Mayor of Mexico marries a reptile in line with ancestral ritual
Marriage between a man and a female caiman has happened here for 230 years to commemorate the day when two Indigenous groups came to peace — with a marriage
Amidst applause and jubilant dancing, the mayor of San Pedro Huamelula, Victor Hugo Sosa, partook in a unique marriage ceremony with a female reptile, as per a traditional custom believed to bestow prosperity upon his community.
The town, located in the Tehuantepec isthmus of Mexico and predominantly inhabited by Indigenous Chontal people, witnessed the reenactment of an ancestral ritual, where Sosa pledged his union to a reptile named Alicia Adriana.
The reptile is a caiman, a species resembling an alligator and commonly found in the marshlands of Mexico and Central America. Sosa pledged his loyalty to what local folklore refers to as "the princess girl," and vowed to remain faithful.
"I accept responsibility because we love each other. That is what is important. You can't have a marriage without love... I yield to marriage with the princess girl," Sosa said during the ritual.
Marriage between a man and a female caiman has happened here for 230 years to commemorate the day when two Indigenous groups came to peace -- with a marriage.
According to tradition, a Chontal king, currently symbolised by the mayor, forged unity by marrying a princess girl from the Huave Indigenous group, who is symbolised by the female alligator. The Huave community resides in the coastal region of Oaxaca state, situated near this inland town.
The wedding allows the sides to "link with what is the emblem of Mother Earth, asking the all-powerful for rain, the germination of the seed, all those things that are peace and harmony for the Chontal man," Jaime Zarate, chronicler of San Pedro Huamelula, explained.
Before the wedding ceremony, the reptile is taken house to house so that inhabitants can take her in their arms and dance. The alligator wears a green skirt, a colorful hand-embroidered tunic and a headdress of ribbons and sequins.
The creature's snout is bound shut to avoid any pre-marital mishaps.
Later, she is put in a white bride's costume and taken to town hall for the blessed event.
As part of the ritual, Joel Vasquez, a local fisherman, tosses his net and intones the town's hopes that the marriage may bring "good fishing, so that there is prosperity, equilibrium and ways to live in peace."
After the wedding, the mayor dances with his bride to the sounds of traditional music.
"We are happy because we celebrate the union of two cultures. People are content," Sosa told AFP.
As the dance winds down, the king plants a kiss on the snout of the "princess girl."
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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