Activist slams Taliban’s strict laws denying females education and work opportunities
By Eastern EyeJul 20, 2024
NOBEL PRIZE winner Malala Yousafzai urgently calls for Pakistan to stop deporting undocumented Afghans, highlighting the “dark future” awaiting women and girls sent back.
More than 600,000 Afghans have fled Pakistan since Islamabad ordered undocumented migrants to leave or face arrest last year.
“It is deeply concerning that Pakistan is forcing Afghan refugees based in Pakistan back into Afghanistan, and I am deeply concerned about the women and girls,” said the activist, who was awarded the Nobel Peace Prize in 2014, in an interview last Friday (12).
Despite extending leave for Afghan refugees with permits to stay in Pakistan for another year, Islamabad last week said it would remove illegal migrants.
Human rights monitors have warned that some sent to Afghanistan face persecution by the Taliban, who came into power in 2021 and has imposed an austere form of Islam, barring girls from higher education and excluding women and girls from areas of public life.
Afghan refugees arrive from Pakistan at the border in Spin Boldak district of Kandahar province
“A lot of these girls in Pakistan were studying, they were in school, these women were doing work,” said Malala, 27, who grew up in Pakistan’s Swat Valley.
She moved to the UK after she was shot, aged just 15, for resisting the Pakistan Taliban’s then-ban on girls’ education in her hometown.
“I hope that Pakistan reverses its policy and that they protect girls and women, especially because of the dark future that they would be witnessing in Afghanistan,” she added.
Speaking to AFP on her birthday, recognised by the UN as Malala Day, the activist launched into the challenges facing the only country in the world where girls over 12 are barred from school.
“I cannot believe that I am witnessing a time when girls have been banned from their education for more than three years,” she said, adding that while the situation was “shocking”, she “admired the resilience of the Afghan activists”.
The Malala Fund is actively campaigning for the UN to formally broaden their definition of crimes against humanity to include “gender apartheid” – a phrase the UN has used to describe the situation in Afghanistan. Earlier this month, the UN and Taliban sat down for talks in Doha for the first time since the latter came to power, but without women in attendance.
Malala said the Doha talks made a “compromise on the future of women and girls”, calling for a “principled engagement” with the Taliban.
The Taliban has imposed an austere form of Islam, including excluding women and girls from areas of public life
“World leaders need to realise that when they sit down with the Taliban… and they are excluding women and girls, they are actually doing the Taliban a favour,” she said.
“I want to call out those countries as well – that includes Canada and France – who have a feminist foreign policy” to “condemn” conversations like the Doha talks, she added.
Malala also called for an “urgent” ceasefire in the war in Gaza. “It is horrifying how many schools have been bombed in Gaza,” she added, referring to four schools that were hit by Israeli air strikes this week.
According to the education ministry in the Hamasrun Gaza Strip, 85 per cent of educational facilities in the territory are out of service because of the war. “It is deeply concerning because we know that children do not have a future when they’re living under a war, when their schools and homes are destroyed,” said Malala.
The UN agency for Palestinian refugees, UNRWA, which coordinates nearly all aid to Gaza, said it used more than half its budget before the war to fund education. However, it is facing funding woes after several countries, including the US and Britain, suspended aid after Israeli accusations that its workers were involved in Hamas’s attack against Israel on October 7. Some countries, such as Australia and Germany, have, however, resumed funding when evidence could not be found to support Israel’s claims.
“When it comes to humanitarian support, all countries should be making no compromise. They should make sure that all the immediate and urgent needs of people are provided, and UNRWA is an example of that,” Malala said of countries resuming funding for the group.
“I do hope that all countries are providing aid and support because it’s about those innocent people and civilians who need to be protected.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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