IT WAS supposed to be the grudge match of the year. Two bickering boxers battling it out for one qualifying spot at next year’s Olympics. Young pretender Nikhat Zareen against future Hall of Famer Mary Kom. India was most definitely watching.
Unfortunately, like most hyped-up big Vegas heavyweight clashes, the action in the ring failed to match the bravado out of it. But controversy was created again as soon as Kom’s hand was raised in victory, leading to more claims, counter-claims and accusations that have caused a stir in national boxing circles.
The background to the bout wasn’t financially fuelled or box office-based though – just the seemingly simple matter of who would get a chance to represent India in Tokyo on the world’s biggest stage this summer.
Zareen’s fight for a fair trial began before last October’s Women’s World Championships in Russia. She travelled from Hyderabad to New Delhi for the 51kg test competition, only to find out it had been cancelled and Kom, 36, had been selected in that weight category instead.
It was then decided that the boxers who won gold or silver at the Worlds would get an automatic place in the Indian squad for the Olympic qualifiers in China. Kom won a bronze, but then-BFI president Ajay Singh changed the rules and said the six-time world champion can go anyway. This is where the trouble started.
“I didn’t even imagine this would happen,” Zareen, 23, said after the December 28 bout. “I never expected her to be so angry with me for going to Twitter and writing a letter to the sports minister. If she’s taking all that personally, that’s her choice.
“I was fighting for a fair trial. I was fighting the system, not Mary Kom or the federation. I was saying there should be a proper trial before each competition. That’s all.”
After Singh’s announcement, Zareen took up the issue with the powers that be, saying her ranking and achievements entitled her to at least a shot at qualification, which Kom took issue too.
Three months of campaigning eventually led to a trial between the rivals to decide who went to China, a meeting which Kom won the verdict of nine of the ten ringside judges in a scrappy encounter.
An angry Kom pushed Zareen’s hand away as she went in for a hug after the verdict and hit out at her conduct in post-fight interviews. Zareen’s camp protested against the decision, calling the result a fix.
“What hurt the most was the way she behaved after the match. I did not like how she behaved,” Zareen said. “When the decision was announced, I tried to hug her but she did not hug me back. I respect her because she is my senior and also a legend. No doubt I will always respect her.”
Kom, who had kept quiet in the build-up to the trials, fumed: “How many times do I need to prove myself? I have beaten Zareen many times. You saw today. I don’t like controversy. My focus is on big competitions and to win medals for my country.
“She has been saying that I am her idol, then this is the way she behaves. You have no humility. If you have respect, you should not talk and make such controversy. Game spirit is shown inside the ring, not outside. Prove yourself inside the ring.”
Kom added: “I have not created any controversy. I followed whatever the BFI said after the World Championships. They make the rules and regulations. Even I was surprised that I would not have to have a trial.”
Indian officials insisted they was happy with the way the situation was handled despite the fact their rule-bending created the fuss.
“We have done the trials in a fair and democratic manner. There were ten judges and we also invited the media,” BFI chief Singh said.
Sports minister Kiren Rijiju later tweeted: “Mary Kom is a legend who has achieved what no other boxer has in world amateur boxing. Nikhat Zareen is an amazing boxer who has the potential to follow the footsteps of Kom. India is proud of both of them. Period.
“Passions and emotions are the souls of sports! The only point to bear in mind is, in professional sports, the players and money matter more, whereas in amateur sports it’s the nation. The ugly spat shouldn’t have adverse effects on players while representing India.”
So as Kom now turns her attention to the Wuhan qualifiers from February 3-14, Zareen just wants to draw a line under the issue, ruling out an appeal, and concentrate on her future goals.
“Now she has defeated me, everyone is happy, which would not have been the case if she had gone directly without giving anyone else the opportunity to evaluate themselves against her. This is not the end for me. I can’t lose hope after this.
“I’ll have to prove that I am worth a place. After Mary Kom I am seen as the main contender right now, and I want to keep it that way”.
Heidi Klum and daughter Leni walked the Venice Film Festival red carpet in matching corset-style gowns.
The supermodel opted for a blush pink silk design, while Leni wore an inky black version.
Both gowns were created by Italian lingerie brand Intimissimi, for which they are ambassadors.
The mother-daughter duo previously fronted a controversial campaign for the same brand.
Heidi Klum's Venice Film Festival appearances always generate headlines, but this year she doubled the impact by walking the red carpet with her daughter Leni. The pair stunned in co-ordinated gowns from Italian intimates brand Intimissimi, bringing high fashion and red carpet glamour together in one of the festival’s most talked-about moments. Their matching corset silhouettes highlighted the duo’s modelling credentials and added a striking family twist to the opening night of the prestigious event.
Heidi and Leni Klum pose together in co-ordinated Intimissimi gowns at the Venice Film Festival Instagram/heidiklum
What did Heidi Klum wear at the Venice Film Festival?
For the opening night on 27 August, Heidi Klum chose a blush pink silk gown featuring corseted boning, a plunging neckline and a sheer bodice. The dress also showcased a dramatic thigh-high slit and hip cut-out, adding a lingerie-inspired edge. She paired the look with diamond chokers and styled her hair in rocker-style waves with new bangs, completing a striking combination of Old Hollywood glamour and modern sensuality.
Arriving at the festival by boat, Heidi shared behind-the-scenes photographs on social media showing her preparation at her Venetian hotel. Her posts included affectionate moments with Leni, with the caption that she was “having the best time with my baby” at the festival.
At just 21, Leni Klum is following closely in her mother’s modelling footsteps. On the red carpet she mirrored Heidi’s gown in a bold black version, also by Intimissimi. The design featured the same sheer corsetry and plunging neckline but offered a slightly younger twist, with symmetrical hip cut-outs and strappy sandals.
Leni accessorised her look with an emerald and diamond necklace, contrasting the darker gown with a pop of colour. She wore her hair in soft waves, echoing her mother’s style while adding her own youthful touch. Together, the pair created a co-ordinated but distinctive appearance that quickly became one of the highlights of the Venice Film Festival’s first night.
Leni Klum mirrors her mother’s red carpet style in a striking black corset gown at VeniceInstagram/heidiklum
Why is the Heidi and Leni Klum appearance significant?
This Venice outing is not the first time the duo have collaborated with Intimissimi. In 2022, Heidi and Leni starred together in a lingerie campaign for the Italian brand, which received mixed reactions. Their latest red carpet moment is seen as an extension of that partnership, bringing the lingerie-inspired designs into a high-profile international film setting.
For Heidi, the event underlined her ongoing relevance in fashion, while for Leni it marked another high-profile step in her rising career. Their joint appearance shows the generational handover in the modelling world, with Leni carving her own identity while still closely linked to her mother’s legacy.
Which other stars were spotted at the Venice Film Festival?
The 82nd Venice Film Festival, which runs from 27 August to 6 September, attracted global stars to Italy’s most glamorous red carpet. Cate Blanchett, Tilda Swinton and Julia Roberts were also photographed arriving for premieres, with Roberts making headlines for her quirky cardigan covered in portraits of Italian director Luca Guadagnino.
The festival opened with the premiere of Paolo Sorrentino’s La Grazia, a drama exploring political and personal dilemmas in Italy. With its combination of star power, fashion statements and cinematic showcases, Venice once again affirmed its position as one of the world’s most influential cultural events.
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Ahaan Panday says years of blind optimism kept him going before Saiyaara
Ahaan Panday opens up on being ‘wronged’ before his Bollywood debut
Actor admits he spent years in ‘blind optimism’ waiting for launch
Saiyaara has become the highest-grossing love story in Indian cinema history
The Mohit Suri directorial collected £53 million (₹563 crore) worldwide
Bollywood newcomer Ahaan Panday has revealed that he felt “wronged” by people in the industry before finally making his long-awaited debut with Mohit Suri’s Saiyaara. The 27-year-old actor, who comes from the well-known Panday family, said he lived in “blind optimism” for four to five years as projects kept falling through. Despite setbacks, Ahaan maintained that he never became bitter and channelled his struggles into his performance.
Ahaan Panday says years of blind optimism kept him going before Saiyaara Instagram/ahaanpandayy
Why was Ahaan Panday’s debut delayed for so long?
Ahaan was initially expected to be launched much earlier under Yash Raj Films, but several projects were shelved before they could take off. Speaking to The Hollywood Reporter India, he admitted:
“Have I felt wronged by people? Yes, I have. It wouldn’t be right for me to get personal about that, but as an actor, that’s where you take inspiration from. I just kept putting myself into different things. The first four-five years, I was entirely delusional, and people around me could sense it.”
The actor revealed he worked as an assistant director on The Railway Men while waiting for his break, using the experience to keep his morale intact.
Ahaan Panday revealed he worked as an assistant director before landing his debut role Instagram/ahaanpandayy
Did personal struggles affect Ahaan Panday’s journey?
Alongside professional delays, Ahaan also dealt with a personal tragedy; the passing of his grandmother, whom he called his “backbone.” He said she was the only person who called him a hero every day at home and losing her left him shattered.
He recalled: “My confidence started to break after that. The only way I could deal with it was to keep working. To even be on a film set was a privilege. I was never bitter because millions dream of this opportunity.”
This resilience, he said, helped him stay focused until the right opportunity arrived.
How did Yash Raj Films and Mohit Suri shape his launch?
Eventually, YRF head Aditya Chopra reached out to Ahaan’s parents, assuring them he would be launched under the banner. That led to Saiyaara, directed by Mohit Suri and co-starring fellow newcomer Aneet Padda.
For Ahaan, joining YRF was also deeply personal. His grandmother, who nicknamed him “Raj,” had dreamed of him becoming a Yash Raj hero. “It was instinctive for me to say yes. I grew up on this cinema. My Hindu name is Yash, my sister’s name is Chandni, we were filmy YRF lovers. Somewhere, I did this for her,” he explained.
Released earlier this year, Saiyaara has become a record-breaking success. The romantic drama is now the highest-grossing film headlined by newcomers and the biggest love story in Indian cinema history.
The film has grossed an estimated £53 million (₹563 crore) worldwide, making it the second-highest-grossing Indian film of 2025 so far. Its success has firmly established Ahaan as one of Bollywood’s most promising new actors.
Though the actor has not announced his next project yet, industry watchers believe Ahaan’s grand debut has positioned him strongly for future big-ticket films. With Saiyaara breaking records and his candid reflections on the struggles behind the glamour, Ahaan has become a name audiences are eager to follow.
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Jio Platforms includes India’s largest telecom operator, Reliance Jio Infocomm, with more than 500 million users. (Photo: Reuters)
RELIANCE Industries plans to take its telecom and digital arm, Jio Platforms, public by mid-2026, chairman Mukesh Ambani said on Friday. The announcement sets a new timeline for the long-awaited IPO of a business analysts value at over $100 billion.
At its annual general meeting (AGM), Reliance also announced the launch of an artificial intelligence unit in partnership with Google and Meta.
Ambani had first indicated plans in 2019 to list Jio within five years. On Friday, he told shareholders the company is preparing to file for an IPO next year.
Reuters reported in July that Jio decided against launching an IPO in 2025. Analysts at the time valued the company at over $100 billion.
Jio Platforms includes India’s largest telecom operator, Reliance Jio Infocomm, with more than 500 million users. Backed by investors such as Meta, Google and KKR, the business is central to Ambani’s move to diversify Reliance beyond oil and chemicals into retail, consumer and technology. AI and international expansion are now key areas of growth.
Reliance is also investing $8.8 billion in its chemicals business. It expects retail to grow sales by nearly 10 per cent a year on a like-for-like basis and plans to add 2,000–3,000 new stores annually.
“Jio is not being fully valued within Reliance's broader petrochemicals and retail portfolio, and a separate listing would help unlock higher value for the telecom and digital unit,” said Saurabh Parikh, senior analyst at ICRA Ltd.
AI Unit with Meta and Google
Reliance and Meta announced a new AI joint venture with an initial investment of around $100 million. Meta CEO Mark Zuckerberg told the AGM the venture will provide Meta’s open-source AI models to Indian businesses.
Google will partner with Reliance to deploy AI across energy, retail, telecom and financial services. It will also set up a Jamnagar Cloud region dedicated to Reliance, Google CEO Sundar Pichai said at the meeting.
The partnerships come as India-US relations face tensions following US President Donald Trump’s decision to impose 50 per cent tariffs on Indian exports in response to India’s purchase of Russian oil.
Reliance runs the world’s largest refining complex in Gujarat and is India’s biggest buyer of Russian oil.
(With inputs from agencies)
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Agha scored 53 not out from 36 balls, hitting three sixes and three boundaries, as Pakistan posted 182-7 in their 20 overs. (Photo: Getty Images)
SALMAN AGHA’s unbeaten half century and Haris Rauf’s four wickets guided Pakistan to a 39-run win over Afghanistan in the opening T20 match of the tri-series in Sharjah on Friday.
Agha scored 53 not out from 36 balls, hitting three sixes and three boundaries, as Pakistan posted 182-7 in their 20 overs.
Rauf took 4-31 while Shaheen Afridi (2-21), Mohammad Nawaz (2-23) and Sufiyan Muqeem (2-25) combined to dismiss Afghanistan for 143 in 19.5 overs in front of a 16,000-strong crowd.
Afghanistan’s chase was led by opener Rahmanullah Gurbaz, who made 38 off 27 balls with a six and three boundaries, adding 51 runs for the second wicket with Sediqullah Atal (23).
Rauf shifted the momentum in the 12th over, dismissing Atal and Karim Janat without conceding a run.
Afghanistan captain Rashid Khan kept his side in the game with 39 off 16 balls, including five sixes and a four, but was eventually removed by Rauf to seal Pakistan’s win.
Earlier, Pakistan’s innings was steadied by Agha after Sahibzada Farhan struck 21 off 10 balls at the top of the order, with two sixes and a boundary.
Agha added 53 for the fifth wicket with Nawaz, who scored 21 off 11 balls with two sixes and a boundary, helping Pakistan collect 51 runs in the last five overs.
Pakistan face hosts United Arab Emirates on Saturday. Each team will play the others twice, with the top two qualifying for the final on September 7.
(With inputs from agencies)
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The top model could match the PS5 Pro at around £699.99
Reports suggest Sony is planning three versions of its next console
One model, codenamed Canis, could function as both a handheld and a docked console, similar to Nintendo Switch
The flagship version, Orion, is expected to be the main high-spec console
Pricing speculation indicates the top model could match the PS5 Pro at around £699.99
Fresh rumours claim Sony is preparing a dockable handheld version of its next-generation console, the PlayStation 6. The device, reportedly codenamed Canis, is said to target the same hybrid market as Nintendo’s Switch and the expected Switch 2.
Details of the rumour
The information comes from YouTube channel Moore’s Law is Dead (via Push Square), which suggests Sony will release three versions of the PS6:
orion – the flagship high-powered console
canis (handheld) – a portable system that can be docked to play on a television
canis (console) / ps6 s – a smaller console variant sharing much of the handheld’s specifications
Both canis models are rumoured to be closer in performance to the PS5 and PS5 Pro, with incremental improvements rather than a major leap in hardware power.
Strategy and market positioning
If accurate, the move would signal a shift in Sony’s approach, focusing less on raw power and more on flexibility between console and handheld play. Analysts suggest this could help Sony compete directly with Nintendo’s hybrid systems, while also offering lower-cost alternatives alongside the premium model.
Price speculation
According to reports, the flagship orion may be priced similarly to the PS5 Pro, at around £699.99. If so, cheaper handheld and compact versions could be critical in attracting wider consumer interest.
Still early days
It remains early in development, and no official details have been confirmed by Sony. Industry insiders caution that such rumours should be treated carefully until the company announces concrete plans.