Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE high commission of India in London has condemned false assertions in a 'distinctly one-sided discussion' among a group of British parliamentarians on Monday (8) on the issue of peaceful protests and press freedoms in India.
The high commission pointed out that foreign media, including British media, had been present and witnessed the events surrounding the farmers' protests in India first-hand and therefore any 'question of lack of freedom of the media in India does not arise'.
"We deeply regret that rather than a balanced debate, false assertions – without substantiation or facts – were made, casting aspersions on the largest functioning democracy in the world and its institutions,” said a statement issued by the high commission.
"When aspersions are cast on India by anyone, irrespective of their claims of friendship and love for India or domestic political compulsions, there is a need to set the record straight."
Several Labour, Liberal Democrat and Scottish National Party MPs on Monday expressed concern over the safety of protesters and the status of press freedom in India.
The debate, held in a hybrid form with some MPs participating via videolink in a room at Portcullis House in London, related to the e-petition entitled 'Urge the Indian government to ensure safety of protesters & press freedom'.
A petition started by Liberal Democrat councillor, Gurch Singh, and signed by over 100,000 people, has forced the government to stop hiding on this important issue.
Farmers, mostly from Punjab, Haryana and western Uttar Pradesh, have been camping at several Delhi border points since November 28, demanding a complete repeal of the three farm laws and a legal guarantee on the minimum support price for their crops.
While responding to the debate, Nigel Adams, foreign, commonwealth and development office minister said the close UK-India relationship did not hinder the UK in any way from raising 'difficult issues' with India, even as he reiterated the government line that agricultural reforms are a 'domestic matter' for India.
“This is a time of great ambition for the UK's relationship with India. Both governments are working to advance shared priorities across trade and investment, health, sustainability and climate change and defence and security,” said Adams.
“We are also working with India as a force for good in the UN Security Council and as one of the prime minister's guest countries at the G7 summit in June. This cooperation will help us fix global problems and it will strengthen prosperity and wellbeing in India and the UK."
He added that 'candid discussions' on a range of issues will form part of Boris Johnson's planned visit to India in the coming months.
Adams expressed hope that the ongoing dialogue between the Indian government and farmers' unions will have positive results.
“Both sides need to step back and recognise the need to come to an agreement… I hope the government will commit to helping that cause and offer British skills in a negotiation and compromise to help both sides to bring this issue to a close,” said Labour MP Virendra Sharma.
From the ruling Conservative Party backbenches, Theresa Villiers pointed out that the new agricultural laws in India had been postponed to allow for greater 'consultation and discussion'.
The Indian government has denied allegations that it was trying to put an end to the minimum support price (MSP) and the mandi system. Several rounds of talks between the government and farmer unions have not been able to resolve the deadlock.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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