Top Democratic Senator Kamala Harris on Friday (20) came out in support of her fellow Indian American Congresswoman Pramila Jayapal, with whom External Affairs Minister S Jaishankar refused to meet during his visit to the country early this week.
"It's wrong for any foreign government to tell Congress what members are allowed in meetings on Capitol Hill," Harris, who dropped out of the Democratic presidential race early this month said in a tweet.
The first US Senator of Indian origin, Harris said she stands with Jayapal.
"I'm glad her colleagues in the House did too," she said responding to a news report in The Washington Post which said that Jaishankar refused to attend a meeting of House Foreign Affairs Committee, because Jayapal was also scheduled to be present in that meeting along with other lawmakers.
Earlier in the day, Senator Elizabeth Warren, and a leading Democratic presidential candidate came out in support of Jayapal.
"The US and India have an important partnership but our partnership can only succeed if it is rooted in honest dialogue and shared respect for religious pluralism, democracy, and human rights," she tweeted.
Warren said the "efforts to silence" Congresswoman Pramila Jayapal "are deeply troubling".
She retweeted a report by The Washington Post which said that External Affairs Minister S Jaishankar refused to attend a meeting of House Foreign Affairs Committee members that included Jayapal.
Jayapal, the first Indian American women to be elected to the House of Representatives, has introduced a resolution in the House on Kashmir.
The pending resolution on Kashmir introduced by Jayapal in the House is not a fair characterisation of the situation in Jammu and Kashmir, External Affairs Minister S Jaishankar told a group of Indian reporters on Thursday.
"I am aware of that (Congressional) resolution. I don't think it's a fair understanding of the situation in Jammu and Kashmir or a fair characterisation of what the government of India is doing. And I have no interest in meeting (Jayapal)," Jaishankar said when asked if he asked for a meeting with Jayapal.
Jayapal thanked Senators Harris and Warren for their support.
"We're rapidly entering a world where it's not only acceptable but encouraged for foreign governments to shun the president's domestic political opponents. This isn't a situation in which a coherent foreign policy can be developed," she said in another tweet on Friday.
Congressman Jim McGovern also came out in her support.
"No foreign government should dictate who is or isn't allowed into meetings on Capitol Hill," he said.
"I stand with" Jayapal and "applaud" Congressman Eliot Engel, Chairman of the House Foreign Affairs Committee "and others for doing the same," he said.
"The partnership between the US and India must be grounded in open, honest conversation between friends," McGovern said.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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