Indonesia's parliament approved a new criminal code on Tuesday that bans sex outside marriage with a punishment of up to one year in jail, despite worries the laws may scare away tourists from its tropical shores and harm investment.
The new code, which will apply to Indonesians and foreigners alike, also prohibits cohabitation between unmarried couples. It will also ban insulting the president or state institutions, spreading views counter to the state ideology and staging protests without notification.
The laws were passed with support from all political parties.
However, the code will not come into effect for three years to allow for implementing regulations to be drafted.
Currently, Indonesia bans adultery but not premarital sex.
Maulana Yusran, deputy chief of Indonesia's tourism industry board, said the new code was "totally counter-productive" at a time when the economy and tourism were starting to recover from the pandemic.
"We deeply regret the government have closed their eyes. We have already expressed our concern to the ministry of tourism about how harmful this law is," he said.
Foreign arrivals in the holiday destination of Bali are expected to reach pre-pandemic levels of six million by 2025, the tourism association has said previously, as the island recovers from the impacts of COVID-19.
Indonesia is also trying to attract more so-called "digital nomads" to its tropical shores by offering a more flexible visa.
Speaking at an investment summit, U.S. Ambassador to Indonesia Sung Kim said the news could result in less foreign investment, tourism and travel to the Southeast Asian nation.
"Criminalising the personal decisions of individuals would loom large within the decision matrix of many companies determining whether to invest in Indonesia," he said.
Albert Aries, a spokesperson for Indonesia's justice ministry, said the new laws regulating morality were limited by who could report them, such as a parent, spouse or child of suspected offenders.
"The aim is to protect the institution of marriage and Indonesian values, while at the same time being able to protect the privacy of the community and also negate the rights of the public or other third parties to report this matter or 'playing judge' on behalf of morality," he said.
These laws are part of a raft of legal changes that critics say undermine civil liberties in the world's third-largest democracy. Other laws include bans on black magic.
'A DEATH FOR INDONESIA'S DEMOCRACY'
Editorials in national newspapers decried the new laws, with the daily newspaper Koran Tempo saying the code has "authoritarian" tones, while the Jakarta Post said it had "grave concerns" about their application.
Decades in the making, legislators hailed the passage of the criminal code as a much-needed overhaul of a colonial vestige.
"The old code belongs to Dutch heritage ... and is no longer relevant now," Bambang Wuryanto, head of the parliamentary commission in charge of revising the code told lawmakers.
Opponents of the bill have highlighted articles they say will curb free speech and represent a "huge setback" in ensuring the retention of democratic freedoms after the fall of authoritarian leader Suharto in 1998.
"This is not only a setback but a death for Indonesia's democracy," said Citra Referandum, a lawyer from Indonesia’s Legal Aid Institute. "The process has not been democratic at all."
Responding to the criticism, Indonesia's Law and Human Rights Minister Yasonna Laoly told parliament: "It's not easy for a multicultural and multi-ethnic country to make a criminal code that can accommodate all interests."
Legal experts say that an article in the code on customary law could reinforce discriminatory and sharia-inspired bylaws at a local level, and pose a particular threat to LGBT people.
"Regulations that are not in accordance with human rights principles will occur in conservative areas," said Bivitri Susanti, from the Indonesia Jentera School of Law, referring to existing bylaws in some regions that impose curfews on women, or target what are described as "deviant" sexualities.
The new laws will also include more lenient sentences for those charged with corruption.
The morality charges have been partially watered down from an earlier version of the bill so that they can only be reported by limited parties, such as a spouse, parent or child.
The government had planned to pass a revision of the country's colonial-era criminal code in 2019 but nationwide protests halted its passage.
Lawmakers have since diluted down some of the provisions with President Joko Widodo urging parliament to pass the bill this year before the country's political climate heats up ahead of the presidential elections scheduled for early 2024.
The public response to the new code has been muted so far, with only small protests held in the capital on Monday on Tuesday.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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