Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
CCTV footage released to the BBC shows Sarm Heslop boarding a dinghy with boyfriend Ryan Bane on the night she vanished.
Six hours later, she was reported missing from his yacht in the US Virgin Islands.
Her body has never been found, and her disappearance remains unsolved.
Police say the timeline provided by Bane is inconsistent with verified CCTV evidence.
Friends and family continue to press for answers, calling for a murder investigation.
The last sighting
Newly released CCTV footage shows British woman Sarm Heslop and her boyfriend Ryan Bane leaving a bar in St John, US Virgin Islands, on 7 March 2021. The couple can be seen boarding a dinghy and motoring into the Caribbean night, heading for Bane’s yacht, Siren Song.
Six hours later, Sarm was reported missing. Despite an extensive search, she has never been found.
Who was Sarm Heslop?
Friends describe Sarm, 41, as a “free spirit” who embraced adventure. A former flight attendant, she left the UK in 2019 to sail across the Atlantic and explore the Caribbean. She later began working as a chef on Bane’s yacht, having met him in 2020.
Timeline inconsistencies
Bane told the US Coast Guard the couple returned to the yacht at 22:00. However, CCTV timestamps confirm they left Cruz Bay dock at 20:45 and would have reached the yacht by 21:00. The missing hour has never been accounted for.
Virgin Islands Police Commissioner Mario Brooks said the timeline raised suspicions and reiterated that Bane remains the only person of interest in the case.
Questions over the response
Bane reported Sarm missing at around 02:00 after claiming to wake and find her gone. Police say they told him to call the Coast Guard immediately, but he waited nine hours before making the call.
Experts stress that minutes are critical in such cases. “Waiting nine hours is decreasing the possibility of finding a person in the water,” said Commander Jan League of the US Coast Guard.
Refusal to cooperate
Bane has declined to be formally questioned by police, invoking his constitutional rights. He also blocked a forensic search of his yacht. Five weeks later, he left the Virgin Islands and has not returned.
Through his lawyer, Bane maintains he had no role in Sarm’s disappearance and believes she either fell overboard or drowned while swimming.
Concerns over past behaviour
Bane’s ex-wife, Cori Stevenson, described a violent assault during their marriage, for which he served a 60-day sentence. She alleged he displayed “rages” that left her fearing for her life.
His lawyer acknowledged the conviction but insisted there was no evidence Bane was violent towards Sarm.
Family’s search for answers
Sarm’s family and friends want the case reclassified as a no-body murder investigation, which they say would allow police greater powers. Her mother Brenda has accepted she may never see her daughter again but continues to push for justice.
“We all deserve to know what happened to her and to bring her home,” she said.
What next?
The US Virgin Islands Police say they remain committed to pursuing all leads, but the case is at a dead end without further evidence.
The BBC documentary Missing in Paradise: Searching for Sarm explores the unanswered questions surrounding her disappearance.
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Rick and Morty face their most dangerous hunt yet in Oni Press finale
Oni Press announces Rick and Morty: The End six-part miniseries starting 3 December 2025
The comic marks a dramatic conclusion after more than 100 issues of the hit franchise
Writer Daniel Kibblesmith and artist Jarrett Williams lead the final saga following Rick and Morty vs. the Universe
Rick Sanchez becomes the multiverse’s most wanted as Morty and Space Beth hunt him down
Adult Swim’s cult animated hit Rick and Morty is set to close a major chapter with Oni Press confirming the launch of Rick and Morty: The End this December. The new comic book miniseries will spin directly out of Rick and Morty vs. the Universe and promises a high-stakes finale unlike anything the duo has faced before. Fans searching for details on Rick and Morty The End will now have confirmation that this marks the start of a six-issue showdown.
Rick and Morty face their most dangerous hunt yet in Oni Press finale Instagram/rickandmorty
What is Rick and Morty The End about?
According to Oni Press, Rick and Morty: The End throws Rick Sanchez into his most desperate battle yet. Wanted across every reality, Rick’s bounty has attracted governments, militaries, pirates, mobsters, bounty hunters, and even circus clowns.
The only ones with a real chance of catching him are Morty and Space Beth, but they’re not on the same side. The story sets up a deadly family clash where Morty and Beth must decide whether Rick comes back alive.
The six-part series reunites the creative team from Rick and Morty vs. the Universe. Writer Daniel Kibblesmith, known for Marvel’s Loki, and artist Jarrett Williams, who worked on Speed Force, will continue steering the franchise towards its explosive finale. Oni Press confirmed the first issue launches on 3 December 2025, featuring covers by Dave Bardin, Troy Little, Tom Fowler, and others.
How does it connect to Rick and Morty vs. the Universe ?
The storyline spins directly out of the events of Rick and Morty vs. the Universe, Oni Press’s crossover saga that concluded in October. That series followed Rick and Morty as they battled every universe they had ever crossed, leaving Rick with few allies and no escape routes. The End picks up after that chaos, positioning the finale as a natural continuation of the franchise’s long-running comic arc.
The teaser sparked debate when Oni Press first hinted at “The End.” While Rick and Morty: The End signals the conclusion of Oni Press’s decade-long run of tie-in comics, the animated series on Adult Swim is continuing. The Emmy-winning show, featuring voices from Ian Cardoni, Harry Belden, Sarah Chalke, Chris Parnell, and Spencer Grammer, remains a central part of Warner Bros. Discovery’s programming. For fans, this comic miniseries is the definitive closing act for Oni Press’s part of the multiverse.
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The Paper trailer reveals chaotic newsroom comedy with Oscar Martinez
The Office universe expands with new Peacock comedy The Paper, premiering 4 September.
Domhnall Gleeson stars as a struggling newspaper’s new editor-in-chief.
Oscar Nuñez reprises his role as Oscar Martinez from The Office.
Series co-created by Greg Daniels and Michael Koman; to stream in India on JioHotstar from 5 September.
The long-awaited return to The Office’s mockumentary world is here, but with an all-new workplace. Peacock has released the first trailer for The Paper, an offshoot series set in the same universe as the hit sitcom, this time turning the cameras on a failing local newspaper in Toledo, Ohio.
Led by Domhnall Gleeson and featuring the comeback of Oscar Nuñez as The Office’s fan-favourite accountant Oscar Martinez, the comedy premieres 4 September on Peacock, with Indian audiences able to stream it on JioHotstar from 5 September.
The Paper trailer reveals chaotic newsroom comedy with Oscar Martinez Instagram/domhnallgleeson_haven
What is The Paper about?
In The Paper, the same documentary crew who filmed life at Dunder Mifflin now follows the Toledo Truth Teller, a once-proud Midwestern newspaper now past its prime.
Domhnall Gleeson plays Ned Sampson, the ambitious new editor-in-chief determined to drag the publication back to relevance. His challenge? A newsroom staff whose “journalism” credentials are questionable at best. When asked about their writing experience, one says, “I wrote a paper in junior high,” while another offers, “I’ve tweeted.”
The office itself shares space with a toilet paper company, adding to the absurdity. From budget cuts to eccentric colleagues, Ned must navigate chaos while trying to inspire a team unused to serious reporting.
Oscar Nuñez makes a surprise return as Oscar Martinez, the character he played across nine seasons of The Office. In the trailer, Oscar’s first reaction to seeing the documentary crew again is pure exasperation: “Not again. I’m not agreeing to any of this!” He even threatens to ruin the footage by swearing on camera.
This marks the first on-screen appearance of a The Office character in the spinoff, giving fans a nostalgic hook while introducing a new cast of oddball personalities.
The Office spinoff The Paper debuts September with Oscar Martinez’s comeback Ask ChatGPTInstagram/ hotchka2015
Who’s in the cast and creative team?
Joining Gleeson and Nuñez is The White Lotus breakout Sabrina Impacciatore as Esmerelda Grand, the Truth Teller’s dramatic and manipulative managing editor, demoted when Ned takes over. The ensemble also includes Chelsea Frei (The Cleaning Lady), Melvin Gregg (Snowfall), Gbemisola Ikumelo (A League of Their Own), Alex Edelman, Ramona Young (Never Have I Ever), and Tim Key (The Witchfinder).
Behind the scenes, the series is co-created by Greg Daniels, the showrunner of the U.S. The Office, and Michael Koman (Nathan for You), both serving as executive producers alongside Ricky Gervais and Stephen Merchant, creators of the original British The Office. The production is backed by Universal Television, part of Universal Studio Group.
The Paper premieres on Peacock on 4 September with four episodes. Two new episodes will follow every Thursday until 25 September. Indian viewers can catch the series on JioHotstar from 5 September.
The show’s mix of small-town absurdity, eccentric workplace humour, and sly nods to The Office aims to attract both loyal fans of the original and newcomers looking for a fresh mockumentary fix.
Whether The Paper will match the cultural impact of The Office remains to be seen, but with Oscar Martinez’s return, Greg Daniels’ involvement, and a sharp, satirical premise, it’s already generating significant buzz in TV circles. Fans now have just one question: will this new workplace be as unforgettable and dysfunctional as Scranton?
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Netflix’s Pride and Prejudice features Emma Corrin and Olivia Colman in lead roles
• Netflix shares first image and complete cast list for Pride and Prejudice series • Emma Corrin stars as Elizabeth Bennet, with Olivia Colman as Mrs Bennet • The diverse ensemble includes newcomers and veteran actors • Series written by Dolly Alderton, directed by Heartstopper’s Euros Lyn
Netflix has officially kicked off production on its six-part limited series Pride and Prejudice, offering fans a first glimpse at its fresh interpretation of the Jane Austen classic. The first-look image features the Bennet sisters and their mother in full period costume, combining veteran star power with a rising, diverse cast. With Emma Corrin leading as Elizabeth Bennet and Olivia Colman as Mrs Bennet, the series is set to reintroduce Austen’s story to a new generation with a contemporary lens.
Netflix’s Pride and Prejudice features Emma Corrin and Olivia Colman in lead roles X/Netflix
Who stars in Netflix’s Pride and Prejudice adaptation?
The confirmed cast boasts a mix of celebrated names and new talent. Emma Corrin takes on the lead role of Elizabeth Bennet, joined by Jack Lowden as Mr Darcy, though notably absent from the first released photo. Olivia Colman plays the eccentric Mrs Bennet, while Rufus Sewell joins as Mr Bennet.
Freya Mavor appears as Jane Bennet, Rhea Norwood (from Heartstopper) as Lydia, and newcomers Hopey Parish and Hollie Avery step into their debut roles as Mary and Kitty. Additional cast includes Jamie Demetriou (Stath Lets Flats) as Mr Collins, Daryl McCormack (Knives Out 3) as Mr Bingley, Louis Partridge as Mr Wickham, and Siena Kelly as Caroline Bingley.
Supporting roles are filled by a richly diverse lineup including Anjana Vasan (We Are Lady Parts), Sebastian Armesto (Gangs of London), and Saffron Coomber (Three Little Birds).
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What makes this adaptation different from past versions?
This new Pride and Prejudice series promises to be a faithful retelling of Austen’s novel but filtered through a modern production approach. The inclusion of actors from varied backgrounds, such as South Asian actress Anjana Vasan and Black British actors like Saffron Coomber, adds a refreshing layer of representation not often seen in period dramas.
Writer Dolly Alderton, best known for Everything I Know About Love, aims to balance authenticity with accessibility. Speaking about her vision, she said, “Jane Austen’s Pride and Prejudice is the blueprint for romantic comedy. It’s been a joy to find both familiar and fresh ways of bringing this beloved book to life.”
Director Euros Lyn, who helmed Heartstopper, brings a nuanced understanding of character-driven storytelling that resonates with younger audiences. The creative team also includes executive producers Laura Lankester, Will Johnston, and Louise Mutter, with Corrin herself taking on a co-executive producer role.
How are fans reacting to the new cast and first look?
The first image, posted by Netflix on X, features the Bennet women in a pastoral setting, draped in Regency fashion. Reactions have poured in, with many applauding the casting of Corrin and Colman. While some long-time Austen fans expressed nostalgia for earlier versions, especially the 1995 BBC adaptation, most expressed curiosity and excitement about the show’s direction.
A popular sentiment on social media was summed up by a fan post: “Where’s Mr Darcy? But in Olivia we trust!” Others welcomed the broader representation, hoping the series includes inclusive storylines that reflect today's social realities.
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When will Pride and Prejudice premiere on Netflix?
While no official release date has been announced yet, production has started in the UK as of July 2025. With its six-episode format, the series is expected to wrap filming later this year, likely setting the stage for a 2026 global premiere on Netflix.
Until then, fans of Austen and period dramas alike will be keeping a close eye on every update. With its fresh cast, ambitious vision, and loyal base of Janeites worldwide, Netflix’s Pride and Prejudice may well become one of the most talked-about adaptations yet.
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All past and future South Park episodes will now stream exclusively on Paramount+
South Park creators Trey Parker and Matt Stone sign a new five-year deal with Paramount Global.
The deal, worth £1.1 billion (₹11,600 crore), includes 50 new episodes and exclusive streaming rights.
All 26 past seasons will move from HBO Max to Paramount+.
Season 27 premieres 23 July on Comedy Central, followed by streaming on Paramount+.
After months of negotiations and behind-the-scenes legal tension, South Park will now officially stream on Paramount+. Creators Trey Parker and Matt Stone have signed a massive £1.1 billion (₹11,600 crore) deal with Paramount Global, ensuring the future of the long-running adult animation for another five years.
The agreement includes 50 brand-new episodes, with all 26 previous seasons moving to Paramount+ globally. The show's 27th season, which was delayed due to contractual disagreements, premieres on Comedy Central this week, followed by streaming availability the next day.
South Park fans call out Paramount Plus for pulling the show worldwide Variety
Why is South Park moving to Paramount+?
The shift from HBO Max to Paramount+ marks a significant win for the latter in the streaming wars. With HBO Max previously holding domestic streaming rights in a £385 million (₹4,000 crore) deal, Paramount’s move regains control of one of its most valuable franchises.
The company now has both the back catalogue and future episodes, giving it exclusive streaming control worldwide. According to industry insiders, the deal’s high valuation also acts as an advance against streaming revenue, making it a strategic long-term investment for Paramount and its global platform.
Under the terms of the agreement, Comedy Central will remain the first broadcaster of new South Park episodes. Each episode will then stream on Paramount+ in the US and globally the following day.
In total, the deal guarantees 50 new episodes across five seasons. Parker and Stone’s studio, Park County, also retains a unique clause entitling it to about 50% of streaming revenue, one of the main reasons why the duo continue to secure record-breaking deals.
Despite previous legal threats and public frustration over delays, the new contract aligns the show’s creative future with Paramount+ as the central hub.
South Park creators ink a multi-billion deal following delayed Season 27 premiere Amazon
What caused the delay in South Park season 27?
Season 27 was originally slated for 9 July but was pushed to 23 July due to delays in finalising the contract. A major source of friction was the involvement of incoming Paramount president Jeff Shell and the influence of Skydance Media, which is in the process of acquiring the company.
Park County accused Shell of interfering with negotiations involving Warner Bros Discovery and Netflix. The creators even brought in high-profile attorney Bryan Freedman during the dispute, showing the seriousness of the standoff.
Paramount reportedly settled for a shorter, five-year term at £1.1 billion (₹11,600 crore) after shelving a larger, 10-year proposal due to Skydance’s reservations about long-term streaming investments.
Fans can expect new weekly episodes starting 23 July on Comedy Central. This deal also paves the way for more South Park content to live exclusively on Paramount+, potentially including new specials or spinoffs.
In a joint statement, Parker and Stone said they were “grateful for the trust placed in us” and promised to “build something special” with the extended deal. Chris McCarthy, Paramount’s co-CEO, hailed them as “creative forces” who continue to push boundaries and deliver global hits.
With this agreement in place, Paramount+ strengthens its library and stakes a major claim in the adult animation space, while South Park remains one of the most profitable and culturally resonant TV shows of its generation.