AJAY CHOWDHURY, the UK’s leading authority on James Bond movies, has expressed his sadness that No Time to Die is having to be postponed yet again.
“No Time to Screen,” quipped one tabloid newspaper as the film’s release date was postponed from November 11 this year to April 2, 2021.
This is a full year behind an earlier release date of April 2020.
The James Bond film’s makers said in a statement last week: “MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, announced that the release of No Time to Die, the 25th film in the James Bond series, will be delayed until April 2, 2021 in order to be seen by a worldwide theatrical audience.
“‘We understand the delay will be disappointing to our fans, but we now look forward to sharing No Time to Die next year.”
Chowdhury, spokesman for the James Bond International Fan Club and author of Some Kind of Hero: The Remarkable Story of the James Bond Films, told Eastern Eye: “Just when we thought that Christmas was coming, it seems for Bond fans it has been delayed.”
He pointed out that October 5 was “Global James Bond Day – the date when Dr No first premiered in London at the London Pavilion cinema in 1962”.
He added that the postponement of No Time To Die “is a blow to not only 007 lovers, but also to the cinema industry itself.
“This comes in the week where Billie Eilish’s title song was released with a new video. With publicity gearing up a second time for the movie, it seems the current Covid crisis has done what most Bond villains have failed to do: put paid to 007. For now.”
He pointed out that “a Bond film is a huge commercial juggernaut and as the advertising partners were launching their 007 related merchandise, this could be more than an inconvenience. “No Time To Die would have been the first major franchise event to open during the Covid crisis. Cinemas were banking on Bond.”
Chowdhury gave some details about the film itself: “Daniel Craig’s fifth, and seemingly final, Bond film has been tantalisingly teased with a high octane entry. Cary Fukanaga’s 007 directorial debut takes us on a global odyssey from Jamaica to Cuba, from London to Norway, from Italy to the Faroe Islands and beyond.
“As usual the adventure is fully loaded with action on the ocean, on land and sea involving a mysterious laboratory facility, a sinewy hair-raising motorbike chase, a panoramic drive on an impossible ocean bridge, a rough cross country chase involving the new Land Rover Defender and stylish Bondian action involving a plethora of Aston Martins from the classic DB5 to the brand new Valhalla.”
“When No Time To Die eventually reaches cinemas worldwide, it will be the culmination of a much cursed release. The film was originally slated to come out in October 2019, then February 14, 2020, then April 2020, then November 2020. Covid-19 might still be with us next year, but maybe audiences will get some relief.
“Cinema, in part, depends upon Bond. It is five years since his last screen appearance, the longest gap between Bond’s films.”
The postponement of the Bond movie has forced the Cineworld chain to consider temporarily suspending operations at all of its 536 Regal theatres in the US and its 127 Cineworld and Picturehouse theatres in the UK with effect from Thursday (8).
Cineworld said: “We can confirm we are considering the temporary closure of our UK and US cinemas, but a final decision has not yet been reached.”
It is feared 5,500 jobs in the UK are at risk.
Many Cineworld multiplexes set aside a couple of screens only for showing Bollywood and Tamil films, but this market has also been badly affected by the pandemic.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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