Numerous emails connected to the probe into Princess Diana's infamous 1995 Panorama interview with journalist Martin Bashir featuring claims that Bashir deceived the Princess into agreeing to the exclusive interview have been disclosed by the BBC.
Responding to a Freedom of Information request, the BBC disclosed about 3,000 emails related to the interview.
Bashir, who has been embroiled in the scandal over his 1995 interview with the princess attributed the controversy to professional envy and believed his background and race influenced perceptions, BBC News reported.
In 2020 emails, before documentaries scrutinising the interview aired, Bashir expressed these views.
A 2021 inquiry found Bashir used deceit and fake documents to secure the Panorama interview. Andy Webb, an investigative journalist, played a crucial role in unearthing these details, suggesting the BBC attempted to conceal Bashir's 1995 actions.
However, the BBC refutes any accusations of bad faith.
In a significant email dated July 20, 2020, Bashir argued to Robert Seatter, head of BBC history, that the controversial documents were irrelevant to the interview.
He suggested that his socio-economic and ethnic background fuelled the backlash, contrasting it with how a journalist from a "dynastic" family might have been perceived.
Bashir, who re-joined the BBC in 2016, also noted that he had declined to discuss the interview publicly, a stance appreciated by the staff of the then-Prince of Wales, now King.
Bashir resigned from his position as the religion editor at the BBC just before the release of the critical inquiry report, which also condemned the BBC for its management of allegations regarding his tactics.
Following Webb's legal challenge, the BBC released 3,000 emails on Tuesday (30), heavily redacted.
Webb criticised the redactions and maintained that the BBC was covering up significant informat Webb said that the extensive redactions in the emails would necessitate another court challenge.
The BBC defended its actions, citing compliance with Freedom of Information (FOI) Act guidelines and denying any wrongdoing.
The BBC said, "There is nothing to support the allegations that the BBC acted in bad faith in 2020 and we maintain this suggestion is simply wrong."
It added, "Further, as has been said many times, far from attempting to conceal or cover up matters, the BBC commissioned Lord Dyson, a former senior judge to conduct an independent investigation", which was published in 2021.
"The BBC provided all relevant documentation that was in the BBC's possession to the Lord Dyson inquiry.”
In 2021, Webb sought access to correspondence exchanged between BBC managers regarding Bashir during a specific two-month span in 2020.
While the BBC initially revealed several emails, it was later discovered that the total count amounted to 3,288.
The corporation had previously asserted that this body of emails included content that was either deemed irrelevant or protected under legal privilege.
In December, Judge Brian Kennedy mandated the release of the BBC emails, criticising the corporation's "inconsistent, erroneous, and unreliable" handling of the initial request and labelling it a serious concern.
Acknowledging its errors and apologising to Webb and the tribunal, the BBC incurred £126,525 in legal fees contesting the email release.
Webb argued that unveiling these emails was crucial for public interest, suggesting they might reveal attempts by BBC executives to conceal the Bashir scandal. He deemed the expenditure to block the release as nonsensical.
Princess Diana’s brother Earl Spencer, supporting Webb's probe, condemned the BBC's use of costly legal defenses, especially during a time of budget cuts, as detrimental to the integrity of those responsible within the organisation.
Earl Spencer suspected BBC management fabricated a story about Martin Bashir's illness to make him unavailable during heightened interest in the 25th anniversary of Princess Diana's interview.
Bashir left the BBC amid scrutiny over how he secured the interview with Diana, a significant event watched by over 20 million viewers.
In October 2020, a documentary spotlighting Bashir's tactics was aired, followed by news of his illness from Covid complications.
The Dyson inquiry concluded in May 2021 that Bashir deceitfully obtained the interview and lied to BBC management.
Subsequent revelations indicate that Bashir's presentation of fabricated bank statements likely influenced her decision to participate in the interview by leading her to believe that members of her close circle were receiving payments from tabloids.
The inquiry revealed Bashir asked a BBC graphic artist to create fake bank statements, suggesting payments to Earl Spencer's former staff members, aiming to gain Spencer's trust and access to Diana.
Bashir initially admitted to creating the forgeries but denied showing them to Spencer, later conceding when it became untenable.
Despite admitting the forgery was a mistake, Bashir maintained it did not influence Diana's decision to participate in the interview.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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