As the world’s 7th largest economy in terms of GDP, only a little way behind France and well ahead of Italy, India’s is also reckoned to be one the fastest growing nations, surpassing even China. This rapid expansion has manifested itself in a number of ways and has even led to the IMF predicting that it will continue to grow at a rate of over 7% p.a. over the next few years.
Through the $400 billion barrier
A very notable effect of this buoyancy has been the continuing growth of the country’s foreign exchange reserves which for a long time had been hovering at around the $350 billion mark. For those not totally familiar with forex reserves, these consist of a number of elements which include assets in particular foreign currencies, reserves of gold, special drawing rights and reserves held within the International Monetary Fund which can be accessed if and when they’re ever needed.
Together, these create a considerable cash reserve to bolster the overall economy so it was with considerable pride that in the Reserve Bank of India’s weekly statistical round-up published on Friday, October 13th, it was able to show that over the course of the previous week there had been a rise of $1.50 billion taking the total value of the reserves from $398.79 billion to $400.29 billion.
This is not just good news for the economy, it’s also sure to create an extra incentive for a forex broker to include the Indian rupee in a pair of currencies that it could be profitable to trade. And, if one were looking for an ideal great option for the second currency of the pair, it could well be the Australian dollar. Already doing well, its value is currently being pushed even higher by the US Dollar’s weakness.
US concerns
"I’ve got my eye on you!" (CC BY 2.0) by peasap
Turning to America, as the world’s biggest economy, the country's Treasury takes a keen interest in the foreign exchange and economic policies of trading partners and, as India has a major bilateral goods trade surplus with the US which totals over $23 billion, they are firmly in their spotlight.
There are fixed protocols that are in place for when they believe intervention is needed and these are triggered when three criteria are met. The first is when there is a bilateral trade surplus of more than $20 billion. The second is when there is a current account deficit with the US amounting to a minimum of 3% of GDP and the third is when there are repeated purchases being made of any foreign currency which come to more than 2% of the country’s GDP over 12 months.
Looking to the future
In a report put together by the Treasury it was noted that India was very close to meeting all three criteria and, if they do trigger action, it will certainly lead to discussions about the effects that this could have on current and future trade agreements between the two countries.
But, with the strong rupee and the weaker dollar, it is already starting to affect exports so in the months to come this could turn into quite a tricky situation for the Reserve Bank of India to resolve – and only time will tell how they fare.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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