A recipient of five national awards and a handful of state awards, Mohanlal has also been conferred with the Padma Bhushan by the Indian government in 2019.
Malayalam superstar Mohanlalturned 64 on Tuesday, with fans and movie colleagues flooding social media with heartfelt greetings for their favorite actor.
Diehard fans shared pictures of the Drishyam actor on their social media accounts, adding touching captions to wish their beloved "Lalettan".
Superstar Mammootty is one of his industry colleagues who first extended birthday greetings to Mohanlal.
"Happy Birthday, Dear Lal," Mammootty said in a Facebook post. He also shared a photo of him giving a kiss to Lal on his cheek during a function.
"Lead man for forty years among a very critical and discerning audience. 400 films? Some might exclaim in disbelief. I, on the contrary, am looking forward to him beating Mr. Prem Nazir's record of 500 films. On his birthday, that is my best wish to him. The best of health to you, Mr.@Mohanlal, to break many more records," Kamal Hassan posted on his X handle.
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"Aadujeevitham" actor Prithviraj Sukumaran posted photos of the legendary actor on all his social media handles with the caption "Happy Birthday Laletta".
Sukumaran, who is currently working with Mohanlal on his directorial venture L2: Empuraan, also shared a picture of him from the upcoming movie.
"To the legend who has been a reason for loving the world of cinema. Happy birthday Laletta," actor Kunchacko Boban said in a FB post.
Actors Manju Warrier, Shobhana, Asif Ali, and Tovino Thomas were among the numerous film personalities who extended birthday greetings to Mohanlal.
Born on May 21, 1960, Mohanlal had an illustrious movie career spanning over four decades with more than 400 films in various languages, including Tamil, Telugu, Hindi, and Kannada, besides Malayalam.
A recipient of five national awards and a handful of state awards, Mohanlal has also been conferred with the Padma Bhushan by the Union government in 2019.
According to film sources, the actor would have a low-key birthday celebration with his family members.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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