Namit Malhotra, the CEO of London-headquartered visual effects (VFX) major DNEG, believes the world of cinema has been divided into before and after Dune, the Hollywood thriller which bagged his company an Oscar.
The film, which won DNEG its seventh Oscar in the Best Visual Effects category at last week's ceremony in Los Angeles, was one of two films in the race for the successful VFX team. The James Bond box-office hit No Time To Die was also in the race in the same category – a first for a Bond film in many years.
“I have been talking about how there is a pre-Dune and a post-Dune world in the VFX space, simply because of what we were able to achieve,” Malhotra told PTI.
“I have never felt so strongly about the art form and the seamlessness of what we have been able to deliver, it is mind-blowing. When you watch Dune, you are left astonished by the sheer seamless, integrated experience it has to offer,” he said.
With reference to the other major success story of the year, Malhotra confesses to being an avid James Bond fan himself since boyhood.
“For the first time, after four-five decades, we are seeing a James Bond film nominated for the VFX category at the Oscars. To get into the line to get the nomination is very, very hard. That is a big step forward,” said the industry expert.
The son of film producer Naresh Malhotra and grandson of cinematographer N M Malhotra, Namit represents the third generation of a Bollywood filmmaking family. His dream of becoming a film director took him towards a computer graphics course and resulted in him recruiting three of his teachers as co-founders of Video Workshop, an editing studio in his father's garage in Mumbai.
From a merger with his father's film equipment business to create Prime Focus and then acquiring UK-based Double Negative, the 45-year-old film special effects pioneer views his journey to the awards red carpet as a sign of India's digital prowess.
“India's digital prowess has been acknowledged far and beyond the projects that have been going on since over a decade. DNEG does help validate the creative talent pool and how technological advances can be used to create a collaborative effort while creating quality content on a global scale,” said Malhotra.
“I started my professional career out of a garage in Mumbai back in 1995 when computers were not that advanced. From such humble beginnings to leading a global conglomerate, I am incredibly grateful to my father for his faith in me,” he said.
Besides winning Oscars for Inception in 2011, Interstellar in 2015, and Tenet in 2021 – all Christopher Nolan films – DNEG has bagged Academy Awards for Ex Machina (2016), Blade Runner 2049 (2018), Fifth Man (2019), and now Dune to make up the company's impressive Hollywood tally.
“While we continue to push the creative envelope, there are a plethora of projects our teams are working on, closely with creators to bring an immersive cinematic experience for the audience which includes The Last Of Us, The Flash, Aquaman 2, and many more,” added Malhotra.
Director Danny Boyle has said his Oscar-winning film Slumdog Millionaire would not be made in today’s climate – and believes that’s exactly how it should be.
Speaking to The Guardian, the 68-year-old filmmaker reflected on the 2008 film’s legacy with a mix of pride and realism, admitting that shifting cultural awareness around authorship and representation means such a project would no longer be viable.
“Yeah, we wouldn’t be able to make that now,” Boyle said. “And that’s how it should be.”
A film rooted in Mumbai, but still told from the outside
Slumdog Millionaire, a rags-to-riches drama set in Mumbai and starring Dev Patel, was celebrated for its energy and storytelling when it swept the 2009 Academy Awards. It was shot largely in Hindi, with a local crew, and Boyle made efforts to ground the production in Indian culture.
However, he now acknowledges that the method, however well-intentioned, was still that of an outsider looking in.
“We made the decision that only a handful of us would go to Mumbai,” he explained. “We’d work with a big Indian crew and try to make a film within the culture. But you’re still an outsider. It’s still a flawed method.”
Cultural appropriation and a changing lens
Asked if the production could be seen as a form of cultural colonialism, Boyle responded, “No, no. Well, only in the sense that everything is.” He clarified that what once felt radical at the time must now be viewed through a more critical lens, as conversations around cultural appropriation have grown louder in the years since.
“That kind of cultural appropriation might be sanctioned at certain times. But at other times it cannot be,” he said. “I’m proud of the film, but you wouldn’t even contemplate doing something like that today. It wouldn’t even get financed. Even if I was involved, I’d be looking for a young Indian film-maker to shoot it.”
A broader shift in who gets to tell the story
Boyle’s comments reflect a broader shift in the film industry, where the question of who gets to tell certain stories has become increasingly important. While Slumdog Millionaire was hailed at the time as a triumph of global cinema, some later critiques pointed to the way it framed poverty in India for Western audiences.
Rather than defending the film against such criticism, Boyle appears to welcome the fact that times have changed. His remarks suggest an understanding that what was once celebrated may now require re-examination, not out of shame, but out of progress.
“I’m proud of the film – but the world has moved on”
Boyle reiterated his personal connection to the film, but made it clear that he recognises how standards have shifted.
“I’m proud of the film,” he repeated, “but the world has moved on.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Ozzy Osbourne sells his own DNA in bizarre tea can stunt ahead of final gig
Ozzy Osbourne has found yet another way to shock the world, by selling his own DNA. In a bizarre but oddly fitting collaboration, the 76-year-old Black Sabbath legend partnered with beverage company Liquid Death to release a limited run of iced tea cans infused with traces of his saliva. Just ten of these collector's items, each personally sipped and signed by Osbourne, were produced and sold for £335 (₹35,000) apiece. Unsurprisingly, they have all been snapped up.
‘Clone me, you b**s’: Ozzy’s latest stunt sells out
The eccentric campaign, titled Infinite Ozzy, came with a promotional video showing the rock icon drinking from the cans before crushing and sealing them. The ad imagines a future where science and legal permissions allow fans to clone their very own Ozzy, whether to mow lawns, sing at birthday parties, or just cause general chaos.
“Introducing Infinitely Recyclable Ozzy,” the narrator declares, offering a can of low-calorie iced tea packed with B vitamins, Osbourne’s DNA, and his handwritten autograph. “There will never be another Ozzy Osbourne… unless you have his actual DNA.”
Responding to the quirky project, Osbourne quipped, “Clone me, you b****s!” And while there is no scientific guarantee attached, the gag has certainly drawn attention. The cans, which are sealed airtight to ‘preserve’ the DNA, sold out almost instantly. Fans may never actually clone Ozzy, but they now own a bizarre piece of rock history.
Drink from the Prince of Darkness: Ozzy Osbourne’s DNA iced tea cans sell out instantlyGetty Images
Final show, fresh energy: Ozzy prepares for farewell
The stunt arrives ahead of a major milestone, Ozzy’s upcoming farewell show Back to the Beginning, set for 5 July at Villa Park in Birmingham. The event will have, for the first time in two decades, all four original Black Sabbath members: Osbourne, Tony Iommi, Geezer Butler, and Bill Ward, take the stage together.
Despite battling Parkinson’s disease and enduring multiple surgeries, Osbourne insists he is giving it his all. “By hook or by crook, I’ll be there,” he said on his SiriusXM show Ozzy Speaks. Whether seated on a throne or rolling in on a cart, he is determined to make it happen.
The concert will also be streamed live, giving global fans one last chance to witness the Prince of Darkness in action.
Keep ReadingShow less
Simone Ashley appears without dialogue in Brad Pitt’s F1 after major cuts to her role
Simone Ashley, best known for her breakout role in Bridgerton, won’t have the screen time fans expected in Brad Pitt’s upcoming Formula 1 film F1. Despite being part of the film’s promotional buzz and having filmed scenes alongside the main cast, Ashley’s role was trimmed down to a blink-and-miss appearance with no dialogue.
Director Joseph Kosinski confirmed the change, stating that the edit came down to tough decisions made during the final cut. Speaking in an interview, he said, “Every movie has more content than it can use. We had to drop two or three storylines for pacing. Unfortunately, Simone’s was one of them.”
Director praises Ashley but fans question repeated sidelining of actors of colour
Kosinski was quick to express admiration for Ashley, calling her “an incredible talent, actress, and singer” and adding, “I’d love to work with her again.” Still, the move has reignited conversations around how actors of colour are often given prominent placement during production and marketing, only to be cut back when the film is finalised.
Ashley has not directly commented on the cut since previews began, but earlier this year, she acknowledged that her role was “very small.” She said, “I’m just grateful to be in that movie. I got to experience many Grands Prix. I don’t think I’ll ever do anything like that again.” She also shared that the filming process felt like live theatre, given how tight and chaotic the schedule was while shooting during actual races.
Director Joseph Kosinski says Ashley’s storyline was cut for pacing and time constraintsGetty Images
The incident has drawn comparisons to Filipino-Canadian actor Manny Jacinto’s reduced screen time in Top Gun: Maverick, also directed by Kosinski. Jacinto’s part was heavily promoted but eventually cut down to a wordless cameo. Critics have noted a troubling pattern where actors of colour are regularly used for marketing but sidelined in final edits.
While F1 continues to generate buzz ahead of its 27 June release, Ashley’s reduced role can be seen as emblematic of the industry’s ongoing issues with representation and why more inclusive stories need to come from within.
Keep ReadingShow less
Dua Lipa prepares to take over Wembley Stadium with back-to-back shows this weekend
Dua Lipa is heading home. For the first time in her career, the chart-topping pop star will headline Wembley Stadium in London this weekend, and fans are buzzing with anticipation. The two-night stop is part of her Radical Optimism world tour, which kicked off in Asia and will continue through the end of 2025. Here’s everything you need to know before heading to one of the capital’s biggest gigs this summer.
When, where, and what to expect from Dua’s Radical Optimism shows
Dua performs at Wembley Stadium on Friday, 20 June and Saturday, 21 June. Doors open at 5pm, support acts start from 6pm, and Dua is expected on stage by 8.15pm. Each show wraps up by 10.30pm.
The pop superstar is expected to perform a 22-track setlist, including hits like Levitating, Don’t Start Now, Dance the Night, and New Rules, alongside tracks from her latest album, Radical Optimism. Recent shows have also ended with a taped outro of Whitney Houston’s I Wanna Dance with Somebody, keeping the energy high as fans exit.
Support acts for both nights include Dove Cameron and Alessi Rose. However, there’s speculation that RAYE and Charli XCX might also make surprise appearances for Dua’s hometown concert.
For those interested in merch, you can shop at the stadium or drop by the official pop-up shop in Shoreditch from 19 to 22 June (11am–6pm).
Dua Lipa on stage performing hitsGetty Images
Tickets, banned items, and travel advice
Tickets are still available through resale platforms like Viagogo, StubHub, and Ticketmaster. Prices range from £55.20 (₹5,800) for resale general admission to £549 (₹57,600) for the official ‘Dua Lipa Gold’ hospitality package. Fans should be cautious, though, since resale tickets might not be valid if the original terms don’t allow transfer. Always check with the original ticket provider.
Wembley has a strict bag policy of only one bag per person, no larger than A4. Also banned are alcohol, large umbrellas, glass bottles, perfume, selfie sticks, and professional cameras. Security checks are mandatory at entry.
When it comes to travel, Wembley Stadium is served by three stations, including Wembley Park (Metropolitan and Jubilee lines), Wembley Stadium (Chiltern Railways), and Wembley Central (Overground and Bakerloo). Check TfL’s website for updates, especially for planned closures or delays over the weekend.
Whether you’re a long-time fan or just love a good stadium show, this is set to be a memorable event in London’s live music calendar.
Keep ReadingShow less
Any move forward would be entirely dependent on Fincher’s approval of the scripts
Fans of Mindhunter may have reason to hope again. Although the series has been on indefinite hold since 2019, actor Holt McCallany has revealed that discussions have taken place about reviving the story, not as a third season, but potentially as a trilogy of films on Netflix.
Fincher open to film format revival
Speaking to Comic Book Resources (CBR) in a recent interview, McCallany — who plays FBI agent Bill Tench in the series — said he met with director David Fincher several months ago to discuss the show’s future. According to McCallany, Fincher mentioned a possible return in the form of “three two-hour movies”.
“I had a meeting with David Fincher in his office a few months ago,” McCallany told CBR. “He said to me that there is a chance that it may come back as three two-hour movies. But I think it’s just a chance.”
He also clarified that while discussions have taken place, any move forward would be entirely dependent on Fincher’s approval of the scripts. “Writers are working on ideas,” he added, “but David has to be happy with the scripts.”
Long hiatus after season two
Mindhunter debuted on Netflix in 2017 and quickly gained critical acclaim for its depiction of the FBI’s early efforts in criminal profiling. The second season was released in 2019, but plans for a third were paused indefinitely in 2020 when Fincher confirmed he had moved on to other projects.
At the time, Netflix said the series was on “indefinite hold” and released the lead cast — including McCallany, Jonathan Groff (Holden Ford), and Anna Torv (Dr Wendy Carr) — from their contracts, making a return uncertain.
In 2023, Fincher confirmed in interviews that there were no current plans to revive Mindhunter, citing high production costs and limited viewership compared to other Netflix hits.
Possibility still uncertain
McCallany admitted that the idea of a film revival is far from confirmed. “The sun, the moon, and the stars would all have to align,” he said. Still, the news that conversations are happening — and that Fincher is at least open to the idea — has reignited interest in the series.
Whether Mindhunter returns as a limited film event or remains a cult classic with two seasons, the possibility of continuing the story of Tench, Ford and Carr has brought new optimism to its dedicated fanbase. As of now, Netflix has not commented publicly on the reports.