Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A MODERN adaptation of George Orwell’s Animal Farm, with its focus on economic instability and social injustice, aims to encourage introspection and inspire change, the actor starring in a play based on the book, said.
Farshid Rokey, a British actor of Afghan origin, plays Minty (a sheep) in the new play at Stratford East.
Orwell’s famous book tells the story of a group of exploited animals who “rebel against their human farmer-tyrant and take control of the land that they live on”.
This decision, they hope, will create a more equal and happier society.
“We’re living in a society, especially in the UK right now, where people are suffering when it comes to finances. More people now are using food banks and are homeless than ever,” Rokey told Eastern Eye.
“The play connects deeply with the frustrations of audiences grappling with economic instability and social injustice. A lot of people, maybe even millennials, can’t afford houses. They must probably accept the fact they’re going to be working until they’re 70 or 80. Some of them may never retire,” he added.
“By reflecting these struggles through the allegorical lens of Orwell’s work, the production invites viewers to explore their place within a flawed system and encourages critical thinking about what change could look like.”
Rokey as Minty with Tianah Hodding as Clover during Animal Farm rehearsals
Directed by Amy Leach, the play aims to bridge the gap between Orwell’s mid-20th-century critique and today’s pressing societal challenges, the actor said.
Describing the plot, Rokey said, “This adaptation goes beyond the surfacelevel narrative of rebelling animals. It shifts the focus to human experiences.
“We’re not trying to be like animals. We’re trying to be more human. This human-centric portrayal adds depth, urging the audience to examine their society and personal role in advocating for reform.”
The modern production seeks to energise younger generations, particularly gen Z, who are increasingly vocal in demanding change, Rokey said, adding, “the great thing about gen Z is they’re not afraid to speak up.”
Rokey, who arrived in the UK as a child refugee from Afghanistan, has extensive experience in theatre, TV, film and radio.
His stage performances include The Boy With Two Hearts, Another World, Goats, The Jungle and The Kite Runner.
He has also appeared in Mogadishu and The Boy at the Back of the Class.
On television, Rookey’s credits include Casualty, Holby City, and Our Girl. His film portfolio showcases independent productions such as Leave To Remain and Rise of theFoot Soldier.
His work often explores themes of identity, migration, and contemporary social issues.
Animal Farm is the London-based actor’s latest play. The cast, which includes deaf and disabled actors, are currently doing rehearsals in Leeds.
The show will start running next month.
Rokey, who started doing stage when he was a teenager, said, “It’s the first time I’ve worked in a completely different way, alongside actors who are deaf, disabled as well as non-disabled. It’s allowed us to explore the text in a different way that we probably never would have imagined.”
He described how natural and straightforward the process has been, despite initial assumptions about potential challenges. “If you make the effort, it’s not very hard. It can work,” he said. “Our room is working in both English and British Sign Language and we are finding ways to communicate with each other through things like gesture and lip reading.”
Rokey added, “It’s been an amazing experience and a big revelation,” and said this diversity reflects real life.
“That’s what you see in life – people with different backgrounds, different disabilities, different needs.”
Rokey moved to the UK in 1995 as a young child from Afghanistan with his single mother and sibling. Their early years were marked by instability, frequently moving in and out of temporary accommodation.
“We stayed in a lot of B&Bs and hotels. We moved 11-12 times before we actually had a place to stay,” Rokey said.
His school years were challenging, the actor said. He attended what he described as “one of the hardest schools in the country,” marked by violence and stabbings.
Eventually, he was expelled from both school and later college, leaving him directionless and uncertain until a chance encounter with acting at age 18.
“I found myself acting by accident,” Rokey said. His introduction to the craft came through an unexpected route – following a friend to drama classes in Harrow, northwest London, where he hoped to meet girls. However, the weekly Thursday classes sparked a genuine interest in acting, leading to his first break when the class instructor offered to sign him to her agency.
Despite lacking formal drama school training, his immigrant background instilled a strong work ethic, Rokey said.
“When you have nothing, the only thing you can do is keep working hard. I made sure I read about acting, went through scripts in my own time, learned the accent – I put in all the work behind the scenes,” he added.
Now 33, Rokey has a career spanning more than a decade, including prominent roles in The Kite Runner, The Boy with Two Hearts at the National Theatre, and various television appearances.
He has also established himself as a voice actor, featuring in BBC Radio productions including Dr Who: Torchwood and the acclaimed series Tumanbay.
Rokey spoke of his pride in being able to make a steady income through acting.
He said, “When I started off, it was very hard... people who looked like me or spoke like me weren’t in the rehearsal room. But now I’m looking around me, it’s changed a lot. The industry and drama schools understand that we need more diversity.”
Animal Farm runs at Stratford East from February 7 to March 8, before commencing on a tour to Leeds Playhouse from March 12 to 29, and Nottingham Playhouse from April 2 to 12.
In her own words, the London-based artist shares 10 defining moments that turned glitter into grit, pain into power and creativity into connection.
Shreena Patel has built a vibrant, shimmering world with her signature metallic-sparkle acrylics, one canvas at a time. A graduate of the prestigious University of the Arts London, the London-based abstract artist has earned acclaim both in the UK and internationally, creating bespoke pieces for celebrities, private collectors and public institutions.
But behind the glittering finishes and spiritual symbolism lies a deeper story – one of passion, purpose and personal resilience.
From a childhood curiosity about the minds behind masterpieces to becoming a multi-award-winning artist herself, Shreena’s journey is marked by colour, courage and community. Whether speaking on stage at Diwali on the Square, raising funds through her work, or spotlighting invisible illnesses like ulcerative colitis, her art has always been more than decorative. It is deeply personal and powerfully connective.
Now, for the first time, Shreena shares 10 of her most memorable artistic milestones. Each moment reveals not only her growth as a creator but also her unwavering belief in art as a force for joy, healing and change.
Shreena Patel
Artwork displayed at Hyde Park Corner station
Seeing my Ganesh artwork displayed at Hyde Park Corner station during South Asian Heritage Month was a pinch-me moment. To have commuters and tourists pause in a busy London station to take in my art, rooted in identity, culture and colour, made me feel truly seen. It was public, powerful and proof that South Asian stories belong in mainstream spaces.
Being featured in British Vogue was an unexpected yet unforgettable milestone. Just a few years after Art By Shree was born, seeing my work and story in one of the world’s most iconic fashion publications validated my creativity in a whole new light. It bridged the gap between contemporary style and ancient symbolism and reminded me that tradition and trend can coexist beautifully.
Shreena Patel's work
Painting for celebrities I have had the honour of creating bespoke paintings for celebrities, including Bollywood actors, music artists and famous cricketers, who connected with the spirituality and vibrancy of my work. Each commission has been personal and meaningful, not just because of who they are, but because of the shared energy and intention behind the art. It is surreal knowing my pieces live in the homes of people I once only watched on screen.
Shreena Patel's work
Winning awards and artistic recognition
Winning awards and being recognised as an artist, particularly in Parliament and at the Eastern Eye ACTAs, gave me the confidence to own my creative journey. These acknowledgements are not just about trophies. They are reminders that the risks I took, the pain I turned into paint and the stories I chose to tell matter. Every accolade reflects years of growth, grit and heart.
Raising money for charities and temples
Art with purpose has always been my North Star. Whether raising money for temples close to my heart or supporting charities doing life-changing work, I have been blessed to use my creativity to give back. Each canvas sold for a cause reminds me that art can be a force for good – a way to serve, uplift and unite communities.
Being invited by Neasden Mandir’s head swami for Diwali and PSM10 Being personally invited by Yogvivekdas Swami at Neasden Mandir to take part in the Diwali and 100 Years of Pramukh Swami Maharaj celebrations was an emotional high. To be recognised in such a sacred and historic space was beyond humbling. It felt like a spiritual homecoming, where my art and my faith met in perfect harmony during a once-in-a-lifetime celebration.
Speaking on the centre stage at Diwali on the Square, in front of the Mayor of London, was a surreal and proud moment. I spoke about art, culture and the power of community spirit. To then gift my large Ganesh canvas to the winner of the rangoli competition was the perfect way to honour creativity and celebrate our shared cultural pride in a truly public way.
Shreena Patel's work
Collaborating with Nitin Ganatra OBE
Collaborating with the incredible Nitin Ganatra OBE for a charity auction was a joyful and meaningful experience. Aligning our talents for a cause greater than ourselves reminded me why I started painting in the first place. It is always special when creative worlds come together, especially when it helps raise funds and awareness for those in need.
Uplifting the next generation
Helping the next generation find their creative voice means everything to me. Whether through workshops, mentoring or simply showing them that success can look different, I aim to be the representation I did not see growing up. Especially for young South Asians, I want to say: your stories, your art and your dreams are valid – and so needed.
Shreena Patel's work
Raising ulcerative colitis awareness through art
Living with ulcerative colitis has not been easy, but it has shaped my art and mission. Through creativity, I have turned pain into power and raised awareness about invisible illnesses in ways words never could. Painting became therapy, advocacy and storytelling. If my journey inspires even one person with UC to keep going, then every brushstroke has been worth it.
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Visionary leaders model what they expect — giving others permission to step into possibility.
Why Visionary Leaders Embrace Change Before It Becomes Urgent
Most leaders don’t ignore change because they’re indifferent — they ignore it because, in the moment, it doesn’t feel pressing. When the figures look positive and operations are ticking along, making time for possibility can seem indulgent. But this is exactly what sets visionary leaders apart from the merely competent: they create space to reimagine before crisis demands it.
Visionary leaders don’t wait for pain to provoke action. They respond when everything still appears fine — when most are coasting. They understand that comfort breeds complacency, and complacency is where innovation goes to die.
So why do we rarely see organisations implementing meaningful change when everything’s “working”?
Because change feels riskier than routine. Leaders are rewarded for short-term results, not long-term vision. Teams are trained to solve problems, not to explore potential. And entire cultures are built to preserve stability — not challenge it.
But possibility doesn’t live in the safe and stable. It lives in those slightly unhinged questions: “What if we…?”, “Why don’t we…?”, “Wouldn’t it be wild if…?” It lies in the courage to stray from the well-trodden path and consider what might lie beyond the familiar.
Visionary leaders don’t just tolerate this thinking — they actively foster it. They rewrite cultural norms that say “Don’t rock the boat” and replace them with “Let’s see what else is possible.” They interrupt patterns that reward efficiency over imagination. They make exploration acceptable, even without immediate returns.
Here’s what that looks like in practice:
They protect time for thinking, not just doing. They know innovation isn’t a task to be ticked off — it requires white space, uninterrupted time, and freedom from constant urgency. Visionary leaders defend this space, decline unnecessary meetings, and encourage their teams to pause, reflect, and reframe. Deep thinking is treated as essential — just like budget reviews.
They encourage assumptions to be challenged — even when things are going well. Waiting for problems means always reacting, never inventing. Visionary leaders embed a habit of questioning the status quo. They regularly ask, “What are we assuming that might not be true?” and welcome differing viewpoints before consensus takes over. They know that asking the right questions is itself a creative act.
They shift language from certainty to curiosity. Questions like “What if…” and “Why not…” signal momentum rather than distraction. Over time, this shift reshapes team dynamics — fear of being wrong is replaced by excitement about exploration. Visionary leaders praise bold suggestions and challenge norms. They swap “prove it” for “explore it”, inviting discovery over defensiveness.
They reward experimentation, not just outcomes. Even small trials are celebrated — not for being correct, but for being courageous. These leaders value learning over perfection and embed reflection into their processes. They ask, “What surprised us?” and “What might we try differently next time?” Progress is seen as cumulative, not instant.
They lead by example. Visionary leaders model what they expect — giving others permission to step into possibility. They visibly wrestle with ambiguity, question their own thinking, and stay open to ideas without immediate resolution. They don’t just talk about vision — they live it, making curiosity feel safe, supported, and worthwhile.
In sectors like healthcare, pharmaceuticals, or financial services — where the stakes are high and the margin for error is slim — it’s tempting to prioritise predictability. But these are precisely the environments that most need leaders who can anticipate what’s ahead.
Creating change before it’s urgent isn’t reckless — it’s responsible. It’s how organisations adapt instead of react. Lead instead of follow. Shape the future rather than just survive it.
If your team only innovates during crises, you’re not leading — you’re firefighting. Visionary leaders don’t wait for permission. They look beyond what’s working to uncover what’s possible.
(Susan Robertson helps individuals, teams, and organisations Live in Possibility™ so they can navigate change more effectively. She teaches applied creativity at Harvard, combining scientific insight with real-world application. Find out more at www.SusanRobertsonSpeaker.com.)
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On World Music Day, we revisit the songs that made Shreya Ghoshal more than just a singer, but a sound that shaped our lives
From soul-stirring ballads to playful love anthems, Shreya Ghoshal has given us songs for every emotion. On World Music Day, we’re celebrating the magical voice that has become the soundtrack to our lives. Whether it's heartbreak, romance, devotion or pure joy, Shreya doesn’t just sing a song, she lives it. Here are 12 timeless tracks that define her legacy as India’s most beloved singer.
1. Sunn Raha Hai (Female Version) – Aashiqui 2
Raw and haunting, Shreya’s version of this heartbreak anthem gave it a delicate intensity that cut straight to the soul. You could hear the silence between the words and feel it.
2. Tujh Mein Rab Dikhta Hai (Female Version) – Rab Ne Bana Di Jodi
Her serene, soft rendition turned this romantic track into a quiet prayer. Shreya’s voice here isn’t just melodious — it feels like devotion in motion.
Only Shreya could match Geet’s wild, carefree energy with such powerful vocals. This Sufi-tinged love song bursts with reckless joy and she’s the reason we still belt it out like we’re in the snow.
The debut that made history. From the iconic “Ishhh” to her classical finesse, Shreya arrived like a storm of talent and walked away with a National Award.
One of Bollywood’s most romantic songs wouldn’t be the same without her. Shreya’s emotional depth pairs perfectly with Rahat Fateh Ali Khan’s vocals, a duet that still gives goosebumps.
A recent hit that shows she’s still at the top of her game. Her voice glides with elegance and warmth, bringing vintage romance into a modern love story.
From every "Ishhh" to every high note that made us cry, Shreya Ghoshal isn’t just a singer, she’s an emotion.
On World Music Day, we celebrate her voice like a constant companion through our best memories, toughest heartbreaks, and everything in between.
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Built at the SLAC National Accelerator Laboratory in California and transported to Chile in 2023
The world’s most powerful digital camera, designed to capture detailed images of the night sky, will reveal its first-ever photographs on 23 June 2025. The camera is housed at the Vera C. Rubin Observatory, located in the Chilean Andes, and is capable of capturing 3,200-megapixel images.
With a lens measuring 1.57 metres (not five metres as sometimes reported), the camera is part of the Legacy Survey of Space and Time (LSST) project. It has the sensitivity to detect objects as small as a golf ball from 24 kilometres (15 miles) away.
Built at the SLAC National Accelerator Laboratory in California and transported to Chile in 2023, the camera will take around 1,000 images per night over the next decade. The LSST aims to map 20 billion galaxies, contributing to research on dark matter, dark energy, and the dynamic universe.
First images to be revealed during global live stream
The "First Look" event will be held on Monday, 23 June 2025, at 11am EDT (4pm BST), streamed live via the Vera C. Rubin Observatory’s official YouTube channel and website. The broadcast will showcase ultra-high-definition images and video captured by the telescope, giving the public and scientific community a first glimpse at its capabilities.
Organisers describe this as a landmark moment for astronomy and astrophysics, marking the start of a new era in space observation.
In addition to the live stream, hundreds of venues across the globe will host public watch parties. Viewers can visit the Rubin Observatory's First Look Watch Party website to find local listings.
The Rubin Observatory is named in honour of American astronomer Vera C. Rubin, known for her pioneering work on galaxy rotation rates and dark matter.
A wave of spiritual upliftment swept through North London as Vaishnavacharya Pujya Goswami Shri Vrajrajkumarji Mahodayshri delivered a three-day series of discourses on the foundational pillars of Pushtimarg, organised by VYO UK at the Dhamecha Hall in Harrow. Devotees from across the UK gathered to immerse themselves in divine teachings, soulful vachanamrut, and rare spiritual insights that touched the essence of Vallabh Vedanta.
The event commenced on 11 June with a ceremonial padhramni at Shri Kunj, followed by daily discourses that explored the divine character of Shrinathji, the grace of Yamunaji, and the timeless legacy of Shri Mahaprabhuji. The highlight included the celebration of the 108 Shree Yamunaji Lotiji Utsav on 13 June, drawing hearts together in joy and reverence.
In his address, JeJeShri Vrajrajkumarji Mahodayshri shared a profound reflection: “What is the best character within you? Yamunaji teaches us to say ‘yes’ in every conversation with Thakorji — this is to truly listen, to understand, and to agree with grace. This is not just divine discipline but also the essence of our behaviour.”
He further emphasised the unified divinity of Shrinathji, Yamunaji, and Mahaprabhuji, reminding the congregation: “They may appear as different swaroop, but their tatva is one. To treat them as separate is a misunderstanding of divine unity.”
The discourses were graced by the presence of several dignitaries, including Gareth Thomas MP, Minister for Services, Small Businesses and Exports, along with Pradipbhai Dhamecha, Ketanbhai Kotecha, Vinodbhai Thakrar, Dipakbhai Jatania, Umiben Radia, and many other community figures who appreciated the rich spiritual experience.
In a heartfelt moment, Shri Vrajrajkumarji also offered condolences for the victims of the recent Air India crash in Ahmedabad.
The programme opened with a warm welcome address by Kanteshbhai Popat, Chairman of VYO UK. An overview of VYO’s ongoing and upcoming initiatives was shared by Jayshreeben Radia, President of VYO UK. The entire event was beautifully compered and hosted by Pratibhaben Lakhani, President of VYO North London – UK.