Eastern Eye caught up with the fabulous talent to discuss comedy and how becoming a mum gave her new material
By Asjad NazirMay 04, 2023
She may be a talented actress, broadcaster and one half of an acclaimed sketch comedy duo, but Emily Lloyd Saini is arguably at her best when she delivers dynamite solo stand-up sets loaded with explosive jokes.
This ability to light up the stage with her incendiary brand of comedy has enabled the half-Indian British funny woman to deliver unforgettable laughter-filled live sets. She returned to the stage recently, after taking a break for motherhood, and has been part of multiple shows, including the current Ladies Of Laughter tour.
Eastern Eye caught up with the fabulous talent to discuss comedy and how becoming a mum gave her new material. She also spoke about key advice for young girls wanting to pursue comedy, inspirations and revealing too much on stage.
How do you reflect on your comedy journey?
I’m still very much on it. Stand-up has always been my side hustle so I’m constantly falling behind my comedy peers as they become fantastic stand-ups, honestly, they work so hard. I’m glad I found standup, it's taught me so much and I’m grateful that I get to do it.
What has been your most memorable moment?
Rob Delaney hosted the Comedy Central TV gig I did and was really lovely about my set afterwards. It was a brand-new bit I was trying, so was on cloud nine. Then I got a part in his and Sharon Horgans show Catastrophe, which I’m convinced he made happen.
Was it difficult to take a break for motherhood?
The planet kind of decided for me. My baby was born in lockdown one, so there were no gigs to miss. But it took me a while to work up the nerve to come back. Live performance is a muscle, and like with many of my muscles post pandemic, it felt very out of shape.
How does it feel being back on stage again?
Incredible. And it really is a testament to Altaf (Sarwar) who runs Luv Entertainment and Desi Central. The audiences are so up for it that it’s an absolute joy to perform for them.
Has becoming a mum given you new material?
Yes. And it’s cheaper ranting about it to audiences than getting therapy. I wondered about doing it – is it already done? Is it boring to people with no kids? but it’s my life and that’s all I can pull from. And it seems to be going well.
How do you balance being a mum with stand-up comedy, which is predominantly in the evenings?
I’m still finding it. I’m having to learn how to say no. The temptation is to take all the gigs going. I love the practice and hate missing an opportunity. But I promised myself balance. It’s not my only job, so I can’t be swanning off three-four nights a week just yet. Plus, late nights gigging no longer means a lie in the day after.
Where do you predominantly get inspiration from for your jokes?
My life. It usually starts as a shared anecdote with a friend, and if they laugh at the story or observation, I log it and file it away for potential material.
Do you sometimes feel you reveal too much on stage about yourself?
Not so much on stage, as I have a bit of planning with what I will talk about. If anything, when I’m trying stuff out, I can reveal too much about others. That has gotten me into trouble and I’ve learned my lesson. But podcasts, I’ve had to ask them to edit out big chunks of me chatting about personal stuff I definitely don’t want out there. It’s like being at the hairdressers, you get comfy, and they ask questions, and you tell all. We all do that at the hairdressers right?
Has being funny ever helped you in real life?
Being funny is real life. If you make someone laugh, they’re much more likely to like you right? And being liked is always helpful. That’s not to say everyone finds me funny or likes me, but that’s ok, they’re not my people, and not real life.
Who is the funniest person you know in everyday life?
My daughter. But I’m not sure that counts because I’m laughing at her not with her most of the time. So, I’ll say my sketch partner Anna (Leong Brophy), she can make me laugh until I cry with just a look.
What is it like being on an all-female lineup on the Ladies of Laughter tour?
Great fun. Generally, at gigs there’s only one woman on a lineup (#notallgigs), so we don’t get to see each other’s material that often. Also, I’m a big fan of some of the people I’m on the line-ups with.
What advice would you give young girls wanting to pursue comedy?
Just do it and don’t be scared to get it wrong. The worst that can happen is a small room of strangers doesn’t love your set for five minutes. You’ll never have to see them again. And if you’re not sure about performing, then write. Write everything down – because a small thought in Tesco’s could turn into a fantastic joke. But if you don’t write it down, guaranteed you’ll have forgotten it by the time you get home (other supermarkets are available).
Who is your own comedy hero?
Goldie Hawn. I remember watching her growing up and thinking she was such a fearless and hilarious clown. And even now she just gives out such a positive energy (at least, her socials do).
What is the secret of a great stand-up set?
If you find this, tell me. There are so many ingredients that go into a good night. You can have the best set in the world and still not win over a crowd. The host, audience, night of week, time, how drunk that guy in the second row is, all contribute. Also, comedy is relative – what I might find hilarious, you might not and vice versa. So, it’s an impossible question.
Have you ever left anything behind rushing from one event to another?
Doing sketch comedy too means we have so many weird props that we (I) misplace. Once I nearly ruined a whole gig by losing a toilet roll holder and panic rang nearly every stop on the overground to find it. Spoiler, they did not help.
How do you feel being on stage?
Terrified, euphoric, comfortable, excited, and powerful, all at once.
Ladies Of Laughter at Newhampton Arts Centre in Wolverhampton on June 23 and Belgrade Theatre, Coventry on June 24. www.luventertainment.co.uk
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
Keep ReadingShow less
The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
Keep ReadingShow less
UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
Keep ReadingShow less
The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.