Celebrating the career of Bollywood film legend Rajendra Kumar
By Asjad NazirJul 06, 2024
RAJENDRA KUMAR starred in some of the greatest Bollywood films ever made.
The legendary actor was so successful that he was given the nickname Jubilee Kumar because his films earned silver and golden jubilee runs in cinemas. Born on July 20, 1929, the iconic star passed away on July 12, 1999 aged 71 after a life well lived.
Eastern Eye decided to mark the cinema great’s birth and death anniversary this month by listing 20 fascinating facts about his action-packed career.
1 Rajendra Kumar never wanted to be leading man. After small supporting roles in Patanga (1949) and Jogan (1950), he worked as an assistant director.
2 Producer Devendra Goel had noticed Kumar in Jogan and launched him as a leading man in Vachan (1955). The movie became the first of many silver jubilee hits for him.
Mother India
3 The actor played the good son in Mother India (1957), which became India’s first Oscar nominated movie.
4 Kumar’s first major success as a romantic hero was hit musical Goonj Uthi Shehnai (1959). Asha Parekh was supposed to be launched opposite him but was replaced by more established star Ameeta. Parekh would be launched in Dil Deke Dekho opposite Shammi Kapoor that year and became an overnight superstar.
5 Bollywood’s greatest director Yash Chopra made his directorial debut with Kumar’s hit film Dhool KaPhool (1959).
6 Kumar made his Gujarati language debut with the film Mehndi Rang Lagyo (1960). He acted in his first Punjabi film Do Sher in 1974.
Kanoon
7 His hit movie Kanoon (1960) was the first Bollywood blockbusters to have no songs in it. The courtroom drama won multiple awards including a National Film Award for best feature film in Hindi.
8 He delivered five hit films in 1961. They included Gharana (1961), Aas Ka Panchhi (1961) and Sasural (1961), which were in the top six highest grossers of that year.
9 Kumar’s hit film Gharana (1961) was a remake of the 1960 Telugu film Shanthi Nivasam. His superhit film Dil Ek Mandir (1963) was a remake of Tamil romantic drama Nenjil Ore Aalayam (1962).
10 He headlined three of the top 10 highest Bollywood grossers of 1963, including the year’s most successful movie Mere Mehboob.
Sangam
11 He starred opposite Raj Kapoor and Vyjayanthimala in iconic romance Sangam, which became the highest grosser of 1964, despite being longest Indian movie made at the time. His film Ayee Milan Ki Bela was the second most successful film of that year.
12 His musical drama Arzoo (1965) became the fourth highest grosser of that year. The following year his romantic drama Suraj was the second most successful film of 1966.
13 He received Filmfare best actor nominations for Dil Ek Mandir (1963), Ayee Milan Ki Bela (1964) and Arzoo (1965). He also received a best supporting actor nomination for Sangam (1964), but astonishingly didn’t win any acting awards. He did receive Indian civilian honour the Padma Shri Award in 1970.
14 The actor played his first double role in a commercial venture with Gora Aur Kala, which was the fifth highest grosser of 1972.
15 Kumar was signed up to play the lead role in Mughal-e-Azam (1960) director K Asif’s ambitious drama Sasta Khoon Mehanga Paani, but it remained incomplete after the filmmaker passed away.
16 His hit film Saajan Bina Suhagan (1978) was later remade in Tamil as Mangala Nayagi (1980) and in Malayalam as Oru Kochukatha Aarum Parayathe Kathain (1984).
17 The cinema legend launched his son Kumar Gaurav as a leading man with hit musical romance Love Story (1981). Kumar also produced his son’s movie Naam (1986), which resonated with Indian immigrants globally and became a star-making movie for Sanjay Dutt.
18 Kumar’s last acting roles were for TV serials Andaz and Vansh.
19 The actor’s son-in-law was Hollywood filmmaker Raju Patel, who had produced hit Tom Hanks comedy Bachelor Party (1984).
20 His last movie as a producer and lead star was Phool (1993). He starred alongside Madhuri Dixit, his son Kumar Gaurav and Mother India co-star Sunil Dutt.
Ganwaar
Great Rajendra Kumar performances
Kanoon (1960): The first commercial Bollywood hit without any musical numbers became a blockbuster largely thanks to great lead performances from an accomplished cast. Kumar’s portrayal of the lawyer trying to do the right thing was this path-breaking movie’s heartbeat.
Dil Ek Mandir (1963): Kumar received his first Filmfare best actor nomination for this challenging role. He brilliantly played a doctor treating a cancer patient (Raaj Kumar), needing a lifesaving operation, married to the woman (Meena Kumari) he loves. He puts across inner turmoil brilliantly with his perfectly pitched performance.
Mere Mehboob (1963): That year’s biggest hit saw him portray a poet, who falls in love with a veiled woman (Sadhana). His journey towards being united with her struck a chord with audiences, including a generation of women who fell in love with his sensitive character.
Sangam (1964): The legendary love triangle saw Kumar play a man torn between his best friend (Raj Kapoor) and the woman (Vyjayanthimala) he loves. He brought a deep sensitivity to an angst ridden role where his devotion is tested to the limit.
Arzoo (1965): Few could play a tragedy ridden hero quite like Kumar. With this Filmfare best actor award nominated performance he portrays a skiing champion, who decides to sacrifice his love after a life changing accident leaves him disabled.
Ganwaar (1970): This underrated classic featured a brilliant performance from Kumar. He plays an affluent man, who tries to make a positive difference by disguising himself as a poor villager and going on a journey of discovery that chang-es the lives of oppressed farmers.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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