Merton Councillor and Liberal Democrat London Assembly candidate.
Politics and Islam has often been a cause for debate for Muslims. It’s sure to be this year as we are all in lockdown and around the world many Muslims will observe the holy month of Ramadan. But this time politics and Islam will be joining up in a very different fashion.
The fast from dawn to dusk, on Saturday 25th of April will be observed by some unlikely compatriots, the Liberal Democrat party! Key party members such as acting leader Ed Davey, MP Layla Moran, and others, will lead from the front, as party members from top to bottom, will abstain from all forms of food and drink from sunrise until sunset, 16 hours in total, sharing their experiences on social media with the hashtag #LibDemIftar.
Those fasting will raise money for a chosen charity to tackle the cause of hunger in the UK. Fasting helps us appreciate what those suffering from food poverty, go through on a daily basis. In times like these, it is important that we pay heed to the lessons of our religions and look after the most vulnerable.
This is an important display of solidarity with the Muslim community, who have had to contend with the unfamiliar experience of a Ramadan behind closed doors, without any of the communal activities which are so integral to the Ramadan spirit. After weeks of staying at home, not being able to congregate in mosques and in people’s homes during this holy month, will contribute to people feeling isolated and lonely.
The Lib Dem decision to fast in solidarity with Muslim communities, sends a clear message that the significance of Ramadan and it’s curtailment this year, is not lost on the party. In our diverse society, showing a genuine appreciation of the importance of each other’s rituals and traditions is an important step towards building trust and understanding within our society. For Muslims, this step won’t fill the gap of not being able to attend the mosque or have community iftars, but it will certainly lift moods and create a sense of togetherness in these difficult times.
During these testing times, whilst our communities are not able to physically gather together, it is important that we seek creative ways of engaging with each other across boundaries, through initiatives such as this. When we collectively face hardship as a society, the need for breaking down barriers and realising our shared humanity is greatest. Something I learned from my father, is that one of the best ways to do this is through respectful engagement with each other’s traditions. Through this, we not only build meaningful relationships between communities, but we also enrich ourselves through learning the valuable lessons contained in these traditions.
Seeing the outpouring of goodwill from Muslims in response to the Lib Dem fast, reinforces my belief about the value of such initiatives. It comes as a surprise to me that this is the first time a major political party has done something like this – I hope this will set a precedent, not just for engagement with Ramadan, but for all of us to seek opportunities to honour and respect the diverse traditions which make up the tapestry of modern Britain. I can’t think of a more important time to start doing this.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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