Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THOUSANDS of people rallied in the UK capital in solidarity with Ukraine following Russia's invasion, as London's mayor stepped up criticism of the government's response to the refugee crisis.
Following a call from the mayor Sadiq Khan for a demonstration of "solidarity with Ukraine", crowds marched through the city centre to Trafalgar Square for a mid-afternoon vigil and speeches Saturday (26).
Those present held banners reading "stop (Russian President Vladimir) Putin's war", "no fly zone" and "solidarity with Ukraine" as they chanted slogans and sang.
"We want the people of Ukraine to know that in their darkest hour, they are not alone," Khan told Sky News as the demonstrators gathered.
The Labour mayor said he was "embarrassed" by the Ukrainian refugee policies of Britain's Conservative government when speaking to political leaders in European countries, which are accepting far more and quicker.
Mayor of London Sadiq Khan (L) applauds as Kyiv's mayor Vitali Klitschko addresses a 'London stands with Ukraine' protest march and vigil, in central London, on March 26, 2022 (Photo by JUSTIN TALLIS/AFP via Getty Images)
"There's a disconnect between the generosity shown by Londoners and Brits across the country, and the actions of our government," he added.
"The complex visa forms, the delays, the red tape, make it really hard."
Over 3.7 million Ukrainians have fled the country during Russia's month-long invasion, according to the United Nations, including 1.5 million children.
The UK has faced criticism over its refugee policy as many Ukrainians have been forced to jump through bureaucratic hoops and travel long distances within Europe to get visas.
The government has launched a "Homes for Ukraine" scheme, but it only allows applications from those who have named people in Britain willing to sponsor them.
More than 150,000 people have registered an interest in hosting through the programme, which opened to applicants a week ago, but it is taking time to match them up.
Critics have said it is too slow, bureaucratic and arduous to match applicants with homes.
Officials said this week they have issued 18,600 visas under separate provisions for Ukrainians with relatives already in the UK, with 34,500 applications submitted.
But the paltry numbers are dwarfed by other countries in Europe, some of which have taken in hundreds of thousands of refugees fleeing the war.
Poland, which borders Ukraine, has accepted more than two million people fleeing the Russian invasion.
Zenadin Tkalenko, 43, living in south London but originally from Kyiv, was among those to turn out in London.
"My country is under attack, the UK I hope can help," she said. "This is a big country and it needs to help."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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