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Editor's comment: Amber list caution

Editor's comment: Amber list caution

LAST week, the UK government confirmed that India would be moved from its red list to amber travel status.

The change, which came into effect from last Sunday (8), means fully vaccinated travellers to the UK will no longer have to adhere to the mandatory 10-day hotel quarantine rule.


The more relaxed guidelines will undoubtably be welcome news to many British Asians, who are keen to visit loved ones in India.

However, it is vital that visitors remain vigilant while they are in the country. It was only months ago that India was devastated by a second Covid-19 wave that saw many hospitals and crematoria overwhelmed with cases and deaths.

India was added to the UK’s red list back in April while the country was seeing more than 400,000 coronavirus cases a day.

Although the wave seems to have abated a little, coronavirus cases are still relatively high in the nation and there are vaccine shortages in some areas.

India only ranks 94th in the world based on percentage of population vaccinated.

Although those who are double jabbed may have fewer concerns regarding the consequences of catching the virus, it is still essential that people stay safe and remain cautious.

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Go global, stay rooted: Lessons Africa can take from India’s creative rise

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Ayodele Odeyemi

As a Nigerian-born media professional living in Canada, I often find myself reflecting on the extraordinary evolution of the South Asian creative industries—particularly India’s—and what they can teach Africa at this pivotal moment in our cultural journey. The parallels between our regions are striking: both are home to vast populations, layered histories, multilingual societies, and diasporas that span the globe. Both have rich storytelling traditions, vibrant music cultures, and an instinctive flair for spectacle. Yet only one has succeeded in transforming that cultural wealth into a fully global, multi-billion-dollar media ecosystem.

India did not achieve this by accident. It was shaped through intentional, long-term investment in identity, audience, and technical excellence. Those of us passionate about building an expansive African media future — across film, television, music, publishing, and live events — should not just admire this achievement, but study it.

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