Filmmaker Imtiaz Ali and Netflix on Tuesday shared the first look teaser of the upcoming film Amar Singh Chamkila, based on the life of the iconic music star of Punjab from the 1980s. Directed by Ali, the film stars Diljit Dosanjh and Parineeti Chopra in lead roles.
It presents the true story of Punjab’s original rockstar of the masses, Amar Singh Chamkila (Dosanjh) who emerged from the shadows of poverty and rose to the heights of popularity in the 80s due to the sheer power of his music, angering many on the way, which finally led to his assassination at a young age of 27, the official plotline reads.
Chamkila was the highest record-selling artist of his time. He is still regarded as one of the best live stage performers that Punjab has ever produced.
Ali said making Amar Singh Chamkila on the life of the music star has been a "unique journey for me".
"I could not have asked for better actors than the immensely talented Diljit Dosanjh and Parineeti Chopra to play in this film, especially since it involves some live singing. The film follows the crazed popularity of Chamkila’s daring songs that society could neither ignore nor swallow.
"Having Netflix as a partner, I am humbled to take our story to millions of viewers not only in India but around the globe," the director, known for films such as Jab We Met, Rockstar, and Highway, said in a statement. Ruchikaa Kapoor Sheikh, Director of Original Films, Netflix India, said the process of working on the film with Ali has been "exhilarating".
“'Amar Singh Chamkila is set to be a huge film for Netflix India and collaborating with the talent attached to the title has been truly rewarding... Netflix's focus is to bring stories from across India to our local audiences and we’re confident that the magnetism of this story will also pique the interest of the film-loving audiences around the world," she added.
Dosanjh, who has previously featured in Hindi films Phillauri, Udta Punjab, and Good Newwz, said playing Amar Singh Chamkila has been one of the most challenging experiences of his career.
"I am thrilled to be returning to Netflix with yet another exciting story. It has been a pleasure to work with Parineeti and the entire team that has worked extremely hard to bring this beautiful story to life," he said.
The film's music has been composed by Oscar winner AR Rahman, who has previously collaborated with Ali on "Rockstar", "Highway" and "Tamasha".
Dosanjh, also a singer, said working with Rahman was a meditative experience.
Parineeti, who is essaying the role of Chamkila's wife and singing partner Amarjot, said she is grateful to Ali for this opportunity.
"Sharing the screen with Diljit has been an immensely enriching experience. For me, singing is a passion and to collaborate with the legendary AR Rahman has been a long-awaited dream. With Netflix's global platform, I believe our film will touch hearts far and wide, allowing Chamkila's inspiring tale to resonate with fans worldwide," she said.
Chamkila and Amarjot were killed along with two members of their band in 1988 in an assassination that remains unresolved.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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