The purple ink stamped on Iqbal Hussain Siddiqui's hand by Indian health workers was supposed to ensure he stayed home under quarantine.
But the 66-year-old Siddiqui, an egg seller in Mumbai's sprawling Dharavi slum, rubbed it off as best he could and went back to work. The mark would have condemned him to being stuck in an unventilated one-room home without a toilet. It was also, he claimed, part of an effort by the government of prime minister Narendra Modi to target Muslims like him, using health workers to gather data on the community under the guise of containing the COVID-19 pandemic.
"Modi wants to make Muslims second class citizens," said Siddiqui, who was ordered to be quarantined after a neighbor tested positive for the virus. "There is no one who is sick — it's all a lie."
His suspicions were echoed by a half-dozen other Muslims in Dharavi, even though community leaders say they have been trying to convince people that the health workers are in the district to protect them from COVID-19.
As the coronavirus sweeps across India, Modi's government has responded by imposing a lockdown on the country's 1.3 billion people. As of Friday, India had announced 437 deaths from the disease.
The coronavirus has also exacerbated festering divisions between the country's Hindus and its sizable Muslim minority, many of whom have seen their livelihoods threatened by the establishment of quarantine zones in densely-packed areas like Dharavi. There have been at least 71 confirmed cases in Dharavi.
A deep-rooted distrust of Modi by Muslims follows months of protests against a new citizenship law that critics say discriminates against Muslims, and a crackdown by India in the Muslim-majority territory of Kashmir.
There is no official breakdown of coronavirus cases by religion. But many Muslims feel unfairly blamed for spreading the disease after a cluster emerged at a gathering of Muslim missionaries in New Delhi last month. Sensational news coverage about the event, fanned by some Hindu nationalist politicians, helped spur the trending topic "Coronajihad" on social media.
The missionary gathering has been linked to at least 1,000 confirmed coronavirus cases, and more than 25,500 people connected to it have been quarantined.
Muslim leaders say a belief that the coronavirus is not real has spread in their communities, but that they have been working through mosques to change those perceptions.
"There is a strong feeling of distrust in the Muslim community towards the establishment," said Gyasuddin Shaikh, a politician with the opposition Congress party in Ahmedabad, the biggest city in Modi's home state of Gujarat, which was the scene of Hindu-Muslim riots in 2002. "It took us a lot of time and effort to convince such people that the documents are needed for medical assistance."
Despite those efforts, public health experts warn that suspicions about the government's intentions in a community of around 200 million people could complicate India's push to stamp out the virus.
A sense of isolation within the Muslim population "does not enhance community participation and it drives disease underground," said Dr. Jacob John, professor of community medicine at the Christian Medical College in the southern state of Tamil Nadu.
The health ministry and prime minister's office did not respond to requests for comment.
"IRRESPONSIBLE EVENT"
The health workers who have fanned out across districts like Dharavi to identify and track cases have been a particular source of suspicion. Some Muslims believe they are secretly collecting data for a proposed national database aimed at identifying illegal immigrants, according to community leaders and interviews with residents.
Many Muslims feel the database, the National Register of Citizens (NRC), could be used to render those without sufficient documentation stateless.
"We have to go and tell the community: 'Please, this has nothing to do with NRC. This is for your safety,'" said Imtiaz Jaleel, a member of the All India Council of the Union of Muslims, an opposition party.
Most Muslim communities are supporting the authorities in their virus-containment efforts, said a senior health ministry official in the state government of Maharashtra, home to Mumbai. But in some cases, people sought in connection with the missionary gathering were allowed to hide in mosques, said the official, who asked to remain anonymous.
Maharashtra police have filed cases against more than 200 members of the missionary group, Tablighi Jamaat, for allegedly helping spread the disease, including by hiding in the mosques, a police official said.
Mujeeb ur Rehman, a Tablighi Jamaat spokesman, said some people had been stranded in mosques after the lockdown and were fearful of declaring themselves to authorities.
Gatherings of the Tablighi - an orthodox proselytizing group - have been linked to major spreads of coronavirus cases across India, Malaysia and Pakistan.
Some health professionals say the Modi government overstated the impact of the group in India and that intensive testing of Muslims, at a time when few such checks were being carried out in India, unfairly suggested the community was disproportionately responsible for the disease's spread.
New Delhi has pushed back against criticism that it is singling out Muslims.
It is unrealistic to expect us to avoid denouncing "such an irresponsible event" merely out of "political correctness", Foreign Ministry Secretary Vikram Swarup said last week.
OUTRAGE ONLINE
Inflaming the situation in India has been a spate of viral videos carrying false information. It is unclear who has been creating the videos.
Some videos depict Muslims attempting to spread the virus by spitting or blowing noses with currency notes.
Other fake reports circulating online are fomenting distrust about Hindus and the government. Some claim that Muslims are immune to the virus or allege they are the only ones being quarantined, said Pratik Sinha, co-founder of the fact-checking website Alt News.
"The process of building fear in a minority community happens in multiple ways: Through mainstream media, through constant attacks on social media, and then all you need is one video saying: 'You are being targeted,'" said Sinha.
The government has ordered Facebook and the video app TikTok to remove users found to be spreading misinformation about the coronavirus, according to a letter seen by Reuters.
Such messages "have the potential for creating panic," the IT Ministry said in the letter. "This effectively weakens the all-out effort being made by the Indian government for containing the coronavirus."
A Facebook spokesperson said the company was taking "aggressive steps to stop misinformation and harmful content." TikTok referred Reuters to an April 3 statement which said it had removed thousands of videos spreading misinformation about the coronavirus in India.
Many Muslims are also angry at what they say is the downplaying of clusters linked to Hindus. One reported case – the quarantining of 27,000 people linked to a Hindu man with the coronavirus who had hosted a gathering of around 1,000 people – has attracted particular attention.
Seated on a bench in Dharavi last weekend, Younus Ghouri, a Muslim taxi driver, became angry as he watched a Facebook video criticising what it said was the Indian media's sparse coverage of the incident.
"Why is no one talking about that? They're just talking about what Muslims did," said Ghouri, 38.
A night owl, or an evening person with a late sleep-wake cycle, could be at a higher risk of cognitive decline with age compared to an early bird or a morning person, a study has found.
Chronotype refers to one’s sleep-wake type or times during the day when one naturally tends to be awake and asleep. A ‘night owl’ chronotype is said to have a later sleep-wake cycle, compared to an ‘early bird’ or a ‘lark’.
“Are you an early bird or a night owl? It’s hard to adjust what your biological clock – your so-called chronotype – is, but you can adjust your life to it as best you can,” study author Ana Wenzler, from the University Medical Center Groningen, the Netherlands, said.
Analysing the performance of about 23,800 participants on a cognitive test over a period of 10 years, the study found that ‘evening’ people decline cognitively faster than ‘morning’ people. The findings have been published in the Journal of Prevention of Alzheimer’s Disease.
“Unhealthy behaviour such as smoking, drinking and unhealthy eating happens more often in the evening,” Wenzler said.
“In our study, we also saw this: evening people smoke and drink more often and exercise less. Twenty-five per cent of the risk of cognitive decline can be explained from our research by smoking and poor sleep,” she said.
A greater decline was seen in higher-educated people – a delay of an hour in the sleep-wake cycle corresponded to a decline of 0.8 in cognition per decade. Wenzler said the decline might be related to their disturbed sleep rhythm.
“They are often people who have to go back to work early in the morning and are likely to sleep too short, giving their brains too little rest,” she said.
The author explained that people’s biological clock can change with age.
“Children are morning people. That changes when you reach puberty, when you become an evening person. Around your 20s, that gradually shifts back towards morning people for most people. By the age of 40, most people are morning people again,” Wenzler said.
However, this is certainly not the case for everyone, which is probably why evening people deviate from the norm, according to Wenzler, who recommended working against one’s body “as little as possible”.
“’You can try to go to sleep earlier, but if your body is not yet producing melatonin (sleep hormone), it will not work,” she said.
Wenzler added that if people are forced to work against their natural rhythm, their brains may not get enough rest, increasing the risk of unhealthy habits. “It would help if evening types were given the option to start work later,” she said.
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Popular actor Shivam Khajuria has showcased his impressive talent in top TV serials such as Molkki, Mann Sundar and Yeh Rishta Kya Kehlata Hai.
He is currently displaying that range in the hugely popular drama Anupamaa, earning wide acclaim. Away from the small screen, the television star is also a passionate cinema lover. He shared his all-time favourite films with Eastern Eye.
Rockstar: This musical struck a chord with me like few others ever have. Ranbir Kapoor’s portrayal of Jordan was raw, flawed and deeply human. The emotional intensity, combined with AR Rahman’s soul-stirring music, made the film unforgettable. It was not just a love story – it was a journey through pain, passion and transformation. Despite its imperfections, it revealed a side of Bollywood I had never seen – bold, poetic and heartbreakingly real.
Rockstar
A Few Good Men: This acclaimed courtroom drama was a game-changer for me. The performances by Tom Cruise, Jack Nicholson and Demi Moore were outstanding. The moral complexity and intensity of the trial – and the way justice was questioned – left a deep impact. It even made me briefly consider a career in law. A classic example of storytelling done right.
James Bond movies: The James Bond series was a big part of my childhood. I was fascinated by Bond’s style, intelligence and smooth confidence. From sleek cars and high-tech gadgets to exotic locations, each film was an escape into a thrilling world of espionage. That iconic introduction – “Bond, James Bond” – never got old. These films made me fall in love with cinematic flair and unforgettable characters.
Final Destination movies: This is one of the few horror franchises that genuinely creeped me out while keeping me hooked. The way fate played out in twisted, unpredictable ways was both terrifying and clever. Each death scene was creatively executed, and I constantly wondered what bizarre turn would come next. These were not just horror films – they were suspenseful, imaginative, and a chilling reminder that we cannot always outrun destiny.
Se7en: This haunting crime thriller is one of those films that stays with you long after the credits roll. The gritty visuals and slow-building tension led to a shocking climax that left me speechless. Brad Pitt and Morgan Freeman delivered exceptional performances. It explored the darkest sides of human nature in a way that was disturbing, powerful and unforgettable.
A still from a James Bond film
Gangs of Wasseypur: This film redefined Indian cinema for me. It was gritty, raw and unapologetically honest. A crime saga set against the backdrop of coal mafia rivalries, it felt more real than fictional. Anurag Kashyap’s bold direction and layered storytelling, combined with stellar performances, made it unforgettable. It was not just a film – it was an experience.
Border: This iconic army drama was my first real dive into war cinema, and it moved me deeply. It depicted not only the battlefield action but also the emotional struggles of soldiers and their families. The music, camaraderie and heartbreaking losses captured the true essence of patriotism and sacrifice. It made me appreciate the strength of those who serve the country.
The Sixth Sense: This psychological thriller completely blew my mind. The storytelling, the atmosphere and that unforgettable twist at the end were pure cinematic brilliance. I still remember the chill I felt during the final reveal. It was not just a thriller – it was a psychological deep dive that changed the way I watch films. A masterclass in suspense and detail.
Interstellar
3 Idiots: Every Indian student relates to this film in some way. It was humorous, emotional and thought-provoking. It challenged the rigid education system and encouraged viewers to pursue passion over pressure. Aamir Khan’s performance stood out, but the entire cast brought warmth and relatability to the story. It made me laugh, cry and reflect – more than just entertainment, it was a life lesson.
Interstellar: This is more than a science fiction film – it is an emotional journey through time, space and human connection. The way it combines complex scientific concepts with deeply personal storytelling is extraordinary. The visuals are breath-taking, the soundtrack is unforgettable, and the exploration of time as a dimension is mind-bending. It made me think, dream and feel. For me, it comes close to being a perfect film.
Instagram: @khajuriashivam24
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Temba Bavuma of South Africa lifts the ICC World Test Championship Mace with teammates following his team's victory on Day Four of the WTC final against Australia at Lord's Cricket Ground on June 14. (Photo: Getty Images)
AIDEN MARKRAM's century helped South Africa secure a five-wicket win over Australia in the World Test Championship final at Lord’s on Saturday. With this result, South Africa claimed their first major global title in men’s cricket.
Set 282 to win, South Africa reached the target before lunch on the fourth day, finishing on 282-5. Markram was dismissed for 136 after bringing his team to within six runs of victory.
The Proteas resumed on 213-2, needing 69 runs more. Markram, who had been out for a duck in the first innings, was unbeaten on 102 at the start of the day. Captain Temba Bavuma was on 65 despite struggling with a hamstring injury.
South Africa’s history in knockout games had often been marked by defeats, including 18 failed attempts in previous ODI and T20 World Cups. They had only reached one final before this – last year’s T20 World Cup in Barbados, where they lost to India after requiring just 30 runs from the last 30 balls with six wickets in hand.
On Saturday, however, South Africa held on to win. A team without many big names succeeded where players like Allan Donald, Shaun Pollock, AB de Villiers and Jacques Kallis had not.
South Africa had an early setback when Bavuma, adding only one run to his overnight score, was caught behind off Australia captain Pat Cummins. His partnership with Markram ended at 147, but South Africa were still in control at 217-3.
With clear skies and a flat pitch, conditions were in the batters’ favour. Markram continued, cutting Cummins for four and later pulling him again to bring the target down to 50.
Cummins brought on Nathan Lyon, hoping for spin. But it was Mitchell Starc who got a breakthrough, bowling Tristan Stubbs for eight with a delivery that cut in sharply.
Australia took the new ball with South Africa at 268-4, needing just 14 more runs. Markram then drove Josh Hazlewood’s first ball for four and followed it up with three more runs off the next.
He fell shortly after, pulling Hazlewood to Travis Head at midwicket. His 207-ball innings included 14 fours.
Markram walked back to a standing ovation. Several Australian players shook his hand.
Kyle Verreynne then scored the winning run. He might have been out had Australia had any reviews remaining. South Africa’s 282-5 became the second-highest fourth-innings chase in a Lord’s Test, behind the West Indies’ 344-1 against England in 1984.
Kagiso Rabada also played a key role in the victory, finishing with match figures of 9-110.
(With inputs from agencies)
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King Charles, wearing a black armband to pay respects to the victims of Air India plane crash, attends the Trooping the Colour parade on his official birthday in London. (Photo: Reuters)
A MINUTE's silence for the victims of the Air India plane crash was observed on Saturday during the Trooping the Colour parade in London marking King Charles's official birthday. Some members of the royal family wore black armbands during the ceremony.
A Buckingham Palace spokesperson said King Charles, 76, had requested changes to the parade “as a mark of respect for the lives lost, the families in mourning and all the communities affected by this awful tragedy”.
The crash on Thursday involved a Boeing 787-8 Dreamliner that was taking off from Ahmedabad in eastern India and heading to London's Gatwick Airport. A total of 279 people, including passengers, crew and individuals on the ground, were killed.
Among the victims were 52 Britons. The only survivor identified so far is British national Vishwash Kumar Ramesh from Leicester.
Following the disaster, King Charles said in a written statement that he was “desperately shocked by the terrible events” and extended his “deepest possible sympathy”.
Royal family attends parade
Trooping the Colour is a military tradition that dates back over 200 years and marks the monarch's official birthday. The event begins at Buckingham Palace, proceeds down The Mall, and concludes at Horse Guards Parade, where the King receives a royal salute and inspects the troops.
Hundreds of people gathered along The Mall and outside the palace to view the event. A small group of anti-monarchy protesters were present, carrying yellow signs that read “not my king” and “down with the crown”.
King Charles, who continues weekly treatment for an unspecified cancer, was accompanied by Queen Camilla. Also present were Prince William, 42, his wife Catherine, and their children George, 11, Charlotte, 10, and Louis, seven.
No appearance by Harry and Meghan
Catherine, 43, the Princess of Wales, had earlier announced in March 2024 that she had been diagnosed with an unspecified cancer. In January 2025, she said she was “in remission” and has since gradually resumed public engagements.
Prince Harry and his wife Meghan did not attend the event. The couple stepped down from royal duties in 2020 and now live in the United States. Reports in the UK media suggest that relations between Harry and other members of the royal family remain strained, with minimal communication between him and his brother William.
Although Trooping the Colour is held in June, King Charles was born in November. The tradition of a second birthday celebration was introduced in 1748 by King George II to ensure the monarch’s birthday could be marked in better weather.
Saturday's parade coincided with a major military parade in Washington led by US President Donald Trump on his 79th birthday.
Parle Patel has been a magnetic force in entertainment for nearly 15 years, combining laughter, language and layered identity into sketches, stage shows, radio and social media reels.
The “all-round entertainer”, best known as a fierce champion of Gujarati culture, has gained a loyal global following that spans from London to the heartlands of India.
This year, the popular British talent added another significant milestone to his creative journey by making a winning debut in Gujarati cinema with the film Umbarro. With a unique blend of humour, heart and heritage, Patel has added another huge chapter to an inspiring story of proudly representing his community.
Eastern Eye caught up with the great British hero to discuss his creative journey, film debut, inspirations and future plans..
In Gujarati film Umbarro
How do you reflect on your creative journey? I take stops throughout the year to reflect on what I have done creatively and see if it aligns with my values and aspirations. This includes time away from the UK to reflect. I also think about inspiring figures I look up to and see if I can build on what I have taken on board from them.
You have always championed Gujarati culture. How important is that to you? My main aim was always to speak up for those not properly seen within our Gujarati community. I started making comedy because not enough was being said, explored or celebrated about us. After nearly 15 years, it is not just about ethnicity or religion, but about representing anything you feel is not seen or heard. Now, it is also important for me to celebrate other Gujarati artists and talent too, by highlighting them through my platforms.
You have done diverse work from the online space to theatre, but which has been closest to your heart? All of them have bits of my heart. Each has helped me in different ways. YouTubing and being online showed me you can just start with yourself and build an audience – especially now, when people need that community. It built a worldwide audience. I never thought people in India would like my content, or that I would be doing shows in the US. And getting recognised on a tiny island in Thailand? The power of the internet is mind-blowing.
What about radio and theatre? Theatre is just as good, but different. Hearing everyone laugh together, or the silence during a serious bit, is so raw and real. You know what has made them laugh. Online, you get ‘lol’, or emojis, which is not the same. Radio is another world, with just the voice. It is massively challenging making comedy or saying what I think without the face or acting. Each one is different, but they all fit together – like bits of me, Parle.
How does all your amazing previous work compare to working in a Gujarati film produced by a company from India? With digital content, it is a one-man team, but in film, there is an entire cast and crew helping you stay energised. There are also random people or guests who have come to watch the shoot. So, it is a very different environment, where you really learn to focus with so much going on around you. The team was like a family – so warm and helpful. My fantastic director was so supportive. He never made me feel like this was my first feature film.
How did you feel when you got that film offer? It was really exciting. To work for a director, Abhishek Shah, whose work I am immensely inspired by – like Hellaro, which was a superhit globally. Also, for this role, I had to specifically represent British Gujaratis, and that was going to be fun.
Thumbnail from his social media reel
Tell us about Umbarro and your character. The film follows the lives of seven Gujarati women from different walks of life, travelling to London on a tour. Each lady has a different backstory that needs healing. It beautifully shows that there is no one type of Gujarati woman and has a beautiful element of sisterhood. They help one another through issues like grief, loss and relationships, but also empower each other. I was playing Simran, a half-Punjabi and half-Gujarati. That was where the humour stemmed from. All our characters were on a journey, and had gender-neutral names, which is important when there is not that much representation.
What was your most memorable moment from this Gujarati film journey? A few special things happened. What really struck me was how much the team persevered without ever complaining. Freezing night shoots, a 12th take – everyone just rallied with pure dedication to Gujarati storytelling. Then connecting with senior actors and legends, who knew my UK comedy stuff? It was heart-warming and humbling when they asked my opinion. The Northern Lights also appeared during a shoot, which felt like a sign and blessing. That was unforgettable.
How much do you love that Gujarati cinema has been on the rise? I am so happy and grateful that directors in the industry have not given up or stopped. They are so passionate about the Gujarati language. For ages, I felt like the only one who cared. But then this ‘renaissance’ happened after that lull since the golden oldies. There is often a bias against our regional films. People say, ‘I cannot speak Gujarati, so I will not watch’, but they happily watch a series like Squid Game with subtitles. Surely, it’s about the story?
You have worked on so many different mediums and platforms. What is the plan going forward? With so many things happening globally, I feel my audience is really hungry for more online content. People want to connect, feel a sense of community, and escape as well. In the beginning, I was almost told off for making escapist content. But I think it is important to help people escape the stresses of day-to-day life and laugh at relatable funny things. So, everyone is definitely going to see more online content. It is how people from remote locations get to connect with Gujarati language, comedy and culture.
What about other platforms? I will go back to the stage in some capacity. I really hope to connect with people who want to collaborate and are also passionate about telling authentic stories – especially ones about British Gujaratis, Asians, Hindus and Indians here in the UK. There is so much more that is waiting to be told. I just want to keep representing.
Are you hoping to work in more films? I would love to work in more films. I will always push myself and audition for roles that I feel I can play. I will always try my best to take training and learn more about each medium.
What inspires you creatively? It can be a spark from anywhere. But proper inspiration comes from stories – my own life and family. During tough times, you remember the bad stuff, right? But later, you can choose how to look back – grief, drama or comedy. I pick comedy. It is a human superpower. Turning sad memories into funny ones, adding my ‘masala’. It may not be funny at first, but give it a day or two. That is being a comic – spinning the mundane. Loads of my videos are just everyday stuff, heightened a bit.
Tell us about the family aspect. My parents are a massive inspiration. Dad put me in front of the camera first and taught me how to frame a shot. Mum has always been sharp, witty and has a love for Gujarati dance. I grew up around that. They are proper powerhouses, making me see the funny everywhere. My partner shows me the funny in stuff I would miss. Being with someone who loves comedy and theatre unlocks so much. We get through the mad times by just laughing.