Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
FARMERS in India are gathering in the largest rice crop in history, which promises record exports, while making sure to keep up their longest-running protest, set to turn a year old next month.
The sit-in against controversial agriculture reforms is taking place in New Delhi.
"We'll not budge until the government rolls back the laws," said Sukrampal Beniwal, a farmer in Haryana, referring to three measures the farmers, demonstrating by the tens of thousands in the capital, say will threaten their livelihoods.
Farmers in the breadbasket state have joined hands to bring in the mammoth crop and make sure that every time a group sets off to harvest rice, a similar number leave to join the protest on the outskirts of New Delhi, Beniwal said.
"Because of our camaraderie, we have quite successfully dealt with the two competing challenges: managing the protest against legislation and harvesting a big crop," he added.
Introduced in September 2021, the legislation deregulates the agriculture sector, letting farmers sell produce to buyers beyond government-regulated wholesale markets, where growers are assured of a minimum price.
While small farmers say the changes make them vulnerable to competition from big business, and threaten the eventual loss of price support, the government says the reforms will bring them new prospects and better prices.
Yet, with global food prices near-decade highs after a surge of 30 per cent in rates for cereals over the past year, India's problem of plenty also offers a dazzling opportunity.
The new harvest will boost exports to help the South Asian nation cement its status as the dominant supplier of the world's most critical grain, traders say.
"Indian prices are very attractive at a time when demand is rather strong from many buyers, including China and a clutch of countries in Africa," said Aditya Garg, a leading exporter of the grain.
"In fact, for non-basmati rice, many Indian exporters have received orders from a lot of new buyers in Egypt, Sudan, Tanzania and Iran."
Coming at a time of flat output in traditional export powerhouses Vietnam and Thailand, the higher supply will let New Delhi offer more competitive rates to undercut any rivals.
Output of summer-sown rice in 2021/22 will hit a record 107.04 million tonnes, the farm ministry says, while combined output of summer and winter rice will hit 125 million, or about 24.5 per cent of global rice output, its largest ever.
Coupled with upgraded export facilities, that volume will allow India to repeat, or even surpass, last year's record export tally of 20 million tonnes, filling growing demand for the staple from buyers across Asia, Africa, and the Middle East.
India is selling 25 per cent broken rice, a non-basmati variety preferred by most overseas buyers, at $345 a tonne on a free-on-board basis compared to $360 offered by Thailand, the world's second-biggest rice exporter, dealers said, with some cargoes even sold at $320 a tonne.
Rice is India's biggest foreign exchange earning farm commodity, with shipments worth $8.82 billion in the fiscal year that ended in March 2021, government figures show.
Until two seasons ago, India's annual rice exports averaged about 11 million to 12 million tonnes.
But shipments soared to 20 million tonnes for a record share of 40.7 per cent of global trade last season, data from the US department of agriculture (USDA) shows, after growing problems in Southeast Asia pushed up the prices of rivals to make Indian non-basmati shipments attractive to hungry global buyers.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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