s “undercurrent” was similar to the views expressed by opposition parties.
"When you hear the critics start to stereotype, start to generalise, first of all that's all very offensive. It's deeply offensive, and it's based on ignorance and prejudice, some of this, in my view. I could call them lazy and sloppy characterisations, but actually they're not. I heard plenty of that not long after the announcement was made”.
"There are always going to be critics, and we live in a free country," she said in an interview with the newspaper published on Saturday (23).
According to documents published by the government last week, Patel overruled reservations from officials about her plan to send thousands of asylum seekers to Rwanda.
The plan, unveiled by prime minister Boris Johnson, seeks to act as a deterrent to migrants who make illegal boat crossings to Britain from France.
It has drawn heavy criticism from political opponents and campaigners.
In an exchange of letters with Patel, the top official in the Home Office highlighted uncertainty over the scheme's value to the taxpayer.
The government has said it would contribute an initial £120 million to the scheme.
"I do not believe sufficient evidence can be obtained to demonstrate that the policy will have a deterrent effect significant enough to make the policy value for money," Home Office permanent secretary Matthew Rycroft said.
Patel acknowledged the concerns but stated her belief that without taking action to stop the crossings, both the monetary costs and the loss of life among those who attempt to navigate the busy shipping channel would rise.
"It would therefore be imprudent in my view, as home secretary, to allow the absence of quantifiable and dynamic modelling ... to delay delivery of a policy that we believe will reduce illegal migration, save lives, and ultimately break the business model of the smuggling gangs," she wrote.
Last year, more than 28,000 migrants and refugees made the crossing from mainland Europe to Britain, a fraction of the number arriving in other European countries, but enough to keep immigration a politically sensitive topic among some voters.
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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73
Dec 08, 2025
Highlights:
- Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
- Known for vivid, often humorous images of everyday life across Britain and India.
- His work is featured in over 100 books and major museums worldwide.
- The National Portrait Gallery is currently showing his exhibition Only Human.
- Parr’s legacy continues through the Martin Parr Foundation.
Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.
For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.
He also focused on British Asian communities. Parr photographed Bhangra dancers in Edinburgh, Sikh elders in Walsall, and students at Cambridge May Balls, capturing moments that rarely appeared in mainstream British photography. These images showed dignity and character, even in playful or chaotic settings.

What Only Human shows about contemporary Britain
The National Portrait Gallery’s exhibition presents previously unseen photographs and short films reflecting Britain after the EU referendum. Parr explored identity, culture, and social class, from Cambridge and Oxford universities to the City of London.
The show includes images of political and elite figures. Among them are David Cameron adjusting his tie before a banquet and portraits of Lord’s cricket ground members. Parr set these alongside everyday citizens, highlighting contrasts in British society.
Exhibition curator Philip Prodger described it as “provocative, surprising and ultimately uplifting,” while NPG director Dr Nicholas Cullinan said it contributes to debates on what it means to be British today. The exhibition runs until 27 May.

Travels to India and eye for detail
Parr spent time photographing India over several decades. His book Martin Parr in India: 1984–2009 showed photos from Delhi, Jaipur, Agra, Lucknow, and Kerala. Parr told travellers not to take the usual beach or sunset shots. He wanted them to capture real moments instead. Many images show locals next to tourists. These trips shaped how he looked at life, humour, and society through photography.

Legacy and recognition
Parr was a long-time member of Magnum Photos and later became its president. His photos are in MoMA in New York, Tate in London, and the Centre Pompidou in Paris. He published over 100 books and received a CBE in 2021.
Colleagues remembered him for his humour and sharp eye. Diane Smyth, editor of the British Journal of Photography, called him a “giant of post-war photography.” Friends spoke of early-morning calls, spotting small stories, and his loyalty.

The Martin Parr Foundation will keep his archives and share his work. Parr said he wanted to show the world as he saw it, serious but playful. His photographs are now a clear record of modern British life, ordinary and extraordinary, for the future.
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