Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Original Harry Potter director Chris Columbus says leaked set photos of HBO’s series left him unimpressed.
Columbus noted Hagrid’s costume looks “exactly the same” as Robbie Coltrane’s in the films.
The filmmaker said he felt déjà vu, asking “What’s the point?” of the reboot.
HBO’s Harry Potter remake is set to debut in 2027, with Nick Frost playing Hagrid.
Chris Columbus, the director who first brought Harry Potter to the big screen, has questioned the point of HBO’s upcoming television reboot after seeing set photos of Hagrid. Speaking on The Rest Is Entertainment podcast, Columbus said the images reminded him too closely of his own work, raising doubts about why the Harry Potter reboot was necessary at all. His comments have reignited discussion about how faithfully the new series should mirror the original films.
Chris Columbus says leaked photos of Hagrid in HBO’s Harry Potter reboot felt like déjà vu Instagram/harrypotterhbonotofficial/ Getty Images
Why did Chris Columbus criticise the Harry Potter reboot?
Columbus, who directed Harry Potter and the Philosopher’s Stone and Chamber of Secrets, said he was struck by how little seemed to have changed in the HBO production. Referring to leaked pictures of Nick Frost as Hagrid, he explained: “I’m seeing these photographs and he’s wearing the exact same costume we designed for Hagrid. Part of me was like, what’s the point? I thought everything was going to be different, but it’s more of the same.”
He admitted that while it was flattering to see his original design carried forward, it left him with a strong sense of déjà vu.
‘Harry Potter’ reboot slammed by Chris Columbus as pointless after Hagrid costume looks unchangedGetty Images
Who is playing Hagrid in the HBO Harry Potter series?
British actor Nick Frost, best known for films such as Shaun of the Dead, has taken on the role of Rubeus Hagrid in the new Harry Potter reboot. The late Robbie Coltrane famously originated the character in the film franchise, becoming a fan favourite.
Columbus revealed he recently spoke with Frost and admitted it felt “surreal” to see another actor in the role, especially as he was close friends with Coltrane. The new costume design, which mirrors the original, has sparked debate online about whether HBO is playing it too safe.
Nick Frost takes on the role of Hagrid in the upcoming Harry Potter HBO seriesInstagram/harrypotterhbonotofficial
What can fans expect from the HBO Harry Potter series?
Unlike the films, the HBO reboot will adapt each book across a full season, allowing the show to explore characters and subplots left out of the cinema versions. One example Columbus highlighted was Peeves the poltergeist, a comic figure from J.K. Rowling’s novels who never made it to the big screen due to technical challenges.
The cast includes Dominic McLaughlin as Harry Potter, Arabella Stanton as Hermione Granger, and Alastair Stout as Ron Weasley. John Lithgow, Janet McTeer, and Paapa Essiedu have also joined the ensemble. The show is currently in production at Warner Bros. Studios Leavesden in the UK and is expected to premiere in 2027.
The new trio cast as Harry, Hermione and Ron step into a world where childhood and fame rarely mix well Instagram/harrypotter/Getty Images
Has Chris Columbus moved on from Harry Potter?
Despite his criticisms, Columbus was clear that he harbours no envy towards the new creative team. “Jealous? No. It’s time to move on,” he said, adding that he was proud of his films but did not want to revisit the franchise.
Columbus is currently promoting his latest project, Netflix’s The Thursday Murder Club, based on Richard Osman’s bestselling crime novels. He also recently voiced disappointment at J.K. Rowling’s public stance on transgender rights, calling her views “very sad.”
For him, the Harry Potter reboot is both a reminder of his legacy and a sign that the wizarding world will continue to be reimagined for new generations, whether or not all fans agree with HBO’s choices.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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